https://www.mixerarts.com/produce daily 1.0 2025-08-06 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528190039945-QH2YV6UN6R1UUSLQAZ8Z/23.jpg Home - MIXER Mixer is an art platform that brings a different interpretation to the idea of modern art space, whilst discovering emerging artists and making unique artworks accessible to all. Mixer especially aims to target independent artists, those passionate about art and any burgeoning collectors looking to start up a collection of their own. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528190039945-QH2YV6UN6R1UUSLQAZ8Z/23.jpg Home - MIXER Mixer is an art platform that brings a different interpretation to the idea of modern art space, whilst discovering emerging artists and making unique artworks accessible to all. Mixer especially aims to target independent artists, those passionate about art and any burgeoning collectors looking to start up a collection of their own. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1698017366726-N5WFJ5TPQJP2V5RHSLL7/Dear+visitors%2C+to+prevent+the+spread+of+the+Covid-19+outbreak+that+threatens+the+whole+world%2C+our+gallery+will+be+open+only+with+appointment+during+this+process.+Our+team+will+be+available+online++%282%29.png Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1685468721854-JNBMU0AJVSRF9R3V3C2I/web+banner_hd.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1698017230966-9NQSR9RAAAC2NGEF4U67/Dear+visitors%2C+to+prevent+the+spread+of+the+Covid-19+outbreak+that+threatens+the+whole+world%2C+our+gallery+will+be+open+only+with+appointment+during+this+process.+Our+team+will+be+available+online++%281%29.png Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1685455837797-PS56L9XVZJXYB5HERY4E/web+banner.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1754469879763-OQAP1MZYP595YYH6AHBP/11.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1685184584477-Q2P91C876VK0FGEQDLGG/Printede23+Web.png Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1670334167272-2ITD3WGVWXJ18NIWOWYU/WhatsApp+Image+2022-11-22+at+18.03.08+copy.jpeg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1649595394328-44E9AANAOT85CUHTHUR4/2.png Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1636024007469-LMAC19AN9OAUQ4CXKGEN/I%CC%87stanbul+Gallery+week+%28Facebook+Etkinlik+Kapak+Fotog%CC%86raf%C4%B1%29+%28Facebook+Kapak+Fotog%CC%86raf%C4%B1%29.png Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1599005306982-L6E44ZRSRO6SKBT78FNI/Ahu+Akgu%CC%88n+Sebebi+Ziyaret+Web+Banner+%282%29.png Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1545293754433-WFY1LV0IHM0B0OWSX36M/mixer+anasayfa+nov20_revize3.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543286520254-V2MKEAJK26NLJ2PB2IPG/mixer+anasayfa+nov273.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1547158419918-35VGZ1VX69BWVMT68S8O/mixre+anasayfa+son.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1540980191660-QPZ39RAXKSONVVIT71O8/marcus+egitim3.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543286451339-B10O017N0MLXJCE06MST/mixer+anasayfa+nov273.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543286306202-0BHIWO8DL7RYVLEQA947/mixer+anasayfa+nov273.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543286146387-QYU25S1IW87Y48P9QRWL/mixer+anasayfa+nov272.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1539701979235-5RUZ1VOOJQZNZAZ97WUY/anasayfa-oct149.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1539700756327-XBADEQSHHP5XNDOT932G/mixer+dijital+oct16.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1539682450384-KHSO2D38A0RNWP32W8KO/anasayfa-oct148.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1539682588703-PXWUY089RDG6X0P1LUEI/anasayfa-oct148.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1539682526570-5WMBCM2LI8WFM9IIVICH/anasayfa-oct148.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534420239881-WVSTTS0Z8AZFGJL2LSZD/anasayfa.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534420844398-VETJHSLDWPACHFMD3QA8/mixer+anasayfa2.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534421294081-PG01P2T5E72KZN5HWJKA/mixer+anasayfa3.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534418741048-X70WSOCGSIOOH4K39GQ6/ci+dijital.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534418922098-01OJV4EW15NCWTYBLTP4/ci+anasayfa.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534418802657-Q3I6VXSYFF9USI33WPXH/ci+anasayfa.jpg Home https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534418452606-3CY98WD2UMTSEMXSIE4L/ci+dijital.jpg Home https://www.mixerarts.com/artists daily 0.75 2023-11-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1592028078768-7IV11YV1PMI1HQZIL59Z/image-asset.jpeg Artists - Alican Leblebici https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1592028078768-7IV11YV1PMI1HQZIL59Z/image-asset.jpeg Artists - Alican Leblebici https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1600434737606-4L5ZAV5GPK9BA0VBG155/Ahu%2BAkgu%25CC%2588n%252C%2BProfil-Foto.jpg Artists - Ahu Akgün https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528241064002-UVIVW3V9WR1YXZPMSVBK/Alican-Leblebici.jpg Artists - Alican Leblebici https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1583395322896-046HG8B1R1NTV5GUK3L5/unnamed%252B%2525281%252529.jpg Artists - Ali Şentürk https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1618224919883-ATM300LB4XSJJAF0XYDY/image1.jpeg Artists - Alp İşmen https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534333670230-HPLTC9TJYDTUAB2XW1Q9/Profil+foto.JPG Artists - Bengisu Bayrak https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1623355678203-UBXS6KP736RUJ2KGEC1F/vZzet6oB.jpg Artists - Bora Aşık https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1550310071593-JZSI57RC3GSIOQB0K32J/Do%C4%9Fu+%C3%96zg%C3%BCn-Profil+Foto.jpeg Artists - Doğu Özgün https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528446958670-BNORY5CS0NP3NTQN0GU6/1_1000+%281%29sb.jpg Artists - Eda Soylu https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530784570624-2KRWV2VBMCX0U0FPYZK0/814bc7fa4954a361b3585476fe1d7973.jpg Artists - Egemen Tuncer https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529591929762-9HEL5K5HA073YPC30SU1/DSC_0077.jpg Artists - Elif Özen https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1678228037562-9OSL3RE1SOP8AZR730LH/_DSF1450.jpg Artists - Ci Demi https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530784664792-2LOWGDPISONSQ5CZZEBS/Furkan_%C3%96ztekin_profil_foto_highres.jpg Artists - Furkan Öztekin https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1564664546308-GFYPOTRLEZHHP0PU8OM0/tercihen-288x300+%281%29.jpg Artists - Gökçe İrten https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1629233637343-3OF7GN2L21P7BDULC7DR/Gurur+Birsin+Profil+Foto.jpg Artists - Gurur Birsin https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1616514909674-DVAO8VHIPZJLJ2C5X24F/ProfilFoto_G%C3%BClnihalKalfa.JPG Artists - Gülnihal Kalfa https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1617802070813-HMDKIOWVGJIPDJVDKWOX/Hilal+Polat+Profil+low+2.JPG Artists - Hilal Polat https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530785169302-SCNT7CIXAT6PJNCD8VGB/isil-profile.jpg Artists - Işıl Eğrikavuk https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530790347485-0Z96MO3FSEBOJV1K8MTU/Julie-nymann-Josefine-seifert-web.jpg Artists - Julie Nymann https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1665823801444-O023HYWCFWME55RVYE4G/Ku%CC%88rs%CC%A7at+Bayhan+Profil+Foto.jpeg Artists - Kürşat Bayhan https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529488255618-CZ8XVG0EQ51993OY42UL/MedihaDidemTuremen_Portrait-B%26W.png Artists - Mediha Didem Türemen https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1554295375633-H20PHHNH03FWQ8O0FLBR/MeltemSahin_fotograflj%C4%B1lj.jpg Artists - Meltem Şahin https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1670687480194-WSQRA7JK6VULTI2RGFSW/profil+foto.jpg Artists - Merve Dündar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530801168845-Q1R7GCKLUHIB6AMEVJRV/N.E-Portre.jpg Artists - Nazlı Erdemirel https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1580383683063-0ON9XNWRPJ5OZOFQJEV0/image-asset.jpeg Artists - Ozan Atalan https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530785275672-F8M9DH34J4YVVX1RIVAU/%C3%96zcan-Sara%C3%A7-Profil-Foto.jpg Artists - Özcan Saraç https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1670690558796-AL47L5W3JC0Q3KE7MEMY/Rugu%CC%88l_Serbest_+Profil.1.jpg Artists - Rugül Serbest https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530784975024-8MLTYD37B9FC0LH2BBS4/S%C4%B1rma_Doruk_profilfoto%C4%9Fraf%C4%B1.jpg Artists - Sırma Doruk https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1610150608849-V9NYQ99I9KDJRAC5N4XA/portre.jpg Artists - Sibel Kocakaya https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1633006317168-EZCSMT82HAL1M4RM2W64/791a07e2-06dd-4893-b1eb-775ecfc6d984.jpg Artists - Umut Toros https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1550310042275-K1BY8FLUEI2ML0HWZLOJ/Y%C3%BCksel+Dal+Profil+Foto.jpeg Artists - Yüksel Dal https://www.mixerarts.com/new-gallery-1 daily 0.75 2018-06-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465140019-Z4O62RBO273GBX0WHOCX/Art+Stage+Booth+c14-2.jpg Art Stage Singapore 2018 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465140019-Z4O62RBO273GBX0WHOCX/Art+Stage+Booth+c14-2.jpg Art Stage Singapore 2018 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465764181-8A3BFCVV71BUEYN03SEG/Art+Stage+Booth+c14-9.jpg Art Stage Singapore 2018 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465829083-HD2W0I28UFEC4EFJ5I70/Art+Stage+Booth+c14-21.jpg Art Stage Singapore 2018 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465860506-0D7RFFCH4Z6ACZOX8BL6/Art+Stage+Booth+c14-29.jpg Art Stage Singapore 2018 https://www.mixerarts.com/newsevents daily 0.75 2018-06-22 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529507521023-SHCTM0U13DC87G3JKBJB/marcus4.jpg News&Events - Training: Modern & Contemporary Art in Turkey 4-week of art history classes by Marcus Graf continues with the topic "Modern & Contemporary Art in Turkey". This course examines the artistic development up to 1950s in Turkey. In this context, new topics, disciplines and approaches emerged in the process of transition from Modern Art to Contemporary Art are discussed. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529507521023-SHCTM0U13DC87G3JKBJB/marcus4.jpg News&Events - Training: Modern & Contemporary Art in Turkey 4-week of art history classes by Marcus Graf continues with the topic "Modern & Contemporary Art in Turkey". This course examines the artistic development up to 1950s in Turkey. In this context, new topics, disciplines and approaches emerged in the process of transition from Modern Art to Contemporary Art are discussed. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529508473314-491K3RMKRKYEES2LFGXD/insta.jpg News&Events - Training: Contemporary Art Theories and Practices "Theories and Practices of Contemporary Art" training course prepared by curator, instructor and writer Prof. Dr. Marcus Graf digs into different formal, aesthetic and conceptual approaches in contemporary art. In the globalizing world, contemporary artists who reflect, criticise rapidly changing social systems are debated with participants on alternative artistic strategies. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529576991866-04X93QYYVLMERGOQRZ5S/sanat+e%C4%9Fitimleri-011-3-07-kare.jpg News&Events - Training: Contemporary Art at KÜMED MIXER organized a training program in collaboration with & KÜMED (Koç University Alumni Club). The main subject of this 4 session training program is contemporary art with instructors Osman Erden, Marcus Graf and Ebru Yetişkin. March 7th, Wednesday / Osman Erden / KoçPera / 19:00-21:00 What does Contemporary Art tell us? From 1950's to 80's It seems the innovative feature of modern art have begun to lose towards the end of the 1950s. There is now another period in the history of art with the pop art movement that first appeared in the UK and then in the US, driven by Andy Warhol. The field of contemporary art begins to vary in content, both with the differences in expression forms and with the 1960s. Yoko Ono, Carolee Schneemann's performances, the emergence of ZERO, which opened a white page against the past in Germany, came together in the USA and established the Coalition of Art Workers, putting corporate criticism into contemporary art and one of the basic materials of art. The first examples of the emergence of antagonism. In the 1970s, conceptual art, body art, land art examples will begin to be seen. The 1970s were also the years when feminism reflected directly on contemporary art. In this seminar, it will be mentioned how contemporary art cherishes from the 1950s to 1980s. March 14th, Wednesday / Osman Erden / KoçPera / 19:00-21:00 From the 1980s to date: What does Contemporary Art tell us? In the 1980s, Thatcher is in power in UK, Reagan is in power in the United States, liberty in the economy and conservatism in the cultural arena was popular. This situation has also been found in contemporary art. Art is a strong field for political opposition. The stand against homosexuality, AIDS, consumption culture is the most obvious time of this period. The artists’ coming together in initiatives such as ACT UP! to fight politically are important during these periods. The photographs of Robert Mapplethorpe, the graphs of Keith Haring, the performances of Guerrilla Girls emerged during this period. Félix González-Torres’s art which can be examined with the concept of relational aesthetics, Jeff Koons’ kitsch aesthetics, Young Britisih Artists initiative by Charles Saatchi come to the forefront during the 1990s. This seminar will be discuss in detail how to follow that line of contemporary art from the 1980s to the present day with examples from Turkey. March, 20th Tuesday / Mixer / 19:00-21:00 Contemporary Art in Turkey with Marcus Graf This training by Professor Dr. Marcus Graf will take place to discuss the similarities and differences between modern and contemporary art, it will also refer to important institutions and leading figures of the contemporary art scene in Turkey. March 28th, Wednesday / Ebru Yetişkin / KoçPera / 19:00-21:00 Unforgettable: Media Arts in Turkey Günümüz bilgisayar ve medya teknolojileri kullanılarak üretilen yeni medya sanatını ele alacak bu oturumda medya teorisyeni ve küratör Doç. Dr. Ebru Yetişkin, günümüz sanatının bilim, politika, felsefe ve teknoloji ile iç içe geçen yönleri hakkında seminer verecek. “Unutulmayanlar: Türkiye’de Medya Sanatları” başlığı altında Türkiye’de üretim yapan medya sanatçılarının çalışmaları keşfedilecek. Media theorist, academician and curator Ebru Yetişkin will discuss the new media art produced using modern computer and media technologies. Dr. Yetişkin will dig into how today's art is intertwined with science, politics, philosophy and technology. Media artist engaged in production in Turkey will be discovered. April 21st Saturday / 13:00 – 17:00 Treasure Hunt with Exhibition Tours In the "Treasure Hunt" event created and run by Mixer, the participants will visit the galleries in the same building and five nearby galleries and listen to the exhibitions and follow the works of art in groups to play a delightful treasure hunting game. The tour includes Mixer, ArtSumer, Gallery Nev, Pi Artworks and Sanatorium. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529578851125-AJC54M7FAUJTXJ809ERZ/marcus+dijital+revize3.jpg News&Events - Training: Neo-Modern to Post-Modern Art with Marcus Graf | 1945 - 1990 Dates: 13, 20 February, 6, 13 March 2018 Sanatın toplum için önemine inanan ve ulaşılabilir sanat kültürünü benimseyen Mixer, eğitim programlarına Şubat ayında devam ediyor. Küratör, eğitmen ve yazar Prof. Dr. Marcus Graf’ın vereceği “Neo-Modern Sanat’tan Post-Modern’e” başlıklı seminer dizisi 2. Dünya Savaşı sonrasında görsel sanatlar alanındaki gelişmelere odaklanıyor. 1945 sonrası soyut eğilimlerden başlayarak, 1970'lerin sonuna kadar sürecek olan seminer, akımların çeşitli kavramsal ve formel karakteristiklerini de inceleyerek, çağımız sanatının yorumlanmasına katkıda bulunmayı hedefliyor. Mixer, who believes in the importance of art for society and embraces an accessible art culture, continues its training programs in February. From Neo-Modern Art to Post-Modern" by curator, instructor and writer Prof. Dr. Marcus Graf focuses on developments in visual arts after World War II. Starting from the abstract tendencies after 1945, to the end of the 1970s, the seminar aims to contribute to the interpretation of the contemporary art by examining the various conceptual and formal characteristics of that period. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529584886594-LICPJXSB9DK5MEZB6QVY/etkinlik+dijital3.jpg News&Events - Artwriting: Workshop March 22nd and March 29th 2018 ArtWriting activities are going on with a workshop that is held in parallel to the exhibition "Tesbihte Hata Olmaz!" The possibilities of alternative approaches such as interpreting single works and standard exhibition criticism, establishing relations with different art branches especially in literature, will be discussed with the participants. The session will be moderated by Kültigin Kağan Akbulut and exhibition artists (Bengisu Bayrak, Leyla Emadi and EMIRHAKIN). The two-session-workshop aims to bring together participants from different disciplines. The first session to be held on Thursday, March 22nd will be about an exhibition of "Tesbihte Hata Olmaz" in Mixer with an artist talk. After the discussions on the works, it will be decided which type to write on the participants. In the second session, which will take place on Thursday, March 29th, the authors will be given feedback on their texts. The workshop aims at allowing authors to interpret each other's texts. At the end of the workshop, the texts will be archived with an e-book that will be published at MixerArts.com. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529584462408-XFYNDQF3LNI716W30JP7/SERG%C4%B0+KONU%C5%9EMASI3.jpg News&Events - Artist Talk: Teşbihte Hata Olmaz March 24th, 2018 The poetic power of the use of text in visual arts, the connection of the text with the object to support the expression, the image that gains new meanings, the documentation quality, the irony and analogy to place the text in visual expression will be discussed with the participation of the exhibit artists. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529593284689-MB6D5WGB35QHK31N6ON9/K%C3%BClt%C3%BCr-Sanat-Yazarl%C4%B1%C4%9F%C4%B1-T-Final-Turkce+2.png News&Events - ArtWriting Turkey: Arts and Culture Writing Workshop in Collaboration with British Council Date: August 10, 2017 Thursday - September 30, 2017 Saturday The British Council is organising an Arts and Culture Writing Workshop for emerging art writers who focus on visual arts. This workshop will be the first of a series of workshops on arts and culture writing organised by the British Council during major artistic events, and covering a wide range of art forms. This edition, organised with the support of Mixer aims to develop the professional skills of art writers from Turkey and help them expose their works on Visual Arts to wider audiences, locally and internationally. Deadline for the open call is 10 August. How to Write about Contemporary Art? With the field of the contemporary art now covering everything from performance and dance to experimental music, how is it possible for criticism to remain both expert and accessible? This intensive, practical programme will focus on developing the skills required to write about art today. The course will take the form of lectures, workshops, writing exercises, and group discussions. Participants will visit exhibitions including the Istanbul Biennial in the company of the course leader, write reviews, discuss the results during focused workshops, and learn the tools required to develop their writing, critical, and editing skills. They will be introduced to different modes of critical writing, taking into account the intended site of publication and audience. The course is led by Ben Eastham, the London-based art critic and editor with The White Review, art-agenda and documenta 14. He will offer individual guidance to each participant, and will undertake to edit and provide feedback on a new piece of their writing. You may reach detailed information through the link. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529593720121-I4SCVRZNKJT92NSM7LD7/mixer+sesssion+dijital+son3.jpg News&Events - Open Call: Mixer Sessions III Last Application Date: 16 April 2018 Mixer, who intended to guide young artists with their careers and to deliver art to everyone, since the day it was founded, continues to offer a place to artists where they can show their work with ‘’Mixer Sessions’’ that first took place in July 2016. The ‘’Mixer Sessions III’’ exhibition to be held in June this year, invites; senior, masters and doctoral students of Faculty of Fine Arts, to prove their artistic independence. ‘’Mixer Sessions’’ which took place in July 2016 for the first time, included the work of 23 artists as the result of the open call, also provided space for young curators last June with the curatorial project ‘’Black Box’’. The open call Mixer made this year will be accepting applications of young artists, for contemporary art pieces made in different mediums. Artists who want to take part in ‘’Mixer Sessions III’’ exhibition, where the work selection and curatorial work is undertaken by Mixer, can apply by filling in the application form till April 15. Please be sure to read the items listed in the Application Conditions before submitting your e-mail. Application Conditions: ▪ The application is open to senior, masters or doctoral students of the fine arts faculties and related departments. ▪ Artists must participate with original art pieces of their own. ▪ The artists are responsible for the originality of the works they submit. ▪ The work doesn’t have to abide by any discipline. Documents to be submitted with application: ▪ Biography, (must be written in English and Turkish in 3rd person language) the word count of the biographies must be 100-150. ▪ Portfolio (must contain at least 3 visuals of work) ▪ Artist Statement, the word count of the text must be 200-350. ▪ Visual and brief description of the work (the visuals of the work must be 300 dpi resolution) ▪ Tags should be written in the following format: [Name of the artist, Name of the work, Size, Medium, Year] https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529594700231-IOL6LOEEA3XJ1VCBAMH5/eskiz+dijital_revize.jpg News&Events - Training: Sketch Book workshop with Ahmet Sarı The sketch books become the memories that shed light on the processes of the artist's ideas and practices while originating the works of art. The routes through which the artist passes through can be read from these intimate books. Theses books reflect the mind map of the artist, the trials made many times, the mistakes, and the sheds a light on the final product. In this workshop, which will be held by Ahmet Sarı in parallel to the ‘Upside Down‘ exhibition, the participants will perform sketch studies to reinterpret the objects that make up the main idea of the exhibition. The workshop which will last about 2 hours aims to give participants an experience on the artistic production process. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529595030108-C36AWGA2QG6KZD57FA7Q/AWT-Acik+Cagri-ig.jpg News&Events - ArtWriting Turkey: Open Call for art writers ArtWriting Turkey is founded with the aim to unearth and support young and emerging art critics and writers. Initiated by Mixer in November 2013, ArtWriting Turkey brings emerging and experienced art writers together and aims to rejuvenate the scene by organizing workshops, exhibition tours and discussion meetings. In 2017, AWT is asking for entries from newbies of the scene. Top 10 articles will be published on Mixer’s website and will have a publication of 1000 copies which will be distributed to the libraries of museums, universities and established collections. Three writers will be commissioned to write a review for IstanbulArtNews April Issue. This year IstanbulArtNews editor-at-large Yasemin Bay, writer Cem Erciyes, journalist and member of AICA Evrim Altuğ will review the articles. Applicants of the Open Call are requested to submit three unpublished reviews of a recent (November, December, January) contemporary art exhibition, a piece on an artwork or an artist, which should be 400 words in length each. Applications should be e-mailed as a Word attachment to info@mixerarts.com. Guidelines for submissions Applications must be submitted in Turkish. Applicants must be over 18 years of age at the time of submission. Applicants are allowed a maximum of three previously published pieces of writing on art. (Please attach links or articles to the application e-mail) Applications should be published in the word format. Important Dates: Deadline for submission: February 15, 2017 Announcement of the Awards: March, 2017 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529595601766-BVAF9DGZ7Z12A6OWIGFX/mixer+artwriting+tu_mu_3.jpg News&Events - ArtWriting Turkey: Interview Workshop ArtWriting Turkey (AWT), which focuses on art writing, continues with an interview workshop. The workshop, which will be realized with the leadership of Elvin Vural, the editor of the market at IstanbulArtNews, Fisun Yalçınkaya, the editor of plastic arts of the Milliyet newspaper magazine, and Yasemin Elçi, the founder of the SanatOnline website, will discuss about conducting interviews in different channels. The panel, which will be held on Wednesday, June 8, between 19:00-20:30, will discuss how the interviews with different actors in the field of culture and art should have a framework. The participants will be assigned a list of different interviews for different channels. In the second session, which will be held on Wednesday, June 22 from 19:00-20:30, the workshop managers will evaluate the participants' interviews and correct them and share their comments personally. Finally, some of the interviews prepared at the workshop will be published on SanatOnline site and Mixer's blog. Participation in the workshop is free and limited to 12 people. In order to participate, you need to send an e-mail to serhat@mixerarts.com with the topic title "AWT Interview Workshop" on Sunday, June 5th at 6:00 pm to share your resume and a paragraph of motivation letter. https://www.mixerarts.com/sanatlar daily 0.75 2023-11-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1592028184528-Z4B6S1P5292INKU23GOU/image-asset.jpeg Sanatçılar - Alican Leblebici https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1592028184528-Z4B6S1P5292INKU23GOU/image-asset.jpeg Sanatçılar - Alican Leblebici https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1600434086496-VEPBW0IJ7CI1FVVHO6B5/Ahu%2BAkgu%25CC%2588n%252C%2BProfil-Foto.jpg Sanatçılar - Ahu Akgün https://static1.squarespace.com/static/5b1652ccaf209664a48f1a3f/5c121de588251b8aedf2983e/5c121ef18a922d933391fa7b/1544691441001/ Sanatçılar 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https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1678877175196-994Y2Q60QJYX2IFH1G9B/0C4A6923.jpg Sergi Enstalasyon Fotoğrafları https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1683893558201-IF0BVFO4DULJ8Q8ZMCX9/_HNA2057-EDI%CC%87T.jpg Sergi Enstalasyon Fotoğrafları https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1683894886081-MV78FGXBN7JLWFGC097Q/_HNA2035-EDI%CC%87T.jpg Sergi Enstalasyon Fotoğrafları https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1690288010051-A6M9SN3P8NTV1CZLRPVG/1.jpeg Sergi Enstalasyon Fotoğrafları https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1603835264783-QLECUGCQWKL23YKZTX6X/_Erdemirel_2020_Mixer_Sebeb-i+Ziyaret_3-min.jpg Sergi Enstalasyon Fotoğrafları https://www.mixerarts.com/etkinlik-fotograflari daily 0.75 2023-06-20 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1634654602526-QQV3S95I00MFFHUXIFYR/IMG_6935.JPG Etkinlik Fotoğrafları https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1634655008429-4XHQ4H0D3656KCCHFXIT/23FD7C58-B0AB-49D8-8F53-3FA8440CD994.JPG Etkinlik Fotoğrafları https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1646090131851-99UEMH5K3J61OIZLJ6Y8/Ekran+Resmi+2022-03-01+01.57.41.png Etkinlik Fotoğrafları https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1669732975383-Z2718K97FREW99OWVN3S/20221119_164339.jpg Etkinlik Fotoğrafları https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1687266757094-DK6OWMFWG300NGIYBH4U/4.jpeg Etkinlik Fotoğrafları https://www.mixerarts.com/exhibitions daily 0.75 2023-08-13 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1630666095220-BBTJXLHPYO6KN5HCDO8B/Bora+As%CC%A7%C4%B1k+Post.jpg Exhibitions - Make it stand out The Empire of Distorted Knowledge “The Empire of Distorted Knowledge” is a mirror for the viewer to question their own reality through Bora Âşık's drawings. It evokes the feeling of opening the pages of our own stories based on the stories written by the artist. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1574413177084-HF2NOD9ZWI3ZXKHHMM68/BlendedINSTA.jpg Exhibitions Blended (2019-2020) Mixer is hosting the group exhibiton ''Blended'', which includes collage artworks of Balkan Karışman, CANAN, Deniz Ezgi Sürek, Eda Emirdağ, Gökçe İrten, Gözde Ulusoy, Haydar Akdağ, Isabelle Heske, özge Enginöz, Sibel Kocakaya and Tutku Bulutbeyaz at the main exhibition area between December 6th 2019 - January 10th 2020. The ''Blended'' exhibiton invites you to see the answers to these questions with the collage artworks of the artists who produce with plenty of different materials. In the exhibition, the artworks we qualify as collages appear to us in many ways of thinking and forms such as paper, ceramic, video and fabric. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529424695618-RYSZARO1SOEKWZP44SHF/20sinden+Sonra-image-ig.jpg Exhibitions After the 20th (2017) The project, which was initiated by the registration of the biological coal production process carried out in one of the villages of Istanbul's Northern Forests, witnesses the stages of transformation from raw material to product around a single tree. The artist, while setting his analogy through the story of a particular tree traces the Represented. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1582204084646-66MGPZYBA5V15YY05ZHH/KBH+I%CC%87nstagram+Kare.png Exhibitions Külkedisi ve Beş Hececiler (2020) Mixer is pleased to announce the group exhibition titled ‘’Külkedisi ve Beş Hececiler’’, which includes artworks of Ali Elmacı, Kerem Ağralı, Manolya Çelikler and Sesil Beatris Kalaycıyan. The exhibition can be seen between 27 February–11 April. With ‘’Külkedisi ve Beş Hececiler” Mixer invites the audience to experience “as if” power of arts and also to discover the link between the reality and what is seen. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/742eba84-290b-41eb-98dc-f14b4fcef04b/Kendimin+Orman%C4%B1+Kare+.png Exhibitions - Make it stand out In My Forest Rugül Serbest seeks ways to re-experience herself, her body, and her inner world by impersonating "someone else" through her paintings. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529765826170-EQTLJNFG51PEHSX4YJ32/Homo+Evolution+E-davetiye.jpg Exhibitions Homo Evolution (2014) As a form of being, Homo Sapiens continues to evolve within an ongoing process, triggered by the cultural and technological developments of modern times. These layers, created instantly by various evolution processes, are turning into surreal and fantastic canvases with the help of the artist’s creative reflex and imagination. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/ce28c03f-670d-4529-895d-b2ee202b32b8/Manzaradan+O%CC%88te+Kare.png Exhibitions - Make it stand out Beyond the Landscape Focusing on the intersection of works by two artists who are inspired by different disciplines, the exhibition takes different perspectives into urban and natural sceneries and offers a union that encompasses both. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529422215474-53WPG1NTWL8HWIJM7RBH/blackbox Exhibitions Mixer Sessions II: Blackbox (2017) With the second edition of Session, Mixer aimed to encourage students to study in departments such as Art Management, Cultural Management, Art History, and give them an opportunity to advance through the education they have received. The selected project for Sessions II is Karakutu / Blackbox, which was curated by Burcu Bilir, the senior student at Yildiz Technical University Arts Management Department. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529423458174-OSEDTJA3VNIVX9KCZP4E/inclusion+comprehension Exhibitions Inclusion / Comprehension (2017) Doruk and Akinci, two artists who share the same atelier during the creation of the Kapsama/Kavrama exhibition, experience each other’s process of production and witness each other’s metas which progress independently from each other even though they focus on different subjects. Reflections of this process which have mentioned show itself clearly between the dialogues that artworks have built with each other. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1545294353050-8TRAWDA0K6LLW2OTIAKH/guzeste+dijital+son_revize2.jpg Exhibitions Güzeşte (2018) In Gorchakov Tarkovsky’s Nostalghia, it is said that the unspoken feelings are doomed to be forgotten. In order not to leave the past behind, we try to keep those feelings live and for this reason, a few memories of the past always remain with us. We continue our lives listening to the inner voices telling us who we are and where we come from. We try to keep this connection alive through objects, sometimes even a tombstone can be an object to trace back. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1550214347025-E6I8BE2MPW6KMZVXLDD4/dijial+son3.jpg Exhibitions Walking Distance (2019) Mixer is hosting the group exhibition “Walking Distance” with participation of artists: Ahmet Duru, Doğu Özgün, Emre Baykal, Ozan Atalan, Umut Toros between March 1st and April 6th, 2019. The exhibition focuses on the concept of walking, which started as the first spark of civilization and caused the first man spread all around the world. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529497656647-60OX76O2OE0V7I0JE0JV/mixer+sessions+dijital+ig.jpg Exhibitions Mixer Sessions I (2016) Since the day it was established, Mixer aims to make art reachable to everyone, while creating platforms for young artists to show their works. For the first time this year, Mixer has initiated the exhibition series Sessions, where a group of artists is selected from various applications under an Open Call, to be exhibited in the summer period. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534518857920-DXYZD6PQ32SYZJ9V0IC9/last+call+dijital+son+revizyon+u%CC%88c%CC%A7lu%CC%88.jpg Exhibitions Last Call (2018) Alican Leblebici’s solo exhibition which will be held at Mixer between September the 14th and October the 20th is based on body, border and security politics; is looking for ways to confront the fears of the past, present and the future. This exhibition, which focuses on gradual transformation of personal fears shaped by the ruling powers into mass ones, presents a perspective about the representation and confrontation of the fears. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529662749270-7CFZEUTFYPUZQN87ZGS5/instagram.jpg Exhibitions (Re)present Exhibist: 2 Years (2015) Mixer is a place that fuels creativity, dialogue and critical thinking, making it the perfect venue for this exhibition. exhibist and Mixer share the same objectives of supporting emerging contemporary artists from Turkey by opening up the Istanbul art scene to the world and encouraging critical writing in Turkey as well as responding to the local scene’s youthful, inventive dynamism. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1570476405506-IZRH5BA4YOFPGCQE9RQC/Lens19INSTA.jpg Exhibitions LENS’19 | Things Seen (2019) Set out to bring works from various disciplines to the audience in 2012, Mixer is now preparing to present “Lens”, an exhibition series which focuses solely on photography. Starting this year with its inaugural exhibition curated by Sena Çakırkaya, the series will, in the coming years, follow the tracks of photography in Turkey and around the world by shifting its focus on different themes and techniques. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534519039519-EHFH2WQEHUOFS8SVW3I9/proximity+dijital+son.jpg Exhibitions Proximity (2018) Mixer brings together three photographers who focus on the nature and the mind and how the two work in collaboration between September 14th and October 20th. There is a direct correlation between nature and mind. While trying to perceive the nature, our minds unwittingly analyze this event with the help of different links. Unlike the generally known reasoning process, this amazing ability of analysis in our brain is related to the "pattern perception". https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530264973842-73GH2MC431HQ1PR6EL8X/_MG_1638.JPG Exhibitions New Perceptions: Body and Boundaries (2014) In the works of Kocakaya, the identity changing in the axis of uncertainty of the space is visualized as the position of seeking its own existence. The ambiguity in faces, in a sense, gives a clue to the distributional relationship established between the viewer and the artist. The solo exhibition of Kocakaya including image, photograph and video works focuses on the expression of mental action and physical reaction of human to circumstances she is in. The artist uses her own body as a model in her works while produces a new faceless body dispelling her facial expressions. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1540046387618-2GVVL0LSW02OV0I3D309/mixer+dijital+oct166.jpg Exhibitions More Than Two (2018) Celebrating its 10th anniversary in September this year, Jealous Print Studio & Gallery has been an institution that has introduced artists in the UK to original printing techniques while supporting them during the production process. Jealous started out with a purpose similar to that of Mixer, and with this partnership, it has enabled its artists to be introduced to a Turkish audience. Jealous Print Studio & Gallery has also been one of the most prominent partners of the Printed exhibition series of Mixer since 2015. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528201647352-DT6E90UMGTB0Z9T21EPX/printed+dijital+kit_revizyon3.jpg Exhibitions Printed '18 Starting off with the notion of making art accessible, since 2014 Mixer is hosting the "PRINTED" exhibition series featuring original print works produced with different printing techniques. This year, the selection consists of a range extending from the 1900s to our day, including different printing techniques such as lithography, serigraphy and etching, artist books and photobooks created in the Photography Application and Research Center (FUAM) workshops. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1607522807239-3FT7GTKFNINNLGUIK1P3/Arzu-Kadar-Kadim_EN.jpg Exhibitions Ancient as Desire (2020-2021) Mixer is hosting ‘Ancient as Desire’ exhibition by Hilal Polat between December 22th 2020 and February 6th 2021 in which she transforms an experimental venue narrating out of her own fictional mythology. The exhibition presents a mixed structure of the artist’s practice and experience in various fields combined with her imagination interpreted in her own intellectual matters. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529425076979-LNP7K7RL142NCMRAEZZS/meltem+revize+insta.jpg Exhibitions Negative Pleasure (2017) Meltem Sahin, who handles the works of philosophers such as Gilles Deleuze, Friedrich Nietzsche and Maurice Merleau-Ponty with their naïve drawings with pastel colors. Focusing on hearing, sight and touch, creating a unique field of experience and learning. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529681702117-PUFTTIRCSHBGC7U2E3FC/cizgi+fb+reklam+gorsel.jpg Exhibitions Line (2015) Line is one of the most important inventions of the history of civilization. It is the main constituent of written communication and artistic expression. Line, which can be seen as an action on a platform, is shaped with the relationship a draftsman builds with the surface. Its boundaries are therefore determined and it eventually evolves into a form. In this context, power of the line turns into a visual memory within historical process, depending on both the cultural environment and the person who draws it. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1612449886315-LS4ESKK7HJVJDRJ0H8D0/ola_den_inc_ben_insta.jpg Exhibitions Marvelous Correspondences, Subtle Resemblances (2021) While presenting the works of Alp İşmen and Yüksel Dal in parallel with each other, “Marvelous correspondences, subtle resemblances” also offers a solo exhibition experience that gives the audience the opportunity to understand the practice of each artist. “Marvelous correspondences, subtle resemblances” curated by Nergis Abıyeva with the participation of Alp İşmen and Yüksel Dal, can be visited at Mixer between 16 February and 3 April. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1630672811295-9BLV8WOJKA7L6ANU1PVE/Instagram+Kare+Post.jpg Exhibitions - Make it stand out The Wreck of Time “The Wreck of Time” brings together the peinture works that make up a large part of Gurur Birsin’s artistic practice, as well as his drawings and an engraving work. In addition to the technical details of the artist's works in the exhibition, abandoned spaces, perceived as pessimistic at first glance, stand out. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529745616383-I0KAEZ3EQ62ZQ7BHX8K6/davetiye_Page_1.jpg Exhibitions Chaoskampf (2014) Bugdan’s recent works are shaped with a pictorial setting focusing on the Chaos and the ones standing against it. Reflecting on new perspectives and produced by renewed techniques, these art works reveal the artist’s experimental seeking. As it becomes possible to see the clash of chaos and order on the surface in his paintings through intertwining tones of color, his drawings and prints contain more of figurative impressions about this opposition. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1547067121805-GBQIM81JVAWORAXONNV8/lekesiz+dijital3+%281%29.jpg Exhibitions Spotless (2019) Mixer is hosting the exhibition ‘Spotless’ between January 18 - February 23 which brings the works of three artists together. Ayşe Yıldırım, Egemen Tuncer and Pınar Yılmaz are creating different forms of thinking on how the built environment that we constructed affects our behavior. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529680329079-ZRBO1XWKHVW0GWVGWNBQ/mixer_instagram_post_ENG_177_629.jpg Exhibitions Printed'15 (2015) Mixer, an art platform that brings a fresh view to the idea of contemporary art space, will be hosting Printed’15 between April 29th and June 14th, an event showcasing limited edition prints, photographs and multiples of both local and international artists. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/598d4206-11c5-4983-b777-46a0979144eb/Hilal+Polat_Ehven-i+s%CC%A7er_Instagram+Kare.png Exhibitions - Make it stand out Ehven-i Şer The Lesser Evil is an examination of seeing. It’s an effort to understand which eye sees what we see. It is a sign of how the stories others tell us have made us grow accustomed to a certain type of memorization. It is a period analysis of the act of cutting down speed and of old perspectives, in this new age where even our taste is condemned to the perspective of others. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/34d0d21c-ae77-4f67-9303-38c3e57783ad/Coulisse+Kare+%281%29.png Exhibitions - Make it stand out Coulisse The exhibition aims to lay ground for a critical dialogue on the new forms of relationalities in the areas where the boundaries of dualistic categories such as human/non-human animal, human/machine, conscious/unconscious, public/private and art/market are intertwined and fluidized. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530265036904-3FK3O7BL6NBXANMIE35Z/Screen+Shot+2018-06-26+at+17.16.11.png Exhibitions Grigori (2013) In a passive society made up of homogenous, cloned individuals, a society where even the slightest hint of pandemonium fails to make any difference. A society now so deeply rooted, it takes more than a few individuals to break the mould, and as a result of this lack in individual force, any glitches that one attempts to gather are meaningless; a single person’s efforts are guaranteed to fail, as one belongs merely in an existential sense. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/2d4ebcaa-67b8-44de-8267-c283dae6a74c/Ays%CC%A7enur+S%CC%A7entu%CC%88rk+-+Instagram+Kare.png Exhibitions - Make it stand out Introspection Choosing to follow her own intuition to guide herself beyond the limits of her academic training as an artist, Şentürk’s paintings are filled with lines, shapes and colors that reflect her intuitive introspection. Through the exhibition the viewers are invited to navigate themselves in this private voyage and its mystical scenes. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/23902fbc-2ca0-417a-995a-b5616ba806c0/_Printed%2722+Kare.png Exhibitions - Make it stand out PRINTED’22: iziziz This year, Mixer hosts the seventh Printed exhibition, held since 2015, with the exhibition iziziz that focuses on the history and current status of the Mimar Sinan Fine Arts University Engraving Studio, between April 15 - May 28, 2022. As an extension of our experience in the series Art Lab, Mixer Editions, and Printed, Mixer Print Studio will open on the ground floor of Juma Building will be open for visitors in synchronization with the exhibition iziziz. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1574413229726-EYMQA8O3XHI6HZLHMLV9/DecolINSTA.jpg Exhibitions Lumin I Living Installation & Artifact I Faces (2019-2020) In December, Mixer is hosting the artists of DECOL community who create works in concurrence of digital art, nature and science, in the project room. With two separate openings, first, Ahmet Said Kaplan’s interactive digital experience “Lumin, Living Instalment”, will be followed by Hakan Gunduz’s “Artifact” exhibition. Both projects will be experienced with the participation of the audience will question ‘can artificial intelligence create an aesthetic expression by understanding emotions?’ https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1617727610382-PRZGDB3VZMB62KYWY917/%C3%87al%C4%B1%C5%9Fma+Y%C3%BCzeyi+1%402x-100.jpg Exhibitions Sekron I LENS’21: Personal Narratives in Video Art After the LENS exhibition series that focused on photography in 2019, this year, Mixer is taking video as a production tool from a wider perspective. With the power of cooperation between art institutions, Mixer is gathering Bilsart, Monitör, and Loading with parallel bull sessions and online variety shows organized in İstanbul, İzmir, Diyarbakır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529424935106-TZZD21V3XIYNLVEYFR3P/berkay+dijital+kit+yeni+instagram.jpg Exhibitions Reclamation (2016) Reclamation consists of works on steel that we are familiar with from Berkay Bugdanoglu’s previous shows, as well as introducing first interactive-sculpture works by the artist. For his third solo show at Mixer, whilst remaining loyal to his own technique, Bugdanoglu takes his practice a step further by transforming and integrating the materials that he uses to broaden the contextual frame of the exhibition. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529769269015-CNPYL3RXZE3H811W312R/kayit_davetiye.jpg Exhibitions Record (2013) The multi-disciplinary exhibition Kayıt/Record focused on developing perspectives surrounding the effects on individual and social memory in contemporary art. The artists looked at the theme of records and recording, and now even more so where the lines between fiction and reality are becoming ever more blurred, and with our memories warped, Kayıt/Record group exhibition aimed at manipulating this through the viewpoint of the audience. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529421996769-WK3X2QV2NYZRTGIZ8QRN/otomata Exhibitions o+oma+a (2017) The exhibition takes its name after the Automata Theory, which examines the mathematical interaction of man and machines, covers the story of a fictive machine. It leaves the audience, who cannot see but feel its existence by intuition, with the discovery process of the appearance and the functioning of this machine that is directly connected with the production process of the artists. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529395411194-ORC1JJZSL6I08F9E3QDM/guest+unexpected Exhibitions Guest: Unexpected (2017) The “guest”s of the exhibition are expressing their own artistic perception through a new language. The works selected on Özlem Ünsal's proposal reflect a unique attitude that emphasizes the their own style. Exhibition’s “guest”s in this scope are fashion designer and V&A Jameel Price Judge Dice Kayek, musician Hakan Özoğuz, actor Mert Fırat, fashion and commercial photographer Tamer Yılmaz. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1579010924093-DSSB52E6802V3JB1WNZY/Biz+Asl%C4%B1nda+Instagram+Kare.png Exhibitions Us Actually (2020) Mixer is hosting the very unique exhibition “Us Actually” between January 18th - February 22nd with the artworks of Ayça Telgeren, Ahu Akgün, Börte İpek, Bengisu Bayrak, Furkan Öztekin, Mediha Didem Türemen, Meltem Şahin, Meltem Sırtıkara, Okan Kaya, Volkan Aslan, Yasemin Özcan. The exhibition “Us Actually”, which will take place from January 18th to February 22nd, shares sincerely the love, the state of being a partner, the ability to stay together or leave when necessary. With reference to unforgettable films, loves and times, it becomes a sincere, volatile and romantic exhibition that will remain in memory for a long time. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1553064750142-YIZ10M7NI7YFXJOH769E/printed19_ins.jpeg Exhibitions Printed’19: Multiple Choice (2019) Printed exhibition that hosts original print works produced with original printing techniques since 2014, will exhibit its new selection curated by Marcus Graf this year. Under the sub-title Multiple Choice, it exhibits pieces ranging from silk-print to photography, from experimental edition-techniques to three-dimensional multiples. Bringing together artists from various generations and disciplines, the show aims at revealing the importance, power and beauty of editions, and invites the spectator to dive into the world of prints and multiples. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529424595877-2D3FVNHRE96U49ZWLAU8/%C4%B0zler-Remains-dijital-ig.jpg Exhibitions Remains (2017) People start to witness, observe and experience the time and space that they live in as soon as they are born. Our minds record objects, emotions and characters in these spaces as a moment and create memories by collecting from these moments. Time and spatial relations, which constitute among recorded memories, are about the experiential routine of the human mind. A person’s position of self in society is effective in shaping these memories. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/ca79a4aa-d5c0-47fe-b8fb-5e8cdfcd365b/COP_1.jpg Exhibitions - Make it stand out LENS’22: Change of Plans Change of Plans curated by Cemre Yeşil Gönenli, brings together the works of 12 young artists. The photography exhibition addressing the changing and transforming social psychological state and the aftermath of this state on the younger generation in the post-pandemic world, is opening on 5th of March 2022 in Mixer. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1591689736585-M7MWUZX8UFX39UMXICXM/Tan%C4%B1t%C4%B1mkare.gif Exhibitions Possibilities and Choices Video works to be exhibited in “Possibilities and Choices” group selection will build a dynamic set up within the Open Space that forms the basis for Mixer. Video works included in this selection, will also reflect Mixer Open Space’s flexible character through a display that does not have a particular conceptual arrangement. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529760994479-NZPUEXAJ3IHH9UEKYBI4/Zamanlama+Meselesi+-+e-davetiye.jpg Exhibitions A Matter Of Timing (2014) Meltem’s work visualizes the unavoidable effect of mass media devices on human life, centering around the concepts of communication, relationships and detachment while dealing with co-existing or counter-positioned concepts like time-space and engagement-apathy. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1560873089366-CT8MC2N0DYPFAZG3EKKH/mixer+sessions+2019+kare.jpg Exhibitions Mixer Sessions IV (2019) Mixer, founded back in the November of 2012 with the aim of providing opportunities and space for young artists in the beginning of their careers, is continuing its open call series held each year since 2016 following this mission! The selected works, of the fourth edition of “Mixer Sessions” exhibition series will be exhibited between 14th of June and 4th of August. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529744982192-6XDPWTHCDSQVC7CWT8SH/IMG_2113.JPG+90x60.JPG Exhibitions - Non-Place Non-Place (2014) The group exhibition entitled as non-place, curated by Mehmet Kahraman, is about non-places such as airports, amusement parks and shopping centers of our era, which are detached from their contexts, resemble one another and can be found anywhere. The non-places which influence the way mobile subjects of the contemporary world experience places, bring people together and let them socialize while giving individuals an existential contradiction space by creating a sense of loneliness. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1612608404619-GULETZDSV7R78W7W22ZQ/WhatsApp+Image+2021-02-06+at+13.40.26.jpeg Exhibitions Tidal Waves (2021) The exhibition brings together installations that are composed of phrases that spill first onto paper, and then into the exhibition space from the mind of the individual experiencing the tidal waves. The exhibition presents forms that are for the most part transformed into words and sentences with concrete letters, reflecting the artist’s torn position between their individual comfort zone and a state of uncertainty. Tidal Waves can be viewed in Mixer’s project room between February 16 - April 3, 2021. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/0866cbee-eba0-4daa-a5b0-4052d8891780/I%CC%87stanbul+Gallery+week.png Exhibitions - Make it stand out Mixer: Now @İstanbul Gallery Week Mixer is happy to be a part of Istanbul Gallery Week. With a series of events that will add excitement to the Istanbul culture- art agenda, IGW is meeting with the audience for the first time this year between 11-20 November. The Mixer: NOW can be visited between November 5-20! https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1551023668142-PLPD617X3D718CJLDA8M/furkan+son1.jpg Exhibitions Four Seasons in May (2019) Mixer, hosts “Four Seasons in May”, the first solo exhibition of Furkan Öztekin between March 1st and April 6th, 2019. In his works, Furkan Öztekin focuses on events that are important in LGBTI+ resistance history such as Ülker Street, Eryaman and Meis Houses. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529399042259-87GTIGCTZ7I7WYYYDKGG/muhit.jpg Exhibitions Neighborhood (2017) Gökçe Irten’s first solo exhibition ‘’Neighborhood’’ focuses on urban transformation and its reflections on households. The change in the understanding of urbanization over the last few years brought different ways of life with it. The transformation of conventional residential areas to the skyscrapers detracted people from socializing as ending the neighborhood culture. Squeezing neighborhoods into single buildings created isolated lives by decreasing the trust and sincerity. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529424056766-VJMP4AMQH1KD024XNCMI/G%C3%B6zlemlenir+Ger%C3%A7ekler-image-ig.jpg Exhibitions Observed Truths (2017) Reality can be interpreted as the process of transforming imperceptible concepts into perceptible ones. While performing a review on the relativity and necessity of the concept of reality, the exhibition questions the concept of Reality shaped with regard to the references the elements of perception create within themselves. In line with this reference, it is the indiscipline itself, where ways of perception are perpetually diversified and adapted on, that is Absolute. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529594560052-9XJA7XEFPA8AJ4EXPZU6/on+paper+instagram+.jpg Exhibitions On Paper (2016) ‘On Paper’ exhibition is inviting artists from various backgrounds on a wide scope to create a dialogue ‘on paper’. The exhibition seeks to reveal the role of paper and its place within the scope of art and creation. The exhibition reminds us that paper, is a material that has accompanied the process of creation since ages. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528466066288-ELWEZIIIMX1YB451NPK0/image-asset.jpeg Exhibitions Art Stage Singapore 2018 Mixer is attending the leading contemporary art fair in Asia, Art Stage Singapore, held between 25 - 28 January 2018 featuring Berkay Bugdan, Sibel Kocakaya and Alican Leblebici. Mixer who has met the audience with Bugdan’s solo show at Art Stage for the last two years, brings together three artists under the theme “Beauty: Is it all about perspective?” this year. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1531317673124-1MV95O57VPFMZTOFWOW0/Masturbation-instagram.jpg Exhibitions Masturbation (2016) “Dear audience; the pieces you’ll see in this exhibition are a fiction of the creator’s issue of building a world on his own. It’s a feeling of reproduction and existing. Each artist attends this exhibition with their own fiction and creation process, trying to make sure that this process is known and sensed, without any imposition, struggling to contour that state of existence in this world.” Mustafa Horasan https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1566311017350-8O7CUH235NQ863LJD9AW/AliSenturkINSTA.jpg Exhibitions This Is Not Us, This Is What Remained From Us (2019) Mixer will host Ali Şentürk’s 4th individual exhibition ‘This Is Not Us, This Is What Remained From Us’ between 5 September – 12 October 2019. There are two distinct worlds that consist of objects and constant essences according to Plato’s ‘Allegory of the Cave’.The soul belongs to essence world while the body belongs to objective world. Şentürk focuses on the body and the object’s meronymy in ‘This Is Not Us, This Is What Remained From Us’. Therefore, Şentürk aims to create a whole that is composed of re-aggregated elements like the ones which are broken and lost their originality. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/d95b3d7c-fbfa-4187-bf37-b6c00b21d988/Sibel+Kocakaya+Yeryu%CC%88zu%CC%88+ve+Stru%CC%88ktu%CC%88r+Kare++%281%29.png Exhibitions - Make it stand out Earth and Structure ‘Earth and Structure’ brings together a diverse range of Kocakaya’s works which explore the intersection of natural and environmental resources and architectural elements and materials in an interdisciplinary manner. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529760227193-7RN842TBJW3L25715YX6/capture-20180623-131758.png Exhibitions Erör (2014) Cins’s works seem as a visual diary inspired by encounters of daily objects with his subconscious. The title of the exhibition is a play on the word ‘error’, combining the roughness of ‘terror’ and the ‘error’s he encounters during his new artistic practice. The pastel tones the artist uses, puts the revolting objects depicted out of their context and invites the viewer to read these drawings in a different way. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529422437760-G8CVTWAZED8RTVTR7W4R/printed+17+-+the+multiplier+effect Exhibitions Printed '17: The Multiplier Effect (2017) The 2017 selection, which brings together works from modern as well as contemporary masters, has been put together by Eda Kehale Argün. Kehale herself studied Printmaking at Northwestern University’s Art Department. In Printed ‘17 “The Multiplier Effect”, Mixer focuses on making noteworthy artists accessible to a wider audience. By including works spanning 30 years and a wide range of media in the selection, Kehale aspires to share with the audience the ‘multiplier effect’ of editioned artworks in different dimensions of art. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529746307156-MHYDMNMJX9L74FJVFBW2/The+Built+Environment.jpg Exhibitions The Built Environment - Lower East Side in Istanbul (2014) Mixer is delighted to present The Built Environment, Lower East Side in Istanbul, the first show of the new season. This group-exhibition features nine international artists, none of whom have previously shown in Istanbul. These artists work in photo-based practices, painting, collage, printed matter, sculpture, video, and some are producing site-specific works, directly engaging with the built environment of Istanbul. The artworks in The Built Environment, Lower East Side in Istanbul will be displayed in Mixer’s exhibition space in Tophane between 19 September – 02 November, combine references to constructed space with a focus on urban topography, specifically a sense of how the order and structure of our environment can produce a sense of disorientation, confrontation, or sometimes anxiety. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1622906825380-8TZ25N3I8J090FI52KX4/Sessions.jpg Exhibitions - Make it stand out Mixer Sessions V The fifth edition of Mixer Sessions exhibition series, through which Mixer seeks to open up space for and support young artists at the beginning of their careers, is preparing to meet the audience between 15 June and 4 August. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/7e9c7ea4-e4c6-4805-886c-0f13f27f6386/Ahu+Akg%C3%BCn_Instagram+Kare.png Exhibitions - Make it stand out Voids The exhibition examines the “things” transformed by the sense of mourning that arises and keeps changing in wake of people, emotions, venues, and objects that have left a mark on the artist’s life and shares her healing process with the audience. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/88dedddf-6c7b-4e59-8fa7-be806cea8497/1.png Exhibitions - Make it stand out Printed’23 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/f7f65c49-10da-4578-90f7-a1007306b84e/FBL+Instagram+Kare.png Exhibitions - Make it stand out For Book Lovers The exhibition For Book Lovers is inspired by the book Reading Art: Art for Book Lovers by David Trigg. The book gathers works from various means of production throughout the history of art that include books. The exhibition focuses on the contemporary paintings from the recent period that includes books and presents a selection to the audience at Mixer’s project room. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529395478911-7B8H4XMKNJKRH5EON9YF/are+you+awake.jpg Exhibitions Are you Awake? (2018) Taking herself in various places as the figure of her photographs, she superimposes the scenes to create abstract places. Interested in impermanence of the body and space together with the sense of not belonging to a place, Kaya points the questions to the viewer that she asked herself through her pursuit: I am the one with the clothes, but who am I? I am myself. The mirror. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/c02cd36c-1fcd-4e85-a6cc-59a9d8a40f91/EE_instagram_post.png Exhibitions - Make it stand out A secret about a secret Being a seasoned cinematographer, the photographs of Emre Erkmen reflect his professional sensibility at its best. In the exhibition, the images of the rural and urban spaces and lives in these distant places are juxtaposed and arranged through a cinematographic sequence that debuts its journey with the urban scenes followed by the images of rural life. Finally, these two spaces of differences confront each other within the mazes that exhibit these two worlds facing each other. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529423863396-5F9WTSBV4PHNLRXCXQ0G/Eren+%C4%B0leri-Racing+Driver-dijital-ig.jpg Exhibitions The Racing Driver and His Double (2017) Eren Ileri’s ‘’The Racing Driver and His Double’’, a series of his black and white photography, are presented at Mixer Open Space. Artist questions the nature between the human and the technology as well as the relationship beyond "the natural". Ileri documents brief but candescent ‘’moments’’ which are correlating to pictures of utopia/dystopia, in specific to the Formula 1 Grand Prix motor racing. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/87729727-f136-411f-a310-47f7f33266a9/Ekin+Keser+Kendimden+Bir+S%CC%A7eyler+Arad%C4%B1m+Kare.png Exhibitions - Make it stand out Searched for Something from Myself Through a variety of media, including photographs, documents, and found objects, Ekin Keser undertakes a reconstruction of his own existence, reinterpreting his experiences through the memories and records of others. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1608299277376-XXZ1FRGMT6IBGVSR5FO8/mixer-editions-portfolio-2021.jpg Exhibitions Mixer Editions Portfolio 2021 We created Mixer Editions with the goal of surpassing art’s limited reach to certain locations and people. Mixer Editions aims to present the works of a wide range of artists from Turkey and beyond, created in limited editions, in an accessible format. Since 2013, through various selections of editions and Printed exhibitions, the limited edition works of numerous artists have been brought to the audience. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529682468657-KIQ8KWLO532VZO43ZWH2/g%C3%BCl%C5%9Fah+bayraktar%2C+kendine+yak%C4%B1n%2C2014+lowres.jpg Exhibitions Close to Self (2015) We want our photographs to carry happy marks from particular moments. Looking back at a photograph, we remember as we combine our memories with the feeling that the photo gives us. We don’t stand alone in those happy moments; we want someone or something next to us to appear in that photo. Then, why there is a need for someone or something –it could be a simple thing as well as a monument or an organic structure–? Is it because they contribute to our construction of identity, or because they visually set off our character? Or with all of these, is it because they also ally with our emotions? https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529768624255-RMJLQT0IS9Z0A61UMUSW/h.png Exhibitions Hotel Italia (2013) The need to inject the nourishment that only art and culture can provide to a hotel once branded under the admirable title of Italia, is an unambiguous resolve by the involved artists and curator(s) alike – by interpreting this and focusing on the cultural heart of a nation that is currently choking under civil negligence and the loss of political centrality, Hotel Italia offered not only its viewers the opportunity of discovering the many works hanging on its labyrinth of ‘hotel room walls’, but also this experience on the whitewashed walls of an art space, expropriated from their original place of origin, creating an air of disorientation among this ‘hotels’ unusual temporary guests. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/6b6d7247-2119-40e2-ae9a-9e4db1680302/Zihinde+Bir+Dalga_Insta+Post.png Exhibitions - Make it stand out The Wave in the Mind The exhibition focuses on how the boundaries of mind and worlds of meaning are formed and how emotions and behaviors are shaped, by way of our interaction with the outside world. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/bab5db5d-b6c4-4bd3-b918-9087e7968d27/M%C3%BC%C5%9Fterilerimize+g%C3%BC%C3%A7+kat%C4%B1yoruz+%281%29.png Exhibitions - Make it stand out 212 PHOROGRAPHY ISTANBUL: REMIX by MIXER Mixer, will present a selection of its Lens series, which it has been continuing for the last three years, as well as a selection of photography works that have appeared in different exhibitions in the gallery, at Akaretler no:15, between October 6 and 16. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/c9928f06-6fb2-4b29-bde2-b2bcbbe720a4/Katmanlar+Layers+-+Kare+%284%29.png Exhibitions - Make it stand out Self Layers Gökçe İrten’s exhibition Self Layers focuses on the individual’s multilayered relationship between their self-identity, their location, and everything around them. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1592653906761-4XYR7LLHB9QGJ43PU5OC/Art+on+Screen+INS.+KARE.gif Exhibitions Art on Screen (2020) Mixer brings together a video selection of six artists from Turkey and six artists from different parts of the world invited by them. The computer-generated works meeting with the audience through screens, witness this period of contact through online networks and lack of interaction with the outside world. It enters into our homes through the screen and offers the possibility of creating new manners of thinking. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1566311053400-KGU6BKFEFM1EUI2BBIXJ/NazliErdemirelINST.jpg Exhibitions Seeing (2019) Mixer will host Nazlı Demirel’s first solo exhibition in the project room between September 5th and October 12th, 2019. Nazlı Erdemirel focuses on photography and she develops a response to the limited structure of the two-dimensional manner of this medium. Erdemirel concentrates on the continuity of the image with video by going beyond the limits of photography and aims to create a new visual style and an additional layer using different materials. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529399244906-GIVHM3HXEKDC1LINRXS0/upsidedown Exhibitions Upside Down (2017) Ahmet Sari, in his works, focusing on found objects which are used by anthropologists to understand the perceptions and life cycle of masses while creating a systematic definition. The artist criticizes the West for its unethical convention to the objects in which they are interpreted to create a model of society while wrecking its original demographic structure. According to the artist, the undergoing ambiguity of orientalism and the political realities are also consequences of this. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588771892938-UZAORKQRQNPZ5ONYP9RY/Printed+Re-visited+INSTAGRAM+KARE+jpg.jpg Exhibitions PRINTED Re-visited (2020) A look at the history and development of the art of print through Printed Exhibition Series Mixer’s path to the art of print and editions started in 2014 with Mixer Editions and continues with its long-running project Printed exhibition series, the first of which took place in 2015. Theoretical and practical workshops on different techniques accompany this activity series, which is organized in collaboration with many institutions, curators and print studios. This is a selection of printed works from the Printed exhibitions since 2015, and an archive for digital catalogs and interviews of previous exhibitions. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1580899404677-PMFW6NJN1CDL2CXJSILE/Dog%CC%86u_kare.png Exhibitions Night Rehearsal 2020 Mixer is pleased to announce the solo exhibition titled “Night Rehearsal” by Doğu Özgün. The artist's first solo exhibition at the Mixer, Night Rehearsal, can be seen in the main exhibition space of the gallery between 27 February and 11 April 2020. The name of the exhibition "Night Rehearsal" is inspired from the idea that the desires and deviations that are lurked during the day come in sight at the pitch darkness of the night; and this refers to the design of a new dream, a plot or an organized plan only in the dark and reveal what daytime puts out of sight. The night rehearsal of a game to be staged is the escape plan of the person who survives the costume he wears during the day. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/c9134bb8-5456-45bd-82bd-34703633b79d/I%CC%87s%CC%A7men+Aks%CC%A7+imis%CC%A7+Kare.png Exhibitions - Make it stand out It was love… Drawing inspiration from Fuzuli's eponymous poem, the exhibition delves into the theme of mutual relationships and affection through a collection of works that employ various techniques, including drawings, sketching, and engraving. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/a29f8d90-19da-4888-96f3-9ab9df02a492/Kendime+Dog%CC%86ru+Bir+Ad%C4%B1m+Kare+%283%29.png Exhibitions - Make it stand out One Step Closer to My Ultimate Self One Step Closer to My Ultimate Self exhibition features works by Seçil Büyükkan based on various unique printmaking techniques. The relationship between eastern philosophy and nature, which the artist has focused on for a long time, deepens with the theme of sacred trees in this exhibition. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1598192400951-TY0HEPPCG97S0L8R32AY/Ekran+Resmi+2020-08-23+17.19.40.png Exhibitions Sebeb-i Ziyaret (2020) Mixer project room will be hosting Ahu Akgun’s solo exhibition “Sebeb-i Ziyaret’’ starting from September 12 until October 31, 2020.The exhibition reflects the artist herself, the relationships she has, her studio and her life; while inviting the audience to rethink the idea of “distances” in their own lives. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1545294302489-GMQXARDLS6ITE9R84EE7/sonsuz+kucuk+dijital+EN+SON+2_revize2.jpg Exhibitions Infinitely Small Infinitely Large (2018) Dal is spontaneously transfering primitive or modern figures, people, gods, witches, wizards, kings and slaves from his mind onto papers. He is taking his start with a single line and then follows where this line takes him randomly during his working process. The busy mind is emptied onto the blank paper. Patterns of Dal produced in isolation of time and chaos are becoming timeless and placeless. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529588958625-DJ14UJ6JRI4EN8QFN6H8/kare2+-+Venice+-+MedihaDidem+-+kucukboyut.jpg Exhibitions Myths (2018) Mediha Didem Türemen’s second solo exhibition, “Myths” will be on display at the historical Adahan Istanbul cistern, between 3 and 23 April 2018. With a focus on depicting an imaginary timeframe which could not be captured by photography, the artist’s new series presents an interpretation of nature, forced into metamorphosis. With her “Myths” series, the artist presents a production utilizing cinematography, photography and engraving, to convey the legends experienced by people who witness surreal moments due to changing climate conditions and unpredictable natural phenomena. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1540046371060-THCLPF27GKCZNPD4E83L/mixer+dijital+oct1611.jpg Exhibitions Over And Over (2018) Artists produce their works by collecting, contemplating and interpreting the images they see from the time that they were born. Occasionally, they create various compositions by augmenting images - either to reinforce the meanings of the subjects they work on, or to conceal its meaning. The ‘Over and Over’ exhibition seeks to lead us to the meditative sorcery and rhythm of repetitive images whilst questioning artists' probes. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1598191573716-J86PF7IAI1VDO2Q5VUOY/insta1.png Exhibitions Force Quit (2020) Mixer is hosting the fourth solo exhibition of the artist Ozan Atalan, "Force Quit", which offers speculative experiences through multimedia installations between 12 September - 31 October 2020. The exhibition criticizes the human centric approach and the world's divisive-dualist interpretation, which legitimizes the idea of destruction of mankind and nonhuman beings, including nature and space. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528387510932-RNM9HGZQVRG83K264N5C/tesbihdijitalrevize4.jpg Exhibitions Tesbihte Hata Olmaz (2018) Metaphors are one of the oldest and most common tools for irony in communication. Its usage can create an artistic rhetoric as well as a sarcasm in daily life. The Turkish idiom “Tesbihte hata olmaz” is used to keep the context of the speech in a safe space. The exhibition “Tesbihte Hata Olmaz” aims to take a look at the new meanings gained by metaphors, at the spots where written language coincides with visuality. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529747120754-9SU327WWC4W1EDXV1AR0/10378933_726117067451013_3174788990279609187_n_118_474.jpg Exhibitions Non-existing Images (2014) Non-existing Images builds its theoretical framework on the multi-layered relationship between the image and the viewer. Each form we encounter on various media –usually on two-dimensional surfaces– eventually becomes first a continuum and then a completion in the minds of the viewers, with regards to their own existential incompletion. In line with the idea that the image is incomplete on its own and can only be complete in the mind of the viewer, artworks face countless different interpretations and transform into a myriad of unique reflections. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529395761652-125KOGVF8VIAPS9MDGHY/last+exit Exhibitions Last Exit (2016) Kürsat Bayhan has started the project which named “Last Exit” about three years ago. He wanted to capture the changes in the city he lives in as well as the topographic changes in the rural areas surrounding it. During the weekend trips to the construction sites and path of the highways and connecting roads, Bayhan took the time to speak with those living in the area. To illustrate this, the artist came up with a three-point metaphor involving rural life, the landscape and portraits. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1604090719480-TQKVPFJYL5Y1OXBZOY80/instagram.png Exhibitions Printed’20 Printed’20 is the 6th volume of Mixer’s annual exhibition series, will open on 7th November 2020. Previous chapters in this series of exhibitions laid a foundation to introduce the audience to the variety of possibilities that editioned, multiple works offer such as, etchings, lithography, linoleum prints, silkscreens, photography and sculpture. Trusting in the power of collaborating with independent curators, Mixer invited Kerimcan Güleryüz, the founding partner of x-ist and owner and director of The Empire Project for the curation of this year’s edition. Printed’20 desires to provide a more in depth look into the practice of artists who are expressing themselves through this alternative method of artistic production. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528450466404-R0R0D9FGZE4RI8DD5FUZ/eda+dijital+revize6.jpg Exhibitions Eda Soylu - Remnants From My Grandmother's House (2018) "Remnants From my Grandmother's House" is a way for Eda Soylu to comprehend the empty void left behind the departed, through a house, objects and shadows. As the artist fuses the relics from her grandmother's house with those within her memory, she poetically searches for the way to commemorate the departed through her belongings. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529662388901-CKV6ZD6LJRL8W1MWOZTU/instagram2.jpg Exhibitions Grid (2016) Mixer’s new exhibition "Grid " brings together a group of emerging artists who divide their working plane into equal parts, form relations between those parts and treat rules and boundaries of the society and the individual as grids. While being a template consisted of equally sized units, such as squares or rectangles, grid helps us to find our way on maps, while establishes new relations between identical parts of a whole, creating new paths. Although its units are equal to each other, grid embraces the diversity of the structure or the surface it is laid on. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529590480587-9BLOWVOCWX2D4AH8SDT8/dijital4.jpg Exhibitions Printed '16 (2016) For the annual exhibition series Printed that was initiated in 2015 with the objective to make art more accessible, this year’s show will be featuring important names. While preserving the uniqueness of the artworks by pressing different sizes and limited numbers, limited edition artworks can also reach a wider audience. Printed'16 exhibition will meet with art lovers until July 2, 2016 at Mixer. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529766993462-ZQK8ZUO5C1KGQFU5FG5G/%C3%96zge+Engin%C3%B6z+Davetiye+%C3%96n.jpg Exhibitions Not Quite As Thought (2014) The post-modern age creates some existential problems such as the objectification of the body, identity problems, social pre-acceptances, and individuality in common life. These problems put forward the duality of body/consciousness, and also naturalise the process of individuals positioning themselves within the outside world. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/c33b0a27-b3a2-4631-a267-8d5748d19871/yolo.png Exhibitions - Make it stand out SENKRON I Synchronized Video Exhibitions: YOLO SENKRON ‘Synchronized Video Exhibitions’ meets the audience in coordination with Mixer, Bilsart, and Versus Art Project between April 15 and 30, 2022. Gathering art institutions, artists, curators, and art professionals from different cities in Turkey with a focus on video art, SENKRON is a comprehensive event that celebrates video art through exhibitions/events/speeches and screenings. Upon Mixer’s invitation, Ozan Atalan and Ekmel Ertan’s exhibition YOLO meets the audience as a new video creation shaped by both of their ideas and creative processes. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1541001458395-YHNBL90MEUVF8RM54GYD/mixer+sesssion+dijital+son3.jpg Exhibitions Mixer Sessions III (2018) Since the day it was established, Mixer aims to make art accessible to everyone, while creating an open platform for young artists to show their works. In accordance with this mission, the exhibition series Mixer Sessions, where a group of artists is selected within the applications under an open call to senior, masters and doctoral students of the Faculties of Fine Arts, present its third edition between June 8 and August 4, 2018. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529395268447-Y5QYML0DRQIBRF63BF4N/the+side+of+animals Exhibitions The Animal Side (2018) Inspired by the eponymous book of Nazli Karabiyikoglu, the exhibition focuses on the possibilities regarding nature and animals, away from humanity and civilization. These works propose a new perspective leaning towards the wild and nature to break away from anthropocentric view, considering non-human in the face of humanity and non-civilized in the face of civilisation. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529399315251-KUVBO81LXQEQYW69CSFM/sense+of+movement Exhibitions Sense of Movement (2017) "Sense of Movement" is a group exhibition by Kürsat Bayhan, Çagdas Erdogan, Furkan Temir and Murat Saka between October 27th and December 9th, 2017 featuring the artists' photographic works in last two years. While the exhibition highlights the last year's agenda both of Turkey and the world, it accentuates the crossing areas of photography and journalism. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/bc47df81-57ac-45c1-8fc0-5bec3ecb9de0/I%CC%87mgelerin+Yeni+Grameri_Insta+Post.png Exhibitions - Make it stand out New Grammar of İmages The idea of new materialism constitutes the second theoretical layer of the conceptual framework, and the exhibition, including the works of 10 artists, offers an inter-work reading in terms of the relationality between objects and various techniques, methods of display, materiality, and artists. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1547136266730-DL3EK1HSWAH0XCAXQKWS/ye%C5%9Fil+k%C3%BCf+insta_final.jpg Exhibitions Green Mold (2019) Mixer hosts the exhibition ‘Green Mold’ that presents works from ten artists between January 18- February 23. In this exhibition where the audience becomes an investigator, the artists’ works appear as a found object that came from past to present day. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529663248222-6IA5S8ZT3W9RUWTB7W85/nonlinear_instagram.jpg Exhibitions Nonlinear Future (2016) The exhibition investigates through spatial references the scenarios of the future lingering between utopia and distopia. The works that will be presented includes satellite footages that is taken from search engines, fictitious landscapes, vitrines of food peddlers and angels who sacrifice their immortalities. Ayşe Gül Süter, Bedia Ekiz, Buşra Tunç, Çağrı Saray, Sümer Sayın and Viron Erol Vert's most recent works will be on view until 10 January 2016 at Mixer. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529596184776-AW28NCHNYLAYMARNWRAT/instagram.jpg Exhibitions Image Still (2016) “Image Still” seeks to search the concept of the image today, and how artists interpret the evolution of the image. Nowadays where the boundaries between these definitions are becoming ever-more transparent, the exhibition traces the journey of the image as a medium. Deriving from the ‘moment’, the image is static yet in motion, as it is situated in time in eternity … https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529680955659-8YXF83WDLZAZ2BU1FHZF/ENRICO_BERTELLI_boundaries+30x30+cm_spray_tapes%2Cresin+on+PVC+2014.jpg Exhibitions Borders and Boundaries (2015) The built spaces act as a dominant power and put pressure on individuals to prevent them to freely express themselves. Physical and political barriers as such, carry a significant role in every aspect of the individual’s life, from language to lifestyles in physical and social spaces. The conceptual frame of “Borders and Boundaries” builds itself around these political, structural and social obstacles defining the individual’s identity. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1547124176340-BIIIAKYHR2UDKWPY9YRH/sergiler.jpg Exhibitions https://www.mixerarts.com/printed-18 daily 0.75 2022-08-21 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528380937908-VZ28Z7UETWGBWSUBF81Y/0M8A6037-k.jpg Printed '18 Photo by Nazlı Erdemirel https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528380954577-866KQMI2W2JA08LISGCY/0M8A6022-k.jpg Printed '18 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528380969702-ASTDEKQJ5DXYEH63QLUU/0M8A6099+k.jpg Printed '18 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528381073732-IRFNK4BW2JIO0NLEIYBV/0M8A6125.jpg Printed '18 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528381204281-UR49B6VUYUMEWV735I7P/0M8A6014.jpg Printed '18 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528381285333-XYSPP6U9X7XLOVS7FQ9T/0M8A5977.jpg Printed '18 https://www.mixerarts.com/meltem-sahin daily 0.75 2020-03-22 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1554294878759-0H378F3XPNB6536L1Y79/MeltemSahin_fotograflj%C4%B1lj.jpg Meltem Şahin https://www.mixerarts.com/news daily 0.75 2023-07-01 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1544268468727-51L6NQ3X3MND4EB2MRUO/marcus_revize+23.jpg News & Events Training: About the History and Present of Conceptual Art https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1548507308869-1YGQ31Y3DJ1C0727PG2M/Cem-O%CC%88ztu%CC%88rk-Yolculuk-42x65cm-Linol-Bask%C4%B1-2016.jpg News & Events Workshop: Linoleum Printing with Ayşe Ateş, Çağla Sel, Damla Yalçın 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EVENT https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1586626376318-4L6GE2ZPN3UX2280TPER/9.png News & Events ArtLab: Zora Volantes https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1616763812778-MPABDL6ZVMCNHNPTL8UI/LEYLA+EMAD%C4%B0+PERFORMANS-40+Y%C4%B1ll%C4%B1k+Kahve+Hatr%C4%B1n%C4%B1n+Bitti%C4%9Fi+Yerdeyim+KARE.png News & Events Performance: Leyla Emadi https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1586626750455-MMIHQPHHWFWL63UDI9WI/7.png News & Events ArtLab: Elif Erkan https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1557067973189-TQ9918K16P47OVSKBVBK/G%C3%BCncel.png News & Events Visiting: “Big Baboli Print House” https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1562229404256-7A6LGA4JJUGBSRU0TK4E/ackcagr2.jpg News & Events Open Calls and Awards For Artists https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1586816507276-8UB5YXS9AL5WQMAT3Z14/6.png News & Events ArtLab: Denise Winter https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1586816642036-9J1ULDE9ELYMBOP5A35S/2.png News & Events ArtLab: Francisco de Soarl https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/dadafb41-5584-4245-8224-4210ba547036/Kendimin+Orman%C4%B1nda+Sergi+Konus%CC%A7mas%C4%B1.png News & Events - Make it stand out Exhibition Talk: My in Forest https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529746271223-WDOEJGAR57VW0GW3UIOO/Ku%CC%88ltu%CC%88r-Sanat-Yazarl%C4%B1g%CC%86%C4%B1-T-Final-Turkce%2B2.png News & Events ArtWriting Turkey: Arts and Culture Writing Workshop in Collaboration with British Council https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1537012023385-GFWQI1I8F7E84FL0TWDX/artwriting+tan%C4%B1t%C4%B1m2.jpg News & Events ArtWriting Workshop with Kültigin Kağan Akbulut 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https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530627832866-ZR5CGAM3H7HYXDFG2BC3/14907595_10154219025918003_1279811804294434003_n.jpg Ahmet Sarı https://www.mixerarts.com/bengisu-bayrak-1 daily 0.75 2021-03-23 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534253840742-L792JIEUVIAL5I2JPERD/Profil+foto.JPG Bengisu Bayrak https://www.mixerarts.com/egemen-tuncer-2 daily 0.75 2020-05-10 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530625326408-EDNO8OJPCB4YS21O43N6/814bc7fa4954a361b3585476fe1d7973.jpg Egemen Tuncer https://www.mixerarts.com/furkan-oztekin daily 0.75 2019-05-17 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530624924222-ZK52E7MWTPFBUK0IPYTQ/Furkan_%C3%96ztekin_profil_foto_highres.JPG Furkan Öztekin https://www.mixerarts.com/gokcerten daily 0.75 2020-03-22 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1564669345421-CJTMKW9HGHOZYGV8LH45/tercihen-288x300+%281%29.jpg Gökçe İrten https://www.mixerarts.com/training-about-the-history-of-abstract-art daily 0.75 2018-10-30 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1540629822053-GIQBZZ6SEOCL0M9A77ZT/marcus+egitim4.jpg Eğitim: Soyut Sanatın Tarihi Hakkında https://www.mixerarts.com/sergiler-1 daily 0.75 2023-08-13 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529424595877-2D3FVNHRE96U49ZWLAU8/%C4%B0zler-Remains-dijital-ig.jpg Sergiler İzler (2017) İnsan doğduğu andan itibaren içinde bulunduğu zaman ve mekana tanıklık eder, gözlemlemeye ve deneyimlemeye başlar. Bu mekanlar içinde yer alan nesneler bütünü ile duygu ve karakterleri, belleğimiz birer an olarak kaydeder. Bu anlardan parçalar toplayarak anıları oluşturur. Belleğin kaydettiği anlar arasında kurulan zamansal ve uzamsal ilişkiler, insan zihninin deneyimsel alışkanlıkları ile ilgilidir. Bireyin toplum içerisinde bulunduğu konum bu anıların şekillenmesinde etkilidir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529421996769-WK3X2QV2NYZRTGIZ8QRN/otomata Sergiler o+oma+a (2017) Adını insan ve makinelerin matematiksel etkileşimini inceleyen Otomata teorisinden (Automata Theory) alan sergi, fiktif bir makinenin hikayesini konu alıyor. İzleyiciyi göremediği, fakat varlığını içten içe hissettiği ve sanatçıların üretim süreci ile doğrudan ilgili olan bu makinenin nasıl işlediğine ve neye benzediğine dair bir keşif süreci ile baş başa bırakıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529745616383-I0KAEZ3EQ62ZQ7BHX8K6/davetiye_Page_1.jpg Sergiler Chaoskampf (2014) Buğdanoğlu’nun son dönem çalışmaları, kaos ve karşısında duranlar üzerine eğilen resimsel bir kurgu etrafında şekilleniyor. Yeni bakış açıları ve tekniklerle kurgulanan bu eserler, sanatçının deneysel arayışlarını görünür kılıyor. Resimlerindeki farklı tonların iç içe geçmesiyle, yüzey üzerinde kaos ile düzenin çarpıştığını görmemiz mümkünken, desen ve baskı çalışmalarında ise bu kavgaya dair figüratif izlenimler yer alıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529425076979-LNP7K7RL142NCMRAEZZS/meltem+revize+insta.jpg Sergiler Negative Pleasure (2017) Pastel renklerle bezediği naif çizimleriyle Gilles Deleuze, Friedrich Nietzsche ve Maurice Merleau-Ponty gibi düşünürlerin işlediği konuları ele alan Meltem Şahin, işitme, görme ve dokunma duyularına odaklanarak benzersiz bir deneyim ve öğrenme alanı oluşturuyor.. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1553064801870-N4F8REY7KLN98RQXQHJK/printed19_ins.jpeg Sergiler Printed’19: Multiple Choice 2014 yılından itibaren her sene farklı baskı teknikleri ile üretilmiş orjinal baskı eserlere yer veren “PRINTED” sergi serisi bu sene Marcus Graf küratörlüğünde yeni bir seçki ile izleyici ile buluşuyor. Bu sene Multiple Choices alt başlığı altında, ipek baskısından fotoğrafa, deneysel baskı tekniklerinden üç boyutlu objelere farklı tekniklerle üretilmiş eserlere yer veriyor. Farklı nesiller ve disiplinlerden sanatçıları bir araya getiren sergi, baskının önemini, gücünü ve özgünlüğünü ortaya koymayı hedeflerken aynı zamanda izleyiciyi baskı ve çoğaltılabilir objeler dünyasına davet ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1547559788967-SN7PX1PJZ8W05UB2OSOZ/yes%CC%A7il+ku%CC%88f+insta_final.jpg Sergiler Yeşil Küf (2019) Mixer, 18 Ocak-23 Şubat tarihleri arasında dokuz sanatçının işlerinin yer aldığı ‘Yeşil Küf’ isimli sergiye ev sahipliği yapıyor. İzleyicinin bir araştırmacı konumunda keşfe çıktığı bu sergide, sanatçıların eserleri geçmişten bugüne ulaşan buluntu bir nesne gibi gün yüzüne çıkıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529760994479-NZPUEXAJ3IHH9UEKYBI4/Zamanlama+Meselesi+-+e-davetiye.jpg Sergiler Zamanlama Meselesi (2014) Meltem Sırtıkara çalışmalarında kitle iletişim araçlarının insan yaşamında gittikçe çoğalan ve bir şekilde maruz kalmaktan kaçınılamayan etkilerini iletişim, ilişki, kayıtsızlık gibi olgular üzerine dokunarak görünür kılıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529399042259-87GTIGCTZ7I7WYYYDKGG/muhit.jpg Sergiler Muhit (2017) Mixer, Gökçe İrten’in kentsel dönüşüm ve bunun bireyler üzerinde yarattığı hissiyata odaklanan kişisel sergisi “Muhit”i 15 Aralık itibariyle izleyiciyle buluşturuyor. Son yıllarda değişen şehirleşme anlayışı farklı yaşam biçimlerini beraberinde getirmektedir. Yaşanmışlığı olan yerleşim alanlarının dönüştürülerek gökdelenlere ve rezidanslara evrilmesiyle birbirleriyle sosyalleşmekten uzaklaşan insanlar, mahalle kültürünün ve sıcaklığının yok olmasına sebep olmaktadır. Mahallelerin birer binaya sıkıştırılması ile güven ve samimiyetin giderek azalması, evlere giren mecburi yalıtılmışlık, izole hayatlara yol açmaktadır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/583be7ee-3914-4f68-8c96-29c031d7cf85/Zihinde+Bir+Dalga_Insta+Post.png Sergiler - Make it stand out Zihinde Bir Dalga Sergi, dış dünya ile etkileşimimiz üzerinden zihnin sınırlarının ve anlam dünyalarının nasıl oluştuğuna, duygu ve davranışların nasıl şekillendiğine odaklanıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1551023217353-P79RKTRKS1NG8E0ISVCH/furkan+son1.jpg Sergiler Dört Mevsimlik Mayıs (2019) Mixer, 1 Mart–7 Nisan 2019 tarihleri arasında proje odasında Furkan Öztekin’in “Dört Mevsimlik Mayıs” isimli ilk kişisel sergisine ev sahipliği yapıyor. Furkan Öztekin, sergide yer alan çalışmalarında Ülker Sokak, Eryaman ve Meis Sitesi gibi LGBTİ+ direniş tarihinde önemli yeri olan mekanları konu alıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529765826170-EQTLJNFG51PEHSX4YJ32/Homo+Evolution+E-davetiye.jpg Sergiler Homo Evolution (2014) Bir varoluş türü olarak “homo sapiens” modern çağlarda görülen kültür ve teknolojik ilerlemelerle birlikte, halen devam eden bir evrim içinde değişmektedir. Farklı evrim süreçlerinin zamansal olarak yarattığı bu katmanlar, sanatçının doğal yaratım refleksi ve hayal gücüyle birleştiğinde gerçeküstü ve fantastik eserlere dönüşüyorlar. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529680955659-8YXF83WDLZAZ2BU1FHZF/ENRICO_BERTELLI_boundaries+30x30+cm_spray_tapes%2Cresin+on+PVC+2014.jpg Sergiler Borders and Boundaries (2015) İnşa edilmiş alanların egemen birer güç olarak birey üzerinde baskı kurması, bireyin kendini özgür bir biçimde tanımlamasına engel olur. Fiziksel ve politik bariyerler dilden fiziksel ve sosyal alanlardaki yaşam biçimlerine kadar insan hayatının her alanında belirleyici bir rol üstlenir. “Borders and Boundaries” sergisinin kavramsal çerçevesi bireyin kimliğini tanımlarken karşılaştığı bu politik, yapısal ve sosyal engeller etrafında şekilleniyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529594560052-9XJA7XEFPA8AJ4EXPZU6/on+paper+instagram+.jpg Sergiler Kağıt Üzerine (2016) Mixer’in 1 Nisan tarihinde açılacak olan sergisi Kağıt Üzerine, farklı disiplinler ile çalışan sanatçıları “kağıt üzerine” bir diyalog kurmak adına bir araya getiriyor. Sergi genel olarak kağıdın, yaratım sürecindeki yerine odaklanarak sanatçının üretimi için vazgeçilmez bir malzeme olduğunu hatırlatıyor. Herhangi bir fikrin dış dünyayla ilk teması ve dışavurumunun kağıt üzerinden gerçekleştiği bu durumlar, soyut ile somutun ilk buluşması olarak değerlendirilebilir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1608306817923-G42HV9NCE30PNO4N3UT2/mixer-editions-portfolio-2021.jpg Sergiler Mixer Editions Portfolia 2021 Sanatın belirli alan ve kitlelerle sınırlı yapısının ötesine geçmeyi hedefleyen yaklaşımıyla oluşturduğumuz Mixer Editions, Türkiye'den ve farklı ülkelerden çok sayıda sanatçının, sınırlı edisyonlarda ürettiği çalışmalarını ulaşılabilir formatlarda sunmayı hedefliyor. 2013 yılından beri farklı edisyon seçkileri ve Printed sergileri ile çok sayıda sanatçının sınırlı edisyonlu çalışmasını izleyici ile buluşturuyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/20e1ad96-529d-4304-992d-a75460ed93e1/Sibel+Kocakaya+Yeryu%CC%88zu%CC%88+ve+Stru%CC%88ktu%CC%88r+Kare++%281%29.png Sergiler - Make it stand out Yeryüzü ve Strüktür Yeryüzü ve Strüktür Sibel Kocakaya’nın, doğa ve çevresel kaynaklar ile mimari yapı ve malzemelerin biraradalığını disiplinlerarası bir yaklaşımla sunan çalışmalarını bir araya getiriyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/80c5f8cd-4701-4aca-af15-859265d50cc4/Kendimin+Orman%C4%B1+Kare+.png Sergiler - Make it stand out Kendimin Ormanında Rugül Serbest, resimleri aracılığıyla benliğini, bedenini ve özellikle kendi iç dünyasını ‘bir başkasının’ kimliğine bürünerek yeniden deneyimlemenin yollarını arıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588772494528-5FB1O8H8PHSQ1SI4GNAD/Printed+Re-visited+INSTAGRAM+KARE+jpg.jpg Sergiler PRINTED Re-visited Printed sergileri üzerinden baskı sanatının tarihi ve gelişimine bir bakış. Mixer’in 2014 yılında özgün baskı ve edisyon alanında Mixer Editions ile başlayan macerasına, ilki 2015 yılından gerçekleşen uzun soluklu projesi Printed sergi serisi ile devam ediyor. Birçok kurum, küratör ve baskı atölyesi işbirliği içerisinde gerçekleşen bu etkinlik serisinde farklı teknikler konusunda teorik ve pratik atölyeler de eşlik ediyor. 2015’ten bu yana Printed sergilerinde yer alan eserler arasından yapılan seçkiye, geçmiş printed sergilerine ait görsel, dijital katalog ve röportajlara buradan ulaşabilirsiniz. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/d5a57d24-d7e1-422e-a781-e984fc4d1eb7/Manzaradan+O%CC%88te+Kare.png Sergiler - Make it stand out Manzaradan Öte Farklı disiplinlerden etkilenerek üretimler yapan iki sanatçının eserlerinin kesişimlerine değinen sergi, şehir ve doğa manzaralarını farklı bakış açılarından ele alarak birbirini kapsayan bir beraberlik önerisi sunuyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529395268447-Y5QYML0DRQIBRF63BF4N/the+side+of+animals Sergiler Hayvanların Tarafı (2018) Adını Nazlı Karabıyıkoğlu’nun Hayvanların Tarafı adlı hikaye kitabından alan bu sergide bir araya gelen işler insandan ve uygarlıktan uzaklaşıp hayvan ve tabiata dair ihtimallere odaklanıyor. İnsanın karşısında insan-dışını, uygarlık karşısında uygarlık-dışını düşünmeye çalışan bu işler insan merkezci bir bakıştan kurtulup yabana ve doğaya yönelerek yeni bir bakış öneriyorlar. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1598192122301-E7KTH7NB4S4Z7K0SCK56/insta1.png Sergiler Çıkmaya Zorla Mixer, 12 Eylül – 31 Ekim 2020 tarihleri arasında multimedya yerleştirmeler üzerinden spekülatif deneyimler sunan sanatçı Ozan Atalan’ın “Çıkmaya Zorla” isimli dördüncü kişisel sergisine ev sahipliği yapıyor. Sergi, insanın diğer insanlara ve doğayı/uzayı da içeren insan olmayan varlıklara yıkıcı yaklaşımını meşru kılan insan merkezci yaklaşıma ve dünyanın ayrıştırıcı-düalist yorumuna eleştirel yaklaşıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529768624255-RMJLQT0IS9Z0A61UMUSW/h.png Sergiler Hotel Italia (2013) Hotel Italia sergisinin sanatçı ve küratörleri, bir zamanlar kasıtlı olarak Italia adı ile ‘onurlandırılmış’ bu otelin ancak kültür ve sanatın iyileştirici özelliği ile dönüştürülebilirliğini düşünerek sergiye bu ismi verdiler. Serginin odak noktası ‘Hotel Italia’ ziyaretçilerine -son zamanlarda sivil itaatsizlik ve politik merkez yoksunluğu yaşayan İtalyan ulusunu çağrıştırarak- sadece otel odalarının duvarlarından oluşan bir labirentte asılmış eserleri görme şansı değil, aynı zamanda onları ait olduğu yerden koparılmış beyaz galeri duvarlarında görme imkânı sağlıyor ve bu durum, otelin sıra dışı ve geçici ‘misafirlerinin’ akıllarını karıştıracak gibi görünüyor. Ayrıca sosyo - politik anlamda dengesi bozulan İtalyan toplumunun farklı coğrafyalardaki temsili direnişini sembolize ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529423863396-5F9WTSBV4PHNLRXCXQ0G/Eren+%C4%B0leri-Racing+Driver-dijital-ig.jpg Sergiler Yarış Pilotu ve Gölgesi (2017) Eren İleri, Mixer Açık Depo’da yer alacak analog, siyah & beyaz fotoğraflardan oluşan serisi “Yarış Pilotu ve Gölgesi” ile insan ve teknoloji arasındaki doğanın ve doğal yeteneklerinin ötesine “uç noktalara” taşınmış ilişkiyi sorguluyor. Formula 1 Grand Prix yarışları özelinde kurgulanmış, ütopya / distopyanın bir resmi sayılabilecek yapay topografyalarda şahit olunan kısa ama göz kamaştırıcı “an”ları belgeleyen İleri, göstergebilim çerçevesinde gösteriyi ve yok-mekan içinde bedeni analiz ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1612451308119-2D2T6XF45E2H0K0S9YPN/ola_den_inc_ben_insta.jpg Sergiler Olağanüstü Denklikler, İnce Benzerlikler (2021) Olağanüstü denklikler, ince benzerlikler, Alp İşmen ve Yüksel Dal’ın çalışmalarını birbirine paralel izlenen denkliklerle sunarken izleyiciye her bir sanatçının pratiğini kavrama fırsatı da veren bir kişisel sergi deneyimi sunuyor. Alp İşmen ve Yüksel Dal’ın katılımıyla Nergis Abıyeva küratörlüğünde düzenlenen Olağanüstü denklikler, ince benzerlikler sergisi 16 Şubat - 3 Nisan tarihleri arasında Mixer’de ziyaret edilebilir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1570476455681-VXXW0FP3HI1I0B2RUJ6U/Lens19INSTA.jpg Sergiler Lens'19 | Görülen Şeyler (2019) 2012 yılında her disiplinden üretimin izleyici ile buluşmasını sağlamak için yola çıkan Mixer, sadece fotoğrafa odaklanan bir sergi serisi olan Lens'i hayata geçirmeye hazırlanıyor. Bu sene ilki Sena Çakırkaya küratörlüğünde gerçekleşecek sergi serisi, gelecek yıllarda farklı temalar ya da tekniklere odaklanarak Türkiye'de ve dünyada fotoğrafın izlerini takip edecek. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529590480587-9BLOWVOCWX2D4AH8SDT8/dijital4.jpg Sergiler Printed '16 (2016) Mixer’in geçen sene, sanatı daha ulaşılabilir kılma hedefine paralel olarak başlattığı sergi serisi Printed’ın ikinci sergisinde önemli isimler yer alıyor. Çağdaş sanat mekânı algısına farklı bir boyut kazandıran Mixer, sınırlı sayıda edisyonlu baskıların ve fotoğrafların gösterildiği Printed’16’ya 13 Mayıs – 18 Haziran tarihleri arasında ev sahipliği yapıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/e1319f19-5022-4f62-88c4-8ba2b67b95ed/yolo.png Sergiler - Make it stand out SENKRON I Eş Zamanlı Video Sergileri: YOLO SENKRON ‘Eş Zamanlı Video Sergileri’ Mixer; Bilsart ve Versus Art Project’in yürütücülüğünde ve 15 - 30 Nisan 2022 tarihleri arasında izleyiciler ile buluşuyor. Türkiye’de video sanatını merkeze alarak farklı şehirlerden sanat kurumları, sanatçılar, küratörler ve sanat profesyonellerini bir araya getiren Senkron; sergi / etkinlik / konuşma ve gösterimler aracılığıyla video sanatına dair kapsayıcı bir etkinlik olma özelliği taşıyor. Bu kapsamda Mixer’in daveti ile, fikir ve üretim süreçlerini birlikte şekillendirdikleri yeni video üretimleri ile Ozan Atalan ve Ekmel Ertan’ın YOLO başlıklı sergisi izleyiciler ile buluşuyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530265036904-3FK3O7BL6NBXANMIE35Z/Screen+Shot+2018-06-26+at+17.16.11.png Sergiler Grigori (2013) Pasifleştirilen toplumlarda zamanla bireyler hareketsiz homojen yapılara dönüşmektedir. Küçük reaksiyonlar ile bu edilgen yapı değiştirilmeye çalışılsa da kemikleşmiş sistem yüzünden hareket etmek zorlaşmaktadır. Bu yapılanmalar içerisinde oluşan bozulmalar ve çözümlemelerin sonucunda varoluşsal olarak birey, içinde yaşadığı topluma dair aidiyet duygusunu yitirir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1580899770274-EDZ4IW3ACDGBR43FXX9E/Dog%CC%86u_kare.png Sergiler Gece Provası (2020) Mixer, Doğu Özgün’ün “Gece Provası” başlıklı sergisini duyurmaktan mutluluk duyar. Sanatçının Mixer ’deki ilk kişisel sergisi Gece Provası, 27 Şubat-11 Nisan 2020 tarihleri arasında galerinin ana sergi alanında izlenebilir.Gece Provası ismi, gündüzün üzerini örttüğü arzu ve sapmaların, gecenin körpe karanlığından faydalanması fikrine dayanır; bir hayalin, bir kumpasın veya organize bir planın karanlıkta tasarlanmasına, gündüzün kamuflajlarına işaret eder. Sahnelenecek bir oyunun gece provası, gündüz giydiği kostümden kurtulan kişinin kaçış planıdır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529769269015-CNPYL3RXZE3H811W312R/kayit_davetiye.jpg Sergiler Kayıt (2013) Sergi, farklı disiplinlerde üretim yapan sanatçıların “kayıt” ve “kaydetme” pratikleri üzerinden bireysel ve sosyal hafızanın çağdaş sanat içindeki görünümüne dair bir bakış denemesine odaklanıyor. Güncel dünyadaki kurgu-gerçek ile fizik-gerçek arasındaki çizginin giderek silikleşmesi sonucu bilincin tersyüz olması, sergiye gelen izleyiciler üzerinde de kendini gösterme amacı güttü. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/31f168dc-37b4-4d41-a3ea-c0cb3660aa8e/Coulisse+Kare+%281%29.png Sergiler - Make it stand out Coulisse Sergi; insan/hayvan, insan/makine, özne/nesne, bilinç/bilinçdışı ve sanat/piyasa gibi düalistik kategorilerin sınırlarının muğlaklaşarak, iç içe geçtiği alanlardaki yeni ilişkisellik biçimleri üzerine düşünmek için bir zemin hazırlıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1607526988367-OC7W4BWNPF742H3IO3VE/Arzu-Kadar-Kadim_TR.jpg Sergiler Arzu Kadar Kadim Mixer, 22 Aralık 2020 - 6 Şubat 2021 tarihleri arasında Hilal Polat'ın kendi kurgusal mitolojisinden hareketle hikayeleştirdiği ve deneyimsel bir mekâna dönüştürdüğü Arzu Kadar Kadim başlıklı sergisine ev sahipliği yapıyor. Sergi, sanatçının farklı alanlardaki pratik ve deneyimlerini hayal gücü ile birleştirdiği ve kendi düşünsel meseleleri ekseninde yorumlayarak sanatsal pratiği ile bütünleştirdiği bir yapıyı izleyiciye sunuyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/dcc85418-6637-4abe-a9b5-77e549bf6256/I%CC%87stanbul+Gallery+week.png Sergiler - Make it stand out Mixer: Now @İstanbul Gallery Week Mixer, Istanbul Gallery Week’in bir parçası olmaktan mutluluk duyar. İstanbul kültür-sanat ajandasına heyecan katacak etkinlikler dizisi ile IGW, bu yıl 11-20 Kasım tarihleri arasında ilk defa izleyici ile buluşuyor. Mixer: NOW sergisi, 5-20 Kasım tarihleri arasında ziyaret edilebilir! https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1574413514269-9FHDPHFJBUMDK892E3AU/BlendedINSTA.jpg Sergiler Blended (2019-2020) Mixer, 06 Aralık- 10 Ocak tarihleri arasında ana sergi mekanında Balkan Karışman, CANAN, Deniz Ezgi Sürek, Eda Emirdağ, Gökçe İrten, Gözde Ulusoy, Haydar Akdağ, Isabelle Heske, Özge Enginöz, Sibel Kocakaya ve Tutku Bulutbeyaz’ın kolaj çalışmaları ile yer aldığı ‘’Blended’’ isimli karma sergiye ev sahipliği yapıyor. Blended sergisi, izleyiciyi birbirinden farklı malzemelerle üretim yapan sanatçıların ‘’kolaj’’ çalışmaları ile bu soruya verdikleri cevapları izlemeye davet ediyor. Sergide kolaj olarak nitelendirdiğimiz eserler kağıt, seramik, video, kumaş gibi farklı formlarda ve düşünce biçimlerinde karşımıza çıkıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529760227193-7RN842TBJW3L25715YX6/capture-20180623-131758.png Sergiler Erör (2014) Cins’in eserleri gündelik yaşamında rastladığı nesnelerin ve olayların sanatçının bilinçdışıyla buluşmasıyla adeta görsel bir günlük haline geliyor. Bu buluşmadan doğan “erör”ler aynı zamanda Cins’in üretiminin iki kanadı, gündelik hayat ve ironiyi birleştirerek bir yandan serbest çağrışımla “terör”ü hatırlatırken, diğer yandan kara mizahi bir anlayışla “hata”nın sertliğini yumuşatıyor. Pastel tonlar aslen ürkütücü olan öğeleri bağlamından kopararak izleyiciyi farklı okumalara davet ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1622907009148-FYC6QW83JBMZFRE9KU8Q/Sessions.jpg Sergiler - Make it stand out Mixer Sessions V Mixer’in kariyerlerinin başındaki genç sanatçılara alan açma ve destek olma arzusuyla hayata geçirdiği sergi serisi Mixer Sessions’ın beşinci edisyonu, 15 Haziran – 4 Ağustos tarihleri arasında izleyici ile buluşmaya hazırlanıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/0dfd2cca-53fd-4d0c-9f58-7b7116137cd0/M%C3%BC%C5%9Fterilerimize+g%C3%BC%C3%A7+kat%C4%B1yoruz+%281%29.png Sergiler - Make it stand out 212 PHOTOGRAPHY ISTANBUL: REMIX by MIXER Mixer, 212 Photography Istanbul kapsamında son üç yıldır sürdürdüğü Lens serisinden ve galerinin farklı sergilerinde yer almış fotoğraf çalışmalarından bir seçkiyi 6-16 Ekim tarihleri arasında Akaretler no:15’te izleyici ile buluşturacak. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1560873163076-ZP25GCLB7GZVSUN5CID7/mixer+sessions+2019+kare.jpg Sergiler Mixer Sessions IV (2019) 2012 Kasım ayında İstanbul’da genç ve kariyerinin başındaki Türk sanatçılarının gelişmesine olanak sağlamak amacıyla kurulan Mixer, bu doğrultuda 2016 yılından beri düzenlediği açık çağrı serisine devam ediyor! Bu sene dördüncü edisyonu düzenlenen “Mixer Sessions” sergi serisi için yapılan başvurular sonucunda Mixer ekibi tarafından yapılan seçkideki eserler, 14 Haziran - 4 Ağustos tarihleri arasında sergilenecektir https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529744982192-6XDPWTHCDSQVC7CWT8SH/IMG_2113.JPG+90x60.JPG Sergiler - Non-Place Yok-Yer (2014) Mehmet Kahraman’ın küratörlüğünü üstlendiği karma sergi “yok-yer”, her yerde oluşları, birbirlerine benzemeleri ve bağlamlarından kopuk olmalarıyla dikkat çeken havaalanları, eğlence ve alışveriş merkezleri gibi çağımızın ‘yok-yerleri’ni konu alıyor. Çağdaş dünyanın hareketli öznesinin mekanları deneyimleme şeklini etkileyen yok-yerler, insanların bir araya gelerek sosyalleşmelerine olanak sağlarken aynı zamanda yalnızlık duygusu yaratmalarıyla bireylere varoluşsal bir çelişki alanı sunarlar. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529423458174-OSEDTJA3VNIVX9KCZP4E/inclusion+comprehension Sergiler Kapsama/Kavrama (2017) Mixer, Sırma Doruk ve Deniz Derin Akıncı'nın işlerinin buluştuğu Kapsama/Kavrama sergisine yer verecek. Aynı mekan içerisinde iki sanatçının ayrı sanatsal pratiklerinin bir araya geldiği bu sergi, bütün olarak işlerinin yer aldığı bir ilk olma niteliğini taşıyor. Doruk ve Akıncı'nın pratikleri arasında kurdukları bu ilişki ikilinin sergi için ürettikleri ortak işleriyle de serginin bütünselliğini pekiştiriyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529424935106-TZZD21V3XIYNLVEYFR3P/berkay+dijital+kit+yeni+instagram.jpg Sergiler Islah (2016) Buğdanoğlu’nun önceki serilerinden alışık olduğumuz çelik üzerine çalıştığı işlerin yanı sıra sanatçının ilk heykel çalışmalarını da bu sergide görmek mümkün. Buğdanoğlu, Mixer’deki üçüncü kişisel sergisinde kendi tekniğine sadık kalmakla beraber kullandığı malzemeleri dönüştürerek ve bütünleştirerek pratiğini bir adım öteye taşıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529662388901-CKV6ZD6LJRL8W1MWOZTU/instagram2.jpg Sergiler Grid (2016) Mixer’in yeni sergisi “Grid”, çalıştığı düzlemi eşit parçalara bölen, bu parçalarla bütün arasında ilişki kuran gridi, kuralları ve sınırları belirleyen bir şablon olarak ele alan sanatçıların işlerini bir araya getiriyor. Bir düzlemin kare veya dikdörtgen gibi birbirine eş küçük birimlere bölünmesiyle elde edilen bir şablon olan grid, kimi zaman harita üzerinde yol bulmamıza yardımcı olurken kimi zamansa farklı parçalar arasında yeni ilişkiler kurmamıza, bir anlamda yolumuzu çizmemize destek oluyor. Gridin birimleri her ne kadar birbiriyle eş olsa da, üzerine bindirildiği yapıların farklılıklarını benimsiyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/4d0f174e-d77e-40f6-b1bc-961490843212/Ekin+Keser+Kendimden+Bir+S%CC%A7eyler+Arad%C4%B1m+Kare.png Sergiler - Make it stand out Kendimden Bir Şeyler Aradım Ekin Keser, Kendimden Bir Şeyler Aradım adlı sergisinde kendi varoluşunu buluntu fotoğraflar, belgeler ve farklı nesneler aracılığıyla yeniden kurguluyor. Başkalarına ait anı ve belgelerden kestiği yaşanmışlıklar ile kendi hikayesini yeniden inşa ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/20e709cf-647a-4842-b1e0-2bc00e80c997/_Printed%2722+Kare.png Sergiler - Make it stand out PRINTED’22: iziziz Mixer, 2015 yılından bu yana düzenlediği Printed sergi serisinin bu yıl yedincisini Mimar Sinan Güzel Sanatlar Üniversitesi Gravür Uygulama Atölyesi’nin tarihine ve güncel durumuna odaklanan iziziz isimli sergi ile 15 Nisan – 30 Mayıs 2022 tarihinde gerçekleştiriyor. Art Lab, Mixer Editions ve Printed serilerindeki deneyimimizin bir uzantısı olarak Juma Binası giriş katında 26 Mart’ta açılacak Mixer Print Studio iziziz sergisi ile senkronize biçimde katılıma açık olacak. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529596184776-AW28NCHNYLAYMARNWRAT/instagram.jpg Sergiler İmgeyle (2016) Sergi, genel olarak günümüzde fotoğraf kavramının ne demek olduğunu araştırıyor, imge ile çalışan sanatçıların gerek hareketli fotoğraf gerek hareketsiz video gibi kavramların da iç içe geçtiği durum içerisinde bu mecranın evrim yolculuğunu nasıl yorumladıklarını sorguluyor. 'An'dan yola çıkarak durağan ve durgun, ve fakat zaman içerisinde yer aldığı için hareket içerisinde ve sonsuz... https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1545295913562-L523JZBXKPMAK6Y4ZW0T/guzeste+dijital+son_revize2.jpg Sergiler Güzeşte (2018) Gorchakov Tarkovsky Nostalghia’sında konuşulmayan hislerin unutulduğundan bahseder. Belki de o hisleri tarihe yazmak ve unutmamak için sürekli onlara tutunmaya çalışırız. Çoğu zaman nesneler aracılığı ile bu bağlantıyı canlı tutarken, bazen bir mezar taşı bile bu işlevi görebilir. Sergide, sanatçıların kullandıkları nesneler ile geçmişlerine doğru bir bağ kurduklarına ve onun iyileştirici gücüne inandıklarına tanık oluyoruz. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1531317673124-1MV95O57VPFMZTOFWOW0/Masturbation-instagram.jpg Sergiler Mastürbasyon (2016) ‘‘Sevgili dinleyiciler; bu sergide göreceğiniz parçalar yaratıcının kendi dünyasını inşaa etmedeki sorunlarının birer kurgusu. Bu bir üretme ve var olma hissi. Sanatçılar, bu sergiye kendi kurguları ve yaratma süreçleriyle katılarak sürecin anlaşılır ve hissedilir olduğundan emin olmaya çalışıp herhangi bir dayatma olmaksızın, bu dünyada varoluş halini dışa vurmak için mücadele ediyor.’’ Mustafa Horasan https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1547067365054-VO5N64FEL931LJ9T919Z/lekesiz+dijital3+%281%29.jpg Sergiler Lekesiz (2019) Mixer, 18 Ocak-23 Şubat tarihleri arasında üç sanatçının işlerinin yer aldığı ‘Lekesiz’ isimli sergiye ev sahipliği yapıyor. Ayşe Yıldırım, Egemen Tuncer ve Pınar Yılmaz içinde bulunduğumuz, insanlar tarafından yapılan yapıların davranışlarımızı nasıl yönlendirdiği üzerine farklı düşünme biçimleri geliştiriyorlar. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528201647352-DT6E90UMGTB0Z9T21EPX/printed+dijital+kit_revizyon3.jpg Sergiler Printed '18 (2018) Sanatın ulaşılabilir olması gayesiyle yola çıkan Mixer, 2014 yılından itibaren her sene farklı baskı teknikleri ile üretilmiş orijinal baskı eserlerin yer aldığı Printed sergi serisine ev sahipliği yapıyor. Bu sene 1900’lü yıllardan günümüze uzanan bir aralıkta hazırlanan seçki, litografi, serigrafi ve gravür başta olmak üzere farklı baskı tekniklerini ve Fotoğraf Uygulama ve Araştırma Merkezi (FUAM) atölyelerinde oluşturulmuş olan fotokitaplar ile Komet ve Bengisu Bayrak’ın sanatçı kitaplarını bir araya getirerek baskının tarihçesine odaklanıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529681702117-PUFTTIRCSHBGC7U2E3FC/cizgi+fb+reklam+gorsel.jpg Sergiler Çizgi (2015) Uygarlık tarihinin en önemli buluşlarından biridir çizgi. Yazılı iletişimin ve sanatsal ifadenin temel yapıtaşıdır. Çizildiği yüzeyin karakteriyle bir ritim kazanır, farklı söylemlerde bulunur, farklı algılar yaratır. Bir düzlem üzerindeki hareket eylemi olarak görebileceğimiz çizgi, çizen kişinin yüzeyle kurduğu ilişkiyle şekillenir, sınırları belirlenir ve bir forma ilişkiyle şekillenir, sınırları belirlenir ve bir forma evrilir. Bu bağlamda, çizginin gücü tarihsel süreç içerisinde hem kültürel ortama hem de çizen kişiye bağlı olarak görsel bir hafızaya dönüşür. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1566313080141-PZKX9VJXDGOPRJY6QL6U/AliSenturkINSTA.jpg Sergiler Biz Bu Değiliz, Bu Bizden Geriye Kalan (2019) Mixer, 05 Eylül – 12 Ekim 2019 tarihleri arasında Ali Şentürk’ün ‘Biz Bu Değiliz, Bu Bizden Geriye Kalan’ isimli dördüncü kişisel sergisine ev sahipliği yapıyor. Platon’un mağara alegorisine göre nesneler ve değişmeyen özlerden oluşan iki ayrı dünya vardır. Beden, nesneler dünyasına ait iken ruh özler dünyasından izler taşımaktadır. “Biz Bu Değiliz, Bu Bizden Geriye Kalan” isimli sergisinde beden ve nesnenin parça/bütün meselesine odaklanan Şentürk parçalanmış, özgünlüklerini kaybetmiş unsurları tekrar bir araya getirerek yeni bir bütün oluşturmayı amaçlıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529588958625-DJ14UJ6JRI4EN8QFN6H8/kare2+-+Venice+-+MedihaDidem+-+kucukboyut.jpg Sergiler Mitler (2018) Mixer, Mediha Didem Türemen'in ikinci solo sergisi "Mitler"i, 3 - 23 Nisan 2018 tarihleri arasında Adahan İstanbul'daki tarihi sarnıçta gerçekleştiriyor. Sanatçının değişime zorlanan doğanın oluşturduğu durumları ele alan çalışmaları, fotoğrafın tanıklık ettiği zamanın dışında kurulan düşsel zamanı senaryolaştırmaya odaklanıyor. Çalışmalarını sinema, fotoğraf ve gravür alanlarında sürdüren sanatçı, "Mitler" ile değişen iklim koşulları ve öngörülemeyen doğa olayları sebebiyle gerçeküstü anlara tanıklık eden insanın, yeni inanç hikayeleriyle beliren efsanelerini anlatıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/06db20a7-3b94-4aba-8ec2-c27f2c960f7c/I%CC%87mgelerin+Yeni+Grameri_Insta+Post.png Sergiler - Make it stand out İmgelerin Yeni Grameri Yeni materyalizm düşüncesi kavramsal çerçevenin ikinci teorik katmanını oluşturur ve on sanatçıdan oluşan sergi, farklı teknik, sergileme yöntemi, materyalite ve sanatçıların nesnelerle kurdukları ilişkisellik bakımından yapıtlararası bir okuma sunar. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528466066288-ELWEZIIIMX1YB451NPK0/image-asset.jpeg Sergiler Art Stage Singapore 2018 Mixer, 25 - 28 Ocak 2018 tarihleri arasında düzenlenen Asya kıtasının önde gelen çağdaş sanat fuarı Art Stage Singapur’a Berkay Bugdan, Sibel Kocakaya ve Alican Leblebici ile gidiyor. Geçtiğimiz iki sene boyunca Bugdan’ın solo sergisiyle Art Stage’de izleyiciyle buluşan Mixer, bu sene üç farklı sanatçıyı “Güzellik: Tamamen Perspektif hakkında mı?” başlıklı bir tema altında birleştiriyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/102ed6fb-3d92-4651-b023-57941d2b5675/EE_instagram_post.png Sergiler - Make it stand out A Secret About a Secret Uzun zamandan beri sinema sektöründe görüntü yönetmenliği yapmakta olan ve film imgeleri üzerine deneyiminin gözlemlenebileceği Emre Erkmen’nin ilk fotoğraf sergisi “A Secret About a Secret” İstanbullu izleyicilere Mixer’de sunuluyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/3374d2ed-aa9b-4b32-a258-608494544c70/Ays%CC%A7enur+S%CC%A7entu%CC%88rk+-+Instagram+Kare.png Sergiler - Make it stand out Arayış Öğrencilik yıllarından sonra kendi artistik dilinin, estetiğinin ve ifadesinin özgürlüğünün peşinden sezgileriyle ilerlemeyi seçen sanatçı, bu doğrultuda yön bulan çizgilerin, şekillerin ve renklerin izinden kendi iç yolculuğunda kendisine eşlik eden çalışmalarını Arayış sergisi ile izleyiciyle paylaşıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529747120754-9SU327WWC4W1EDXV1AR0/10378933_726117067451013_3174788990279609187_n_118_474.jpg Sergiler Varolmayan Resimler (2014) Varolmayan Resimler kavramsal çerçevesini izleyici ile imaj arasında kurulan çok katmanlı ilişki üzerine inşa ediyor. Çoğunluğu iki boyutlu yüzeyler olan farklı mecralarda gördüğümüz her imaj, varoluşlarındaki tamamlanmamışlıktan dolayı, izleyicinin zihninde devam eden ve ancak bu süreç sonunda bütünlüğe varan birer yapıya evriliyor. İmajın kendi içinde değil izleyicinin zihninde tamamlanması fikrine paralel olarak, eserler sayısız yorumla karşılaşıp sonsuz sayıda farklı yansımaya dönüşüyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1540046371060-THCLPF27GKCZNPD4E83L/mixer+dijital+oct1611.jpg Sergiler Tekrar Tekrar (2018) Bazen sanatçı üzerinde çalıştığı konuların/imgelerin anlamlarını pekiştirmek, bazen de bir anlamı gizlemek üzere bu imgeleri çoğaltarak çeşitli kompozisyonlar oluşturur. Sergi, sanatçıların bu arayışlarını sorgularken, tekrar eden imgelerin meditatif büyüsüne ve ritmine bizi sürüklemeyi amaçlamaktadır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1530264973842-73GH2MC431HQ1PR6EL8X/_MG_1638.JPG Sergiler Yeni Algı - Beden ve Sınırlar (2014) Kocakaya’nın son dönem çalışmalarını içeren sergi, sanatçının tepkisel dışavurumlarını kendi bedeni üzerinde kurguladığı durumlara dönüştürmektedir. Sibel Kocakaya’nın resim, fotoğraf ve video çalışmalarından oluşan kişisel sergisi bireyin içinde bulunduğu durumlar üzerinden ruhsal eylemlerinin ve bedensel tepkilerin dışavurumuna odaklanmıştır. Sanatçı çalışmalarında kendi bedenini model olarak kullanırken yüz ifadelerini de yok ederek kimliksiz yeni bir beden üretmektedir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1566313236769-UB7G8353JJDXPA6425VO/NazliErdemirelINST.jpg Sergiler Seeing (2019) Mixer, 05 Eylül – 12 Ekim 2019 tarihleri arasında proje odasında Nazlı Erdemirel’in “Seeing“ isimli ilk kişisel sergisine ev sahipliği yapmaya hazırlanıyor.Fotoğraf üzerine odaklanan sanatçı, tekniğin yarattığı iki boyutun sınırlayıcı yapısına karşılık üretim refleksleri geliştiriyor. Fotoğrafın dışına çıkarak video ile oluşturduğu imgenin devamlılığının sürmesine odaklanan Erdemirel, farklı malzemeler ile yeni bir görme biçimi ve ek bir katman oluşturmayı amaçlıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534519039519-EHFH2WQEHUOFS8SVW3I9/proximity+dijital+son.jpg Sergiler Yakınlaşma (2018) Mixer, 14 Eylül – 20 Ekim 2018 tarihleri arasında doğa ve zihin arasındaki bağlantıya odaklanan üç fotoğraf sanatçısını bir araya getiriyor. Doğanın işleyiş biçimini algılamaya çalışırken zihnimiz biz farkında olmadan bu olay örgüsünü farklı devrelerin yardımıyla çözümler. Genel olarak bilinen akıl yürütme sürecinden farklı olarak beynimizdeki bu şaşırtıcı çözümleme yeteneği ‘’örüntü algısı’’ ile ilgilidir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529424056766-VJMP4AMQH1KD024XNCMI/G%C3%B6zlemlenir+Ger%C3%A7ekler-image-ig.jpg Sergiler Gözlemlenir Gerçekler (2017) Algı sistemlerimiz, algılanamayacak olguların algılanabilir kılındığı bir sistem içerisinde olmak üzere programlıdır. Ölçü ve birime dair olan kavramların kendi içinde bir referans oluşturan gerçekliklerden ibaret olduğunu düşünürsek, gerçeklik kavramının göreceliliği ve gerekliliği arasında ince bir çizgide var olur insan. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1630672903021-ONT49N8BVTAMDHAKDEIH/Instagram+Kare+Post.jpg Sergiler - Make it stand out Zamanın Enkazı “Zamanın Enkazı”, Gurur Birsin’in, sanatsal pratiğinin büyük kısmını oluşturan pentür çalışmalarının yanında desenlerini ve bir gravür çalışmasını bir araya getiriyor. Sanatçının sergide yer alan çalışmalarında ayrıntılı teknik detayların yanı sıra ilk bakışta karamsar algılanan, terk edilmiş mekanlar göze çarpıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1592655265182-3HCRXVTXSX108KGE5YRQ/Art+on+Screen+INS.+KARE.gif Sergiler Art on Screen Farklı tekniklere odaklanan sergi serileri düzenleyen Mixer, ‘’Art on Screen’’ sergisi kapsamında Türkiye'den altı sanatçının farklı ülkelerden takip ettiği sanatçıları Mixer web sitesi üzerinden izlenebilecek bir seçkide bir araya getiriyor. Bilgisayar ortamında üretilen ve ekranlar aracılığıyla izleyici ile buluşan video çalışmalar, dış dünya ile etkileşimimizin azaldığı ve çevrimiçi ağlar aracılığıyla temas kurduğumuz bu sürece yakından tanıklık ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529424695618-RYSZARO1SOEKWZP44SHF/20sinden+Sonra-image-ig.jpg Sergiler 20’sinden Sonra (2017) İstanbul’un kuzeybatısında bulunan orman köylerinden birinde, biyolojik kömürün üretim sürecinin kayıt altına alınmasıyla oluşturulan proje, tek bir ağaçtan yola çıkıyor. Sanatçı, tek bir ağacın hikayesi üzerinden giderek kurguladığı analojide, temsiliyet halinin aşamalarını ifşa ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1545295990738-QXQGB7RIZXDKKHNTQ95Q/sonsuz+kucuk+dijital+EN+SON+2_revize2.jpg Sergiler Sonsuz Küçük Sonsuz Büyük (2018) Yüksel Dal, anın etkisiyle spontan bir şekilde gerçekleştirdiği işlerinde ilkel ya da çağdaş figürleri, insanları, tanrıları, cadıları, büyücüleri, kralları, köleleri kendi belleğinden kağıda aktarıyor. Çizgiyi başlangıç noktası olarak alan sanatçı, çizim sürecinde kendini çizgiye teslim ederek, çizginin götürdüğü yere odaklanıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/747dbbd6-70b4-4c0c-97be-e85a6a4cf22b/1.png Sergiler - Make it stand out Printed’23 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/ebd2d282-76e0-4b38-a368-18a4c805c60c/COP_1.jpg Sergiler - Make it stand out LENS’22: İşler Değişti İşler Değişti isimli 12 genç sanatçının işlerine yer veren, Cemre Yeşil Gönenli’nin küratörlüğünü yaptığı fotoğraf sergisi 5 Mart 2022’de Mixer’de açılıyor. Sergi, post pandemi dünyasında değişen, dönüşen toplumsal bir ruh halini ve bu ruh halinin genç kuşak üzerindeki etkisini araştırıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1612608794750-JMMJ40CIC8OK3SZ6IQ1W/WhatsApp+Image+2021-02-06+at+13.40.26.jpeg Sergiler Gel-Git (2021) Sergi, sanatçının, bireysel konfor alanı ve belirsizlik durumu arasında kalışlarını yansıtan çoğunlukla beton harflerle sözcüklere ve cümlelere dönüşmüş formlar yanında gelgit yaşayan bireyin zihnindeki düşüncelerden kağıda ve ardından sergi mekanına dökülen sözler bütününü içeren enstalasyonlarını bir araya getiriyor. Gel-Git, 16 Şubat - 3 Nisan 2021 tarihleri arasında Mixer’in proje odasında görülebilir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529395761652-125KOGVF8VIAPS9MDGHY/last+exit Sergiler Son Çıkış (2016) Kürşat Bayhan’ın yaklaşık 3 sene önce içinde yaşadığı şehrin değişimini ve kırsal alanda yaşanan topografik değişimleri fotoğraflamaya başladı. Bayhan, Kuzey Marmara Otobanı ve 3. Köprü rotası üzerinde yaptığı yolculuklarda bölgede yaşayanlarla konuşarak, gün ve gün yaşanan değişimde ana metaforunu kırsal yaşam, manzara ve portreler üçgeninde kurguladığı “Son Çıkış” isimli projesini oluşturdu. “Son Çıkış”, 20 milyona ulaşan şehir nüfusuna rağmen yaklaşık 1 saat uzaklıkta şahit olduğunuz iklim ve bitki örtüsü size Anadolu’da bir kasabada hissettirirken kısa bir süre içerisinde bunun kaybolduğuna tanık olmanın üzücü sürecini aktarıyor.. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1534518857920-DXYZD6PQ32SYZJ9V0IC9/last+call+dijital+son+revizyon+u%CC%88c%CC%A7lu%CC%88.jpg Sergiler Son Çağrı (2018) Mixer, 14 Eylül – 20 Ekim 2018 tarihleri arasında Alican Leblebici’nin ‘Son Çağrı’ isimli kişisel sergisine ev sahipliği yapıyor. Sanatçının beden, sınır ve güvenlik politikaları üzerine kurguladığı, 20. yy’ın gerçeklerine dayanan sergi; geçmiş, gelecek ve bugünün korkularını ele alarak bu korkularla yüzleşmenin yollarını arıyor. İktidarlar tarafından şekillenen kişisel korkuların, günden güne büyüyerek kitlesel korkulara dönüşümünü ana odağına alan bu sergi, izleyiciye korkuların betimlenmesi ve hesaplaşılması üzerine bir bakış açısı sunuyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529497656647-60OX76O2OE0V7I0JE0JV/mixer+sessions+dijital+ig.jpg Sergiler Mixer Sessions I (2016) Kurulduğu günden bu yana genç sanatçılara işlerini gösterebilecekleri bir alan açmayı ve sanatı herkese ulaştırmayı kendisine hedef olarak seçen Mixer bu sene ilk defa yaptığı Açık Çağrı ile Mixer Sessions sergi serisinin ilkini 15 Temmuz'da gerçekleştiriyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529395478911-7B8H4XMKNJKRH5EON9YF/are+you+awake.jpg Sergiler Uyuyor Musun? (2018) Sanatçı, kendisini figür edindiği fotoğraflarını farklı mekanlarda çekerek bu görüntüleri üst üste yerleştirir. Bu müdahaleyi mekanları soyutlaştırmak üzere kullanır. Bedenin ve mekanın geçiciliği ile mekana ait olmama durumuyla ilgilenen Kaya, arayışı boyunca sorduğu soruları kendisi ve izleyici için vurgular: Kıyafeti giyen benim ama ben kimim? Ben Ben’im. Aynayım. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529399244906-GIVHM3HXEKDC1LINRXS0/upsidedown Sergiler Altüst (2017) Ahmet Sarı çalışmalarında, antropolojinin kitlelerin algısını ve yaşam evrelerini anlamak adına incelediği, sistematik bir tanımlamaya yardımcı olan buluntu nesneleri ele alır. Sanatçı, batının tarih boyunca ve günümüzde sürekli hareket halinde olan nesneleri, kendi amacına göre modelleyerek toplumların demografik yapısını tahrip etmiş olmasını eleştirir. Sanatçıya göre şarkiyatçılık ve siyasal gerçekliklerin belirsizliğini koruması da bunun bir sonucudur. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528450466404-R0R0D9FGZE4RI8DD5FUZ/eda+dijital+revize6.jpg Sergiler Eda Soylu - Anneannemin Evinden Kalanlar (2018) “Anneannemin Evinden Kalanlar”, Eda Soylu’nun gidenin ardında oluşan boşluğu, arkasında bıraktığı ev, eşyalar ve gölgeler üzerinden algılayabilme çabasıdır. Sanatçı, anneannesinin evinden kalan parçalar ile hafızada kalanları pekiştirirken, gideni eşyalar vasıtasıyla anmanın, eşyalarda aramanın şiirselliğini ortaya koyar. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529680329079-ZRBO1XWKHVW0GWVGWNBQ/mixer_instagram_post_ENG_177_629.jpg Sergiler Printed'15 Çağdaş sanat mekanı algısına farklı bir boyut kazandıran Mixer; 29 Nisan - 14 Haziran tarihleri arasında yerli ve yabancı sanatçılara ait edisyonların sergileneceği Printed’15 projesine ev sahipliği yapacak. Çeşitli boyutlarda ve limitli sayılarda basılarak bir yandan sanat eserlerinin özgünlüğünü korurken, diğer yandan çok daha geniş kitlelere ulaşabilen edisyonlu eserlerin önemine dikkat çekecek. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529422215474-53WPG1NTWL8HWIJM7RBH/blackbox Sergiler Mixer Sessions: Karakutu (2017) Mixer, geçen yılki Mixer Session projesinin bir parçası olarak bu yıl da Sanat Tarihi, Sanat Yönetimi ve Kültür Yönetimi gibi bölümlerde okuyan öğrencilere, aldıkları eğitimi değerlendirebilecekleri bir fırsat sunuyor. Sessions II için seçilmiş olan Karakutu / Blackbox projesi, Yılız Teknik Üniversitesi Sanat Yönetimi bölümü son sınıf öğrencisi Burcu Bilir’in küratörlüğünde gerçekleşecektir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/f093dad9-76d5-48f9-a98c-deeb995b402c/Katmanlar+Layers+-+Kare+%284%29.png Sergiler - Make it stand out Kişisel Katmanlar Gökçe İrten’in Kişisel Katmanlar başlıklı sergisi, bireyin kendi öz benliği ile bulunduğu yer ve etrafındaki her şeyle olan çok katmanlı ilişkisine odaklanıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528387510932-RNM9HGZQVRG83K264N5C/tesbihdijitalrevize4.jpg Sergiler Teşbihte Hata Olmaz (2018) Teşbih, iletişimin en eski ve yaygın ironi yapma araçlarından biridir. Kimi zaman söz sanatını oluştururken, kimi zaman iğneleme ve yerme için gündelik dile yeni olanaklar kazandırır. “Teşbihte hata olmaz” deyişi, bu günlük kullanımıyla konuşma bağlamını korunaklı bir alana alır. “Teşbihte Hata Olmaz” sergisi ise yazıya geçirilmiş sözün görsellikle birleştiği noktalarda teşbihin kazandığı yeni anlamlara bakmayı hedefliyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1604092086864-6EKAIPVN3OXWNJ5OZ48I/instagram.png Sergiler Printed’20 Mixer’in, ilki 2015 yılında hayata geçirilen ve baskı sanatına odaklanan sergi serisi Printed, bu yıl altıncı edisyonu ile 7 Kasım 2020’de ziyarete açılıyor. Sanat dünyasında iş birliğinin gücüne inanan Mixer, bu seneki seçkinin kürasyonu için x-ist'in kurucu ortağı ve The Empire Project’in sahibi ve yöneticisi Kerimcan Güleryüz’ü davet etti. Bu sene seçki, alternatif sanatsal üretim yöntemleri ile kendilerini ifade eden sanatçıların özellikle baskı alanındaki uygulamalarına daha derinlemesine bir bakış sunmayı hedefliyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1630672869118-23HZ2I4RCM2HGV1QOJ41/Bora+As%CC%A7%C4%B1k+Post.jpg Sergiler - Make it stand out Çarpık Bilgiler İmparatorluğu ‘’Çarpık Bilgiler İmparatorluğu’’,Bora Âşık’ ın çizimleri aracılığıyla izleyiciye kendi gerçekliklerini sorgulamaya yönelik bir ayna olma özelliği taşıyor. Sanatçının yazdığı hikayelerden yola çıkarak kendi hikayelerimizin sayfalarını aralama hissi uyandırıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/19bb85ff-6ebb-42fa-9cc4-7e132ead9a72/FBL+Instagram+Kare.png Sergiler - Make it stand out For Book Lovers For Book Lovers sergisi David Trigg tarafından hazırlanan Reading Art: Art for Book Lovers adlı kitaptan esinlenerek düzenlenmiştir. Kitap, sanat tarihi boyunca içinde kitap bulunduran farklı üretim biçimlerinden eserleri bir araya getiriyor. Sergi ise yakın dönemde güncel sanatta kitap bulunduran resimlere odaklanıp bu kapsamdaki bir şeçkiyi Mixer’in proje odasında izleyici ile buluşturuyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/7160b04c-f0ac-4e38-9373-56690708ef16/Kendime+Dog%CC%86ru+Bir+Ad%C4%B1m+Kare+%283%29.png Sergiler - Make it stand out Kendime Doğru Bir Adım Kendime Doğru Bir Adım, sergisinde Seçil Büyükkan’ın çeşitli özgün baskı tekniklerinden hareketle oluşturduğu çalışmaları yer alıyor. Sanatçının uzun süredir çalışmalarına odak olan doğu felsefesi ve doğa ilişkisi bu sergide kutsal ağaçlar konusu ile derinleşiyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1550214481847-4V11SVYK5NY3T1JLHYP9/dijial+son3.jpg Sergiler Yürüme Mesafesi (2019) Mixer, 1 Mart-7 Nisan tarihleri arasında ana sergi mekanında sanatçılar Ahmet Duru, Doğu Özgün, Emre Baykal, Ozan Atalan, Umut Toros’un katılımıyla “Yürüme Mesafesi” isimli grup sergisine ev sahipliği yapacak. Sergi, medeniyetin ilk kıvılcımını başlatan ve ilk insanı var olduğu yerden doğrultup tüm dünyaya yayılmasına sebep olan “yürüme” kavramını ele alıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529746307156-MHYDMNMJX9L74FJVFBW2/The+Built+Environment.jpg Sergiler The Built Environment - Lower East Side in Istanbul (2014) Mixer yeni sezonda işleri İstanbul’da daha önce gösterilmemiş olan New York Lower East Side'dan dokuz sanatçıyı bir araya getiren The Built Environment, Lower East Side İstanbul’da projesini sunmaktan mutluluk duyuyor. Fotoğraf, resim, kolaj, baskı, heykel ve video gibi tekniklerle işlerini üreten bu sanatçıların bazıları, İstanbul’un sosyal ve kentsel özelliklerine göndermeler yapan mekana özgü işler ortaya koyuyor. Mixer’in Tophane’deki galeri mekanında, 19 Eylül – 02 Kasım tarihleri arasında izleyiciyle buluşacak olan The Built Environment, Lower East Side İstanbul’da inşa edilmiş alanları kentsel topografya bakımından ele alarak, çevremizin düzen ve yapısının hayatlarımızda nasıl bir kaybolmuşluk, yüzleşme, ve hatta anksiyeteye yol açabildiğini irdeliyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/595fc75e-4040-44e8-88b0-fc4d34399ed7/I%CC%87s%CC%A7men+Aks%CC%A7+imis%CC%A7+Kare.png Sergiler - Make it stand out Aşk imiş… Adını Fuzûlî'nin bir beytinden alan Aşk imiş… sergisi, ikili ilişkiler, aşk, sevgi gibi kavramlar etrafında şekilleniyor. Alp İşmen’in ikili olma halini ele aldığı lavi, çizim, gravür gibi farklı tekniklerdeki eserlerini bir araya getiriyor. Aşk imiş…, aşkın tanımlanmaktan öte tanımsızlığına ve yarattığı duyguların zihinsel süreçlerine odaklanırken sanatçının üretim pratiği ile örtüşen paralellikleri izleyiciyle buluşturuyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1591690113020-AAVCV0NWL8EPOF8WBKY7/Tan%C4%B1t%C4%B1mkare.gif Sergiler Olasılıklar ve Tercihler “Olasılıklar ve Tercihler” karma video seçkisinde sergilenecek olan video çalışmaları, Mixer’in temeli niteliğindeki Açık Depo yapısı içerisinde dinamik bir kurgu oluşturacak. Güncel video sanatına dair örneklerin ortaya konacağı bu seçki için tercih edilen çalışmalar, belirgin bir kavramsal şema içerisinde gösterilmekten uzak bir yapı taşıyarak Mixer Açık Depo’nun değişken karakterini de yansıtacak. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1617727667605-X4XNJ0WZGP5BJXONNZN0/%C3%87al%C4%B1%C5%9Fma+Y%C3%BCzeyi+1%402x-100.jpg Sergiler Senkron I LENS’21: Video Sanatında Kişisel Anlatılar Mixer, 2019 yılında fotoğrafa odaklanarak ilkini gerçekleştirdiği LENS sergi serisinin ardından bu sene bir üretim aracı olarak videoyu daha geniş bir perspektiften ele alıyor. Sanat kurumları arasında iş birliğinin gücüne inanan Mixer, İstanbul, İzmir ve Diyarbakır’da paralel olarak gerçekleşecek konuşmalar ve online gösterimler ile Bilsart, Monitör ve Loading’i Lens’21 sergisi kapsamında bir araya getiriyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529663248222-6IA5S8ZT3W9RUWTB7W85/nonlinear_instagram.jpg Sergiler Nonlinear Future (2016) Ütopya ve distopya arasında gidip gelen gelecek kurgularını, mekânsallık üzerinden inceleyen Nonlinear Future, arama motorlarından bulunmuş uydu görüntüleriyle, hayali manzara parçalarını; seyyar yiyecek satıcılarının vitrinleriyle, ölümsüzlüğünden vazgeçen melekleri bir araya getiriyor. Ayşe Gül Süter, Bedia Ekiz, Buşra Tunç, Çağrı Saray, Sümer Sayın ve Viron Erol Vert’in son dönem işlerinin yer aldığı sergi 10 Ocak 2016 tarihine kadar Mixer’de görülebilir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529662749270-7CFZEUTFYPUZQN87ZGS5/instagram.jpg Sergiler (Re)present Exhibist: 2 Years (2015) Türkiye çağdaş sanatına odaklanan ilk süreli İngilizce yayınlardan, exhibist dergisinin ikinci yıl dönümünde gerçekleşecek olan sergi, exhibist’in ilk sayısından bu yana sayfalarında yer verdiği sanatçılardan bir seçki sunuyor. exhibist’in iki yıllık serüveninin görsel kronolojisini 14 sanatçının katılımıyla Mixer’in galeri mekânına taşırken aynı zamanda derginin Türkiye çağdaş sanatı için bir platform olma arzusunu da gösteriyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1574413605598-KD7KQTOJADTNUJPL86Y6/DecolINSTA.jpg Sergiler Lumin I Yaşayan Yerleştirme & Artifact I Faces (2019-2020) Mixer, aralık ayında proje odasında dijital sanat, doğa ve bilimin kesişiminde işler üreten DECOL sanatçılarına ev sahipliği yapıyor. İki ayrı açılış ile, önce Ahmet Said Kaplan’ın “Lumin, Yaşayan Yerleştirme” isimli interaktif dijital deneyiminin hemen ardından Hakan Gündüz’ün ‘’Artifact / Yüzler’ isimli sergisinin prömiyeri gerçekleşiyor. Mixer’in proje odasında ziyaretçilerin katılımı ile var olan dijital bir deneyimin ardından, “yapay zeka duyguları anlayarak estetik bir dışavurum gerçekleştirebilir mi?” deneyine katılma imkanı sunuyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1540046387618-2GVVL0LSW02OV0I3D309/mixer+dijital+oct166.jpg Sergiler More Than Two (2018) Bu sene Eylül ayında kuruluşunun 10. yılını kutlayan Jealous Baskı Stüdyosu, İngiltere’de birçok sanatçının özgün baskı teknikleri ile tanışmasını sağlarken, üretim konusunda her zaman sanatçılara destek olan bir kurum oldu. 2015 yılında Mixer’de ilki gerçekleştirilen ‘Printed’ sergi serisinin önemli bir parçası olan baskı stüdyosundan sanatçıların yer aldığı seçkide güzel bir serigrafi koleksiyonu bizi karşılıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529682468657-KIQ8KWLO532VZO43ZWH2/g%C3%BCl%C5%9Fah+bayraktar%2C+kendine+yak%C4%B1n%2C2014+lowres.jpg Sergiler Kendine Yakın (2015) İçinde bulunduğumuz fotoğraflar o anlara dair mutlu izler taşısın isteriz. Dönüp bir daha baktığımızda fotoğrafın bizde yarattığı algıyı anılarımızla birleştirir ve öyle hatırlarız. Bu mutlu anlarımızda yalnız değilizdir; bir şeyle veya biriyle fotoğraf çekilmeye ihtiyaç duyarız. Neden birine veya o şeye –bu basit bir nesne olabileceği gibi bir anıt veya organik bir yapı da olabilir– ihtiyaç duyuyoruz peki? Kimliğimizin inşasına katkıda bulunduğu için mi, mizacımızı görsel olarak netleştirdiği için mi, yoksa tüm bunlarla birlikte aynı zamanda duygumuza ortaklık ettiği için mi? https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529395411194-ORC1JJZSL6I08F9E3QDM/guest+unexpected Sergiler Misafir: Umulmadık (2017) Serginin 'misafir'i olan isimler, kendi disiplinlerinden beslenen sanat anlayışlarını yeni bir dil üzerinden dışa vuruyorlar. Özlem Ünsal'ın yaptığı önerme üzerinden seçtikleri eserler kendi tarzlarını öne çıkaran özgün bir tavrı yansıtıyor. Serginin bu kapsamdaki 'misafir'leri moda tasarımcısı ve V&A Jameel Price Jüri üyesi Dice Kayek, müzisyen Hakan Özoğuz, oyuncu Mert Fırat, moda ve reklam fotoğrafçısı Tamer Yılmaz. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529422437760-G8CVTWAZED8RTVTR7W4R/printed+17+-+the+multiplier+effect Sergiler Printed '17: The Multiplier Effect (2017) Türkiye’nin modern ve çağdaş ustalarını bir araya getiren 2017 seçkisini, kendisi de Northwestern Üniversitesi Sanat Bölümü’nde baskı eğitimi almış olan Eda Kehale Argün hazırlıyor. Printed ’17 “The Multiplier Effect” sergisinde, Mixer edisyonlar sayesinde, dikkat çekici sanatçıların mümkün olduğunca geniş bir sanatsever kitlesi için ulaşılabilir hale gelmesine odaklanıyor. Kehale, 30 yıla yayılan bir zaman diliminde, değişik tekniklerle üretilmiş işleri seçkiye dahil ederek, edisyonun yarattığı çarpan etkisini sanatın farklı boyutlarında izleyiciyle paylaşmayı hedefliyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529399315251-KUVBO81LXQEQYW69CSFM/sense+of+movement Sergiler Devinim Algısı (2017) Mixer, 27 Ekim - 25 Kasım tarihleri arasında foto muhabirliği konusu üzerine sanatçılar Kürşat Bayhan, Çağdaş Erdoğan, Furkan Temir ve Murat Şaka’nın fotoğraf medyumuyla ürettikleri işleri “Devinim Algısı/Sense of Movement” başlıklı sergide bir araya getiriyor. Sergi Türkiye ve dünyanın son bir yılına ışık tutarken, aynı zamanda günümüzde fotoğrafçılık ve haberciliğin kesiştiği ortak alanlara da parmak basıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1579013935593-UELHML13RLMNPZD130BB/Biz+Asl%C4%B1nda+Instagram+Kare.png Sergiler Biz Aslında (2020) Mixer, 18 Ocak – 22 Şubat tarihleri arasında Ayça Telgeren, Ahu Akgün, Börte İpek, Bengisu Bayrak, Furkan Öztekin, Mediha Didem Türemen, Meltem Şahin, Meltem Sırtıkara, Okan Kaya, Volkan Aslan, Yasemin Özcan’ın çalışmaları ile yer aldığı ‘’Biz Aslında’’ isimli sıradışı bir sergiye ev sahipliği yapıyor. Sinema ve sanatın birbirine yakın ilişkisinden yola çıkan Biz Aslında, gerçekçi duygular ve hislerden esinleniyor. Bir çiftin tanıştıkları ilk andan, ayrılık sonrasında karşılaştıkları ilk zamana kadar aşkın ve ilişkilerin ilk adımını anlatıyor. Yaratılan kurgusal mekanda bu hikaye, on iki sanatçının farklı medyumlar kullanarak ürettiği çalışmaları ile bir film sergiye, sergi ise izleyiciler için sinemasal bir deneyime dönüşüyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/cc871642-3bfd-43f6-9ee8-c3833725936c/Ahu+Akg%C3%BCn_Instagram+Kare.png Sergiler - Make it stand out Boşluklar Boşluklar sergisi, sanatçının yaşamında iz bırakan insanların, duyguların, mekanların, objelerin ardından zamanla ortaya çıkan ve değişen yas tutma halinin dönüştürdüğü ”şeylere” bakıyor ve iyileşme sürecini izleyiciyle paylaşıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/2d64cc33-b5e1-4e23-b02a-225b0f7797a6/Hilal+Polat_Ehven-i+s%CC%A7er_Instagram+Kare.png Sergiler - Make it stand out Ehven-i Şer Ehven-i Şer sergisi bir görme sorgulaması. Gözün gördüğü şeyin hangi gözden olduğunu anlamaya çalışma çabası. Başka insanların bize anlattığı hikayelerin aslında bizi nasıl bir ezbere alıştırdığının göstergesi… Kendi zevklerimizin bile başkalarının bakışına mahkûm olduğu yeni çağda bu hızı kesme eyleminin ve eski bakış açılarının dönemsel bir analizidir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1598192771557-LOBDYU91G92YYKGERRU9/Ekran+Resmi+2020-08-23+17.19.40.png Sergiler Sebeb-i Ziyaret Mixer proje odası, 12 Eylül - 31 Ekim 2020 tarihleri arasında Ahu Akgün’ün “Sebeb-i Ziyaret’’ isimli kişisel sergisine ev sahipliği yapmaya hazırlanıyor.Sergi, sanatçının kendisinden, çevresi ile kurduğu ilişkilerden, atölyesinden ve yaşamından izler taşırken, izleyiciyi kendi hayatlarındaki mesafe kavramını yeniden düşünmeye davet ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1582204172328-JBUUF4YX1SFAK4A6B8V6/KBH+I%CC%87nstagram+Kare.png Sergiler Kül Kedisi ve Beş Hececiler (2020) Mixer, 27 Şubat–11 Nisan tarihleri arasında proje odasında Ali Elmacı, Kerem Ağralı, Manolya Çelikler ve Sesil Beatris Kalaycıyan’ın çalışmarını bir araya getiren ‘’Külkedisi ve Beş Hececiler’’ başlıklı karma sergiye ev sahipliği yapıyor.“Külkedisi ve Beş Hececiler” sergisi ile izleyiciyi sanatın “-mış” gibi gösterme gücünü deneyimlemeye, görülen ile asıl mesele arasındaki bağı keşfetmeye davet ediyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1549026425291-GH9Z5P7DZQ8HUT86PVA4/mixer%252Bsesssions%252BIII.jpg Sergiler Mixer Sessions III (2018) Kurulduğu günden bu yana genç sanatçılara çalışmalarını gösterebilecekleri bir alan açmayı ve sanatı herkese ulaştırmayı kendisine hedef olarak seçen Mixer, sanat eğitimi veren fakültelerin son sınıf, yüksek lisans ve doktora öğrencilerine yaptığı açık çağrı ile Mixer Sessions sergi serisinin üçüncüsünü bu sene 8 Haziran ve 4 Ağustos tarihleri arasında gerçekleştiriyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1529766993462-ZQK8ZUO5C1KGQFU5FG5G/%C3%96zge+Engin%C3%B6z+Davetiye+%C3%96n.jpg Sergiler Sanıldığı Gibi Değil (2014) Uygarlığın oluşturduğu gündelik davranış ve yaşantı biçimleri ile kendini gösteren, insan ve bilinci arasındaki farklılığın eleştirel temsillerini gerçekleştiriyor. Günümüzde bedenin giderek nesneleştirilmesi ve ortak yaşam içindeki ‘kimlik sorunu’, ‘bireyleşme’ gibi varoluş problemleri ve sosyal ön kabuller, beden/bilinç ikiliğini ortaya koydukları gibi, sürecin doğallaşmasını da sağlıyor. https://www.mixerarts.com/ana-sayfa daily 0.75 2021-07-16 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543287045788-KC1JX8HHVDT5PRNY3V54/iletis%CC%A7im.jpg MIXER https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543286945324-HWSZL5DIPMKBB12GPDTA/sanatc%CC%A7%C4%B1lar.jpg MIXER https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543287029283-4HYCO04TPIU5ZY4VCPOP/hakk%C4%B1m%C4%B1zda.jpg MIXER https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543287011374-WKZ46JG0TPCK3E5R13HF/etkinlikler.jpg MIXER https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1543286977463-RLYK9Q39C6KQVAQTG698/sergiler.jpg MIXER https://www.mixerarts.com/art-stage-singapore-2018 daily 0.75 2018-11-01 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465140019-Z4O62RBO273GBX0WHOCX/Art+Stage+Booth+c14-2.jpg Art Stage Singapore 2018 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465764181-8A3BFCVV71BUEYN03SEG/Art+Stage+Booth+c14-9.jpg Art Stage Singapore 2018 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465829083-HD2W0I28UFEC4EFJ5I70/Art+Stage+Booth+c14-21.jpg Art Stage Singapore 2018 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1528465860506-0D7RFFCH4Z6ACZOX8BL6/Art+Stage+Booth+c14-29.jpg Art Stage Singapore 2018 https://www.mixerarts.com/gzete daily 0.75 2018-12-20 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1545304165432-IODFUVA8KIVJ6B5K2XGD/Gu%CC%88zes%CC%A7te_8.jpg Güzeşte https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1545304214802-OQARV521BR2NXARKYFA0/Gu%CC%88zes%CC%A7te_6.jpg Güzeşte 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https://www.mixerarts.com/art-lab-zora-volantes-1 daily 0.75 2020-04-25 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1587818707964-VZDLH7VMLCQPYO3T13BK/SM2_5861.jpg Art Lab: Zora Volantes https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1587818763480-HOLSM3NKNNDQN5D230PO/Zora+Volantes+photo+2015.JPG Art Lab: Zora Volantes https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1587818793197-TPCC9W7K8Z9CRFN6PM68/Zora+Volantes+Foto+2014.JPG Art Lab: Zora Volantes https://www.mixerarts.com/artlab-francisco-de-soarl daily 0.75 2020-04-25 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1585733796875-EFIBB3EL14FMLGDPXLOI/Francisco_de_Soarl__32_141.jpg ArtLab: Francisco de Soarl https://www.mixerarts.com/tr-artlab-francisco-de-soarl-1 daily 0.75 2020-04-25 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1585733796875-EFIBB3EL14FMLGDPXLOI/Francisco_de_Soarl__32_141.jpg ArtLab: Francisco de Soarl (Copy) https://www.mixerarts.com/artlab-denise-winter-1 daily 0.75 2020-04-25 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1585733689320-Z8WSLGL5INVDJ5ZC7GO9/sunset+soup+and+talk+05.JPG ArtLab: Denise Winter https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1585733467036-4R63263X1EWCO3X1UZRI/denise+winter+artlab+09.JPG ArtLab: Denise Winter https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1585733465159-H4L0SEJAOHZ9UOW3N6PX/denise+winter+artlab+05.JPG ArtLab: Denise Winter https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1585733527937-CRB9B37WSR8PKNC4NX5X/sunset+soup+and+talk+11.JPG ArtLab: Denise Winter https://www.mixerarts.com/artlab-zorka-wollny-2 daily 0.75 2020-04-25 https://www.mixerarts.com/printed-revisited-en daily 0.75 2022-08-21 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588177571348-2B0C0A3YIGQ34B2CUDRM/Chiho%2BAoshima%252C%2Bjapanese%2Bapricot%2B3%252C%2Bofset%2Blitografi%2Boffset%2Blithography%252C%2B%2B68x81%2Bcm%252C%2Bed.300.jpg Printed Re-visited Chiho Aoshima Aoshima’s works often involve surreal scenes and dreamscapes, often including ghosts, demons, nature and shojo. Aoshima mostly prints large scale images onto papers with heavy-duty printers, but she has also printed on materials such as leather and plastic surfaces to give her images different textures. After participating in her first show, Murakami's Tokyo Girls Bravo, she began to work in Murakami’s factory. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588252317475-Q32NJE8OZURDQ5V9G3YM/Erin%2525C3%2525A7%252BSeymen%25252C%252Bhomo%252Bfragilis%25252C%252Blitografi%252Blitography%25252C%252B75x55%252Bcm%25252C%252Bed.23%25252B2AP.%25252C%252B2016.jpg Printed Re-visited Erinç Seymen In Seymen’s Homo Fragilis, a female figure floats in an nondescript abstract space while a male figure sits and lights her cigarette. She is illogical, he is fixed and sensical. It is the objects, the cigarette and the lighter, that bring them together, that make it clear that they acknowledge each other. These are not two separate bodies: they interact. What better way to visualize the tale of patriarchy than a woman turned upside down, getting help from a stable and assured gentleman in a suit. And, what better object to use than the cigarette, an object from an industry at the highest levels of ruinous capitalism and colonialism and therefore the epitome of upper middle class white status. (Excerpt from a text written by Nicole O’Rourke, Courtesy of Gallery Zilberman) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588252852797-F2ELHRNKUDCM5LU6SCQI/Fevzi%2BT%25C3%25BCfek%25C3%25A7i%252C%2B%25C3%25A7ad%25C4%25B1r%2Bve%2Bku%25C5%259Flar%2Btent%2Band%2Bbirds%252C%2Bah%25C5%259Fap%2Bbask%25C4%25B1%2Bwoodcut%252C%2B67x50%2Bcm%252C%2Bed.5%252B1AP.%252C%2B2017.jpg Printed Re-visited Fevzi Tüfekçi The artist turns engraving reproducibility, as well as the rich possibilities for expression that it offers, into an advantage in terms of color and material usage in his works. In his work Tent and Birds, the artist takes the principle of harmony and balance on the empty and full surfaces used into account. In his works figurines are in an abstract composition, and it is observed that the conception of form, transformed into visual elements of calligraphic elements, is dominant. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588257294093-YPZN3974VPZTHSFOSRQ5/Takashi%2BMurakami%252C%2Band%2Bthen%2Bx6%2Bblue%252C%2Bofset%2Blitografi%252C%2Boffset%2Blithography%252C%2B50x50%2Bcm%252C%2Bed.300%252C%2B2013.jpg Printed Re-visited Takashi Murakami The paintings, sculptures, and balloons of Takashi Murakami are colorful and attractive, and accessible in their reference to lovable cartoon characters. Murakami uses his deep understanding of Western art to integrate his work into its structure; working from the inside to portray “Japanese-ness” as a tool to bring about revolution in the world of art. As an artist, Murakami questions the lines drawn between East and West, past and present, high art and popular culture. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588258147895-FI42B7TBF5TSLPS9NHFP/Tracey%252BEmin%25252C%252Bclosed%25252C%252Bgrav%2525C3%2525BCr%252Betching%25252C%252B36%25252C5x38%252Bcm%25252C%252Bed.200%25252C%252B2013.jpg Printed Re-visited Tracey Emin Using her life events as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculpture, Tracey Emin’s art can be described as one of disclosure. Emin reveals her hopes, humiliations, failures and successes in candid (and at times excoriating) work that is frequently both tragic and humorous. Emin’s work has an immediacy and an often sexually provocative attitude that firmly locates her oeuvre within the tradition of feminist discourse. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588413466151-UVS5BH9Z4ERD97LTG25Y/Ali%2BS%25CC%25A7entu%25CC%2588rk%252C%2Bbiz%2Bbu%2Bdeg%25CC%2586iliz%252C%2Bbu%2Bbizden%2Bgeriye%2Bkalan%2Bserisi%252C%2Bserigrafi%2Bsilkscreen%252C%2B40x40%2Bcm%252C%2Bed.32%252B1AP.%252C%2B2020-1.jpg Printed Re-visited Ali Şentürk Ali Şentürk, as a multidisciplinary artists, utilizes different techniques such as sculpture, painting, photography, video or performance as a tool for his research projects. He recently seeks for ‘healing’ concept and if it is possible to heal our or each other’s wounds. He uses patterns and repetition in his works and stories, as a part of this hearing process. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254692424-WKCGAUZP1UEYM3CJK4IG/Larissa%2BAraz%252C%2Baidiyet%2Bserisi%2Bbelongings%2Bseries%252C%2Bfoto%25C4%259Fraf%252C%2Bar%25C5%259Fivsel%2Bpigment%2Bbas%25C4%25B1%2Bphotography%252C%2Barchival%2Bpigment%2Bprint%252C%2B40x60%2Bcm%252C%2Bed.5%252B1AP.%252C%2B2017.jpg Printed Re-visited Larissa Araz ‘Belongings are not moveable with our consent, however, they simply move with us. It is like we were meant to carry them all along, even though they sometimes drag us down. My father is an Assyrian from Mardin whose family had been through Seyfo. My mother is a Greek Orthodox who grew up in Istanbul, and my grandmother is an Armenian whose family was slaughtered in the 1915 Armenian genocide. In my motherland, I perceive being a minority as the biggest possession that haunts people while they have to carry it with them throughout their lives. In this series, I tried to document the perception of my people as foreigners in their own country, as well as the feeling of belonging to my society as a foreigner – an ‘outsider’ among them.’ https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588255275683-IPS56RIM4YWNNJAOA7KX/Ozan%2BBilginer%252C%2Bmasa%2Btable%252C%2Bserigrafi%2Bsilkscreen%252C%2B98x91%2Bcm%252C%2Bed.3%252B1AP.%252C%2B2017.jpg Printed Re-visited Ozan Bilginer "The Table/left" is an interactive work prepared by transferring special polymer paints on the photographic visual printed by hand using silkscreen method. The discovery of this work was realized through a collaborative work of art and engineering. The work appears to be a black paint field when there is no audience staring at it. It is visible only when an audience comes across it." https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588850634876-JLUXTKTAALTC9KFAC9EN/Ekran+Resmi+2020-05-07+11.44.02.png Printed Re-visited - Abidin Dino Abidin Dino As one of the prominent figures of the art scene, Abidin Dino was interested in everything that was alive, skillfully capturing images with his brush, pencil and camera. His source of inspiration was Istanbul, as he used the unique power of his line to render the streets of Istanbul. You can see his series Esrarkeşler and The Last Traces on silkscreen . (Courtesy of Galeri Nev Ankara) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588258271074-TPIX2TP662XV20ZMQZR8/Funda%25252B%252525C3%25252596zg%252525C3%252525BCnayd%252525C4%252525B1n%2525252C%25252Bleo%25252Bhuman%25252BII%2525252C%25252Bpamuklu%25252Bka%252525C4%2525259F%252525C4%252525B1t%25252B%252525C3%252525BCzerine%25252Bkolaj%25252Bve%25252Bserigrafi%25252Bbask%252525C4%252525B1%25252Bsilkscreen%25252Bprint%25252Bfrom%25252Bcollage%25252Bon%25252Bcotton%25252Bpaper%2525252C%25252B48x69%25252Bcm%2525252C%25252Bed.10%2525252B1AP.%2525252C%25252B2017.jpg Printed Re-visited Funda Özgünaydın Funda Özgünaydın’s works can be interpreted as a critical confrontation on current social structures and life’s course. That is the reason why she focuses on socio political, ontological and existential issues in context of human condition against modern society and nature. In this sense, at first, she is interested in hierarchical relations and attitudes within devoted social layers. On the other hand, she searches for answers on how to represent a new perception on social progress visually and how this transformation can be painted. Her works’ unique characteristic show themselves in stylistic collage techniques and as in the conceptual manner, hybrid structures. (Exceprt from Marcus Graf) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588253243056-V0SNIRVXB4IS5D1B3CED/Huo%252BRf%25252C%252B19.blok%25252C%252Blinol%252Blinocut%25252C%252B38x29%252Bcm%25252C%252Bed.29%25252B1AP.%25252C%252B2020.jpg Printed Re-visited Huo Rf Building No. 19 (A New Apartment), is the second piece of the series titled Güven Sitesi which the artist has been working on since 2017. Each apartment on the series brings together all the women who influenced the artist's practice from his childhood until today, through his cultural neighbour relations. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254880435-X668MYY6PW0V2M5TW1SV/Olivia%2BKemp%252C%2Bthat%2Bwhich%2Bflourishes%2Bremains%252C%2B400%2Bgr%2Bvelin%2Barches%2Bblanc%2Bka%25C4%259F%25C4%25B1t%2B%25C3%25BCzerine%2B2%2Brenk%2Bserigrafi%2B2%2Bcolour%2Bscreenprint%2Bon%2Bvelin%2Barches%2Bblanc%2B400gsm%2Bpaper%252C%2B50x59%2Bcm%252C%2Bed.25%252C%2B2014.jpg Printed Re-visited Olivia Kemp The idea of nature slowly taking back its own is the main focus in Olivia’s practice. She draws places and buildings in various states of takeover, with wilderness and nature purposefully creeping back in. Drawing the pervasive change encapsulates a moment, one that we will not get back as the course of deterioration continues. Olivia’s Jealous Prize print edition is now held in the Victoria & Albert Museum Permanent Print Collection. (Courtesy of Jealous Gallery) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588255093841-81BZGXDR00N0JJLVNF6T/Orhan%2BCem%2B%25C3%2587etin%252C%2Bu%25C3%25A7u%25C5%259F%2Bkorkusu%252C%2Bherkes%2Bi%25C3%25A7in%2Bduvar%2Bka%25C4%259F%25C4%25B1tlar%25C4%25B1%2Bserisinden%252C%2Bar%25C5%259Fivsel%2Bpigment%2Bbask%25C4%25B1%2Barchival%2Bpigment%2Bprint%252C%2B38%252C5x58%2Bcm%252C%2Bed.10%252B1AP.%252C%2B2015.jpg.jpg Printed Re-visited Orhan Cem Çetin This series has been inspired by electronic device screens that continuously arrest our gaze. An image selected or customised by the user occupies the screen. It is called a “wallpaper” probably because it fills the space between the opening windows but it is not there merely as a decoration. When we simply stare at the screen, it briefly reminds us that the depth of life and existence is beyond the scope of our devices. It reminds us of our responsibilities, conflicts, passions and our future plans. This is why selecting a wallpaper requires great care. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588179081587-CRR556423HNE5LHS0DBQ/Eda%2BSoylu%252C%2Bduvar%2Bka%25C4%259F%25C4%25B1d%25C4%25B1%2Bwallpaper%252C%2Bhahnem%25C3%25BChle%2Brag%2Bfoto%25C4%259Fraf%2Bka%25C4%259F%25C4%25B1d%25C4%25B1%2B%25C3%25BCzerine%2Binkjet%2Bbask%25C4%25B1%252C%2B70x100%2Bcm%252C%2Bed.5%252B2AP.%252C%2B2015.jpg Printed Re-visited Eda Soylu From the series “And the House Frowned”, Wallpaper dwells on the relationship between brutality and fragility within the concepts of oppression and suppression. Through embedding flowers in concrete three actions occur: killing, housing and preserving. The flowers that are embedded in concrete do not die immediately; their death is observable. They get weakened in time, but this way of dying makes them preserve their color. On one hand their lives are taken, on the other hand they are given immortality as a result of being housed permanently. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1590177099279-LBEHEWAXHT69DVKQGK4I/Dog%25CC%2586u%2BO%25CC%2588zgu%25CC%2588n%252C%2Bpazarl%25C4%25B1k%2Bbargain%252C%2Bgravu%25CC%2588r%252C%2Bakuatint%2Betching%252C%2Baquatint%252C%2B47x50%2Bcm%252C%2Bed.4%252B1AP.%252C%2B2018.jpg Printed Re-visited Doğu Özgün His work “Bargain” is designed to be a story of self realization. While morality teachings that are being used to repress the society are presented as a fetish object with the timid woman figure; the fish figure that no longer belongs to the crowd challenges the woman. In the work, a potential energy occurs just like the story of Icarus. In this sense, Daedelus’ rational mind and Icarus’s romantic and determined attitude bargain. The child is a witness of this bargain. The saxophone he is playing emphasizes the loudness of this self-realization process. This story is observed by a society that consists of monotype personas. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588252725434-1KGLPBUC4PEO586N7UTD/Ferhat%2B%25C3%2596zg%25C3%25BCr%252C%2Bmarble%2Bdance%252C%2Bvideo%2Bg%25C3%25B6r%25C3%25BCnt%25C3%25BCs%25C3%25BC%252C%2Bfine%2Bart%2Bbask%25C4%25B1%2Bvideo%2Bstill%252C%2Bfine%2Bart%2Bprint%252C%2B50x60%2Bcm%252C%2Bed.12%252B1AP.%252C%2B2015.jpg Printed Re-visited Ferhat Özgür ‘I bought all ‘simits’ off the two simit-seller men who had migrated from Ardahan to Istanbul. According to their calculation they might sell a maximum of 170 simits a day. So, I generously gave them an extra 170 YTL which is normally their total income for a day. I wanted them to do only one thing: to have ‘The Right of Laziness For One Day’. They were just two of the Kursidsh immigrants who try to cling to life in a city whose ground is ‘slippery’. In a city that they do not know well enough and with folk music that they were not familiar with, they were supposed to dance and have fun.’ You can watch the video from this link.. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254131769-NDIGWL39DCF8DF26X4IJ/%25C4%25B0nci%2BEviner%252C%2Byeni%2Bvatanda%25C5%259F%2Bnew%2Bcitizen%252C%2Bserigrafi%2Bsilkscreen%252C%2B70x50%2Bcm%252C%2Bed.35%252B1AP.%252C%2B2009.jpg Printed Re-visited İnci Eviner İnci Eviner’s series ‘New Citizen’ includes a collection of her prints which were created during her 3-month visit to an artist residency program upon invitation by the Musee MAC/VAL, Vitry sur- Seine in 2009. These prints, created as follow- up works of her video installation named ‘New Citizen’, question the concepts of citizenship and identity. (Courtesy of Galeri Nev Istanbul) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254591913-A2S70QSD3Y3GV8QXREUF/Kerem%2BOzan%2BBayraktar%252C%2Bpatlam%25C4%25B1%25C5%259F%2Bm%25C4%25B1s%25C4%25B1r%2Bpatlam%25C4%25B1%25C5%259F%2Bm%25C4%25B1s%25C4%25B1r%252C%2Bah%25C5%259Fap%252C%2Bepoksi%2Bve%2Bboya%2Bpopcorn%252C%2Bwood%252C%2Bepoxy%2Band%2Bpaint%252C%2Byh.8x5x3%2Bcm%252C%2Bed.100x10AP.%252C%2B2019.jpg Printed Re-visited Kerem Ozan Bayraktar Kerem Ozan Bayraktar’s works are often made by computer simulations and graphics, videos, texts and objects.In general, he is interested in how things interact with each other, how they transform each other, how they became something behaving in the certain ways they do. The areas he is concerned with are mostly systems that change through time such as ecology, astronomy or economics but also includes fictional worlds in culture. “Popcorn” examines a daily temporal object in different layers. Popcorn on miniature pedestal create an effect that diminishes the bases on the one hand, and on the other hand exalts the popcorns and their everyday ordinaryness. (Courtesy of Sanatorium) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588079134429-6PDI8NSB6RW43QFKQKRX/Printing+Techniques Printed Re-visited https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588838776413-CEEHR9Y4OTG7D7R2BY03/Selma%252BG%2525C3%2525BCrb%2525C3%2525BCz%25252C%252Bisimsiz%252Buntitled%25252C%252Blitografi%252Blithography%252B65x48%252Bcm%25252C%252Bed.35%25252B1AP.-3.jpg Printed Re-visited Selma Gürbüz Selma Gürbüz, who has created a unique world consisting of things like sorcerers, magicians, chimps and shaman rituals, is described by Ferit Edgü as “contemporary of both past and future”. In an interview with Kaan Kemerli at Timeout Istanbul in 2017, Selma Gürbüz explains: “I know eastern and western art well, but I do not feel a belonging to neither of them, I do not apprehend the distance or closeness between them, I have a modernist background because it is the first art education I have had.” (Courtesy of Galeri Nev Ankara) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588838420571-Y3ADHBAKN64J0EYM14WI/cagr%25C4%25B1.jpg Printed Re-visited Çağrı Saray “Red Room: Sequences” can be defined as an installation that points to the cinematographic interdisciplinary structure of contemporary art. The work’s references about fictionary relation between moving picture (cinema) and still picture (photo, picture) are showing us the necessity to examine the cinema as an independent art discipline as well as a medium of contemporary art. Red Room: Sequence 30,31,32, produced by from the work of the Red Room / Sequences. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588838518715-6K7YVE82JD3OYK4XNO8O/%2525C4%2525B0lkhan.jpg Printed Re-visited İlkhan Selçuk Erdoğan In his works, İlkhan Selçuk Erdoğan focuses on the concepts of “Equilibrium“ and “Spatial Segregation“ and transmits these “abstract” ve “intellectual” concepts to an unexpected visual forms and expression techniques. He is currently pursuing a master’s degree at the University of Applied Arts in Vienna and is currently working on projects in collaboration with leading Austrian academicians in art. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588078934697-GIE96K815HCCZ6JU650R/White+Photo+International+Women%27s+Day+Instagram+Post.png Printed Re-visited https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588777816205-RKB4L4P8L13SQ4F7ZTGI/Omer_Uluc_isimsiz_untitled_serigrafi_uzerine_akrilik_acrylic_on_serigraphy_63x48_cm_360x.jpg Printed Re-visited Ömer Uluç Uluç was inspired by the traditional Turkish calligraphy and created a unique contemporary style by means of abstracting figures and forms. His works offered up a defiant sense of fantasy as it navigates the space between abstraction and representation; and often relied on rope imagery, calling to mind a wealth of conceptual associations. He used diverse materials not bounding his works to canvas painting. (Courtesy of Galeri Nev Ankara) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588257435480-4IOMFLMQIBLAXPVJTWG0/Vahap%2BAv%25C5%259Far%252C%2B%25C3%25A7ifte%252C%2BAND%2Bm%25C3%25BCzesi%252C%2B2010%25E2%2580%2599den%2Bberi%252C%2Bshotgun%252C%2BAND%2BMuseum%252C%2Bsince%2B2010%252C%2B50x70cm%252C%2Ba%25C3%25A7%25C4%25B1k%2Bedisyon%2Bopen%2Bedition.jpg Printed Re-visited Vahap Avşar Since early 1990s, Vahap Avşar used photographic images from AND collection in his works. In 2010 Avşar procured the rights of AND’s exhaustive inventory. AND collection is a photographic archive of Turkey, at the late 1970s, giving clues about the economic, political and cultural life in Anatolia. The stories behind these photographic archive inspired the works of Vahap Avşar, who has been working on found imagery and issues of representation in printed materials such as posters, postcards and advertisements. He is participating the Printed Re-visited exhibition with a piece from this archive. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588171707674-TCAY0YJMNWG1VDWQG6H6/Arif%2BDino%252C%2By%25C3%25BCzler%2Bserisi%2Bfaces%2Bseries%252C%2Btek%2Brenkli%2Bipek%2Bbask%25C4%25B1%2Bnumaral%25C4%25B1%2Bve%2Bm%25C3%25BCh%25C3%25BCrl%25C3%25BC%252C%2Bmonochrome%2Bsilkscreen%2Bnumbered%2Band%2Bstamped%252C%2B32%252C5x24%2Bcm%252C%2Bed.100%2B1985.jpg Printed Re-visited Arif Dino Arif Dino is a member of a family of artists and writers. He is the elder brother of Abidin Dino. There are many writers, painters, caricaturist and journalists in his family. He was educated abroad. He worked as a boxer, cook, actor, portrait painter, graphic artist, sculptor and art critique. This works from his ‘Faces‘ series was exhibited at Printed’18. (Courtesy of Galeri Nev Ankara) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254449612-UTW83P0YGCR27FCYEXZB/Kemal%2BY%25C4%25B1ld%25C4%25B1z%252C%2Bhayat%25C4%25B1n%25C4%25B1%2Bya%25C5%259Famak%252C%2Bjean-luc%2Bgodard%2Bi%25C3%25A7in%252C%2Brives%2Bka%25C4%259F%25C4%25B1d%25C4%25B1%2B%25C3%25BCzerine%2Bya%25C4%259F%2Bbazl%25C4%25B1%2Bboya%2Bile%2Ba%25C4%259Fa%25C3%25A7%2Bbask%25C4%25B1%252C%2B60x80%2Bcm%252C%2B2018.jpg Printed Re-visited Kemal Yıldız The artist’s six-colored wood print is based on the screen shots from Godard’s film “Vivre sa vie” of 1962. The character Nana, whose portrayer Anna Karina has passed away recently, is a woman insisting on holding onto life. The cinematic plan in question is a document of the underground profession. However, the pictorial attempt is focused on Nana’s experience of her internal reality. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588178666416-77CDQGU1U64QE1L5EMN0/Desen%2BHal%25C4%25B1%25C3%25A7%25C4%25B1narl%25C4%25B1%252C%2Btaksim%2Bmeydan%25C4%25B1nda%2Bgezi%2Bwalking%2Bat%2Btaxim%2Bsquare%252C%2Blinol%2Blinocut%252C%2B85x60%2Bcm%252C%2Bed.10%252B1AP.%252C%2B2017%2Bcopy.jpg Printed Re-visited Desen Halıçınarlı Engraving is Desen’s main area of expertise. One of the topics she focuses on is the city which is built and distracted everyday. As a self-fighting arena of the roads that connect to Taksim as vasculars that connect to the heart and being forced to watch it remotely is another proposition of extinction. It is a different form of documentation of a topographic image that represents a start from scratch with a longing for the green. Taksim Square's "star" image will stay in our digital memories until the next update. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588079377965-PZ9DVRIPOM9CIMAAMG09/Interviews Printed Re-visited https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588255378772-G6MN2BNPRWKL9QUBSIRM/Se%25C3%25A7kin%2BPirim%252C%2Brhino%252C%2By.h.%2B500%2Bpar%25C3%25A7a%2Bka%25C4%259F%25C4%25B1t%2Bkesim%2B500%2Bpieces%2Bof%2Bcutout%2Bpaper%252C%2B42x42x18%2Bcm%252C%2Bed.20%252B1AP.%252C%2B2017-detay.jpg Printed Re-visited Seçkin Pirim Seçkin Pirim’s works consist of numerous layers, followed by minimalistic language, and display variations of geometric forms. The artist’s way of transferring the qualities of his sculptures to paper works is fascinating. Works on paper are usually two dimensional. Pirim positions them on three-dimensional blocks and cuts them to reveal the forms he desires. Afterwards, the audience can only see the cut out which represents the negative form of the artist’s idea. (Courtesy of C24 Gallery) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588253093563-RTUBDG8LLVR7KQHR4QWF/G%25C3%25BCls%25C3%25BCn%2BKaramustafa-alameti%2Bfarika-2.jpg Printed Re-visited Gülsün Karamustafa Screen prints named "Alamet-i Farika" by Gülsün Karamustafa who produces works in various media such as painting, installation, performance and video, is based on the kitsch phenomenon she observed in 1981. It is shaped around the use of colors in pastel tones and the arabesque theme, which was often the subject of controversy during the period. (Courtesy of BüroSarıgedik) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588178075744-QU9ZUUUAYAG0E82GL9AN/Cins%252C%2Bbir%2B%25C3%25A7e%25C5%259Fit%2Bmeyve%2Bkind%2Bof%2Ba%2Bfruit%252C%2Bseramik%2Bceramic%252C%2By.h.24x31x20%2Bcm%252C%2Bed.5%252B1AP.%252C%2B2019.jpg Printed Re-visited CINS This work is CINS’ first trial of a multipliable sculpture that was produced specially for Printed’19 which was mainly focusing on multiplied objects and how artists consider the concept of multiplying their productions. His work consists of bone or meat like organic forms and imaginary stories that ultimately aim to arouse varying sensations within the audience. However, these stories are not based on sentiment; they are generally surreal, abstract stories awaking unpredictable reactions and feeling in its viewer. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588256488652-D07J3OC61O7LPCT4T9SI/Sinan%2BDemirta%25C5%259F%252C%2Bayaklar%2Bfeet%252C%2Blitografi%2Blithography%252C%2B39x85%2Bcm%252C%2Bed.10%252B1AP.%252C%2B2006.jpg Printed Re-visited Sinan Demirtaş Sinan Demirtaş describes the figure as an object that cannot be viewed from a single perspective. On a two dimensional surface, the figure is visible from many different planes (perspectives), both horizontal and vertical. Thus, we observe the figure horizontally and vertically, in a manner questioning its existence while documenting that moment in time. Photography or one photograph cannot capture this moment, since one would need many squares at horizontal and vertical levels. However, the work documents the situation and the existence of the figure in its details. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254795815-IATT7MP67X28F367JV7C/Mediha%2BDidem%2BT%25C3%25BCremen%252C%2Balbrecht%2Bd%25C3%25BCrer_e%2Bsayg%25C4%25B1%2Bhomage%2Bto%2Balbrecht%2Bd%25C3%25BCrer%252C%2Ba%25C4%259Fa%25C3%25A7%2Bbask%25C4%25B1%2Bwoodcut%252C%2B21x30%2Bcm%252C%2Bed.5%252B1AP.%252C%2B2016.jpg Printed Re-visited Mediha Didem Türemen Mediha Didem Türemen produces works of two different kinds using photography and engraving. With a focus on depicting an imaginary timeframe which could not be captured by photography, In her work Homage To Albrecht Dürer the artist, who traces the wing figure which embraces the conceptual and mythological roles in her early works, interprets this work inspired by the work of Albrecht Dürer's Wing of a Blue Roller (1512). The first edition of woodcut print Homage To Albrecht Dürer, which is now a part of the permanent collection of the Albertina Museum, aims to establish a link through times using engraving reproducibility. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588169732016-YRZOOPN7D3EKUZW2JBQJ/Adam-Hayes-London-After-Max-Gill-50x50-2015-highres.jpg Printed Re-visited - Adam Hayes Adam Hayes Adam Hayes is an artist, illustrator and designer, currently working from his quiet studio in England’s Peak District. In 2006 he graduated from The Royal College of Art and has since worked on various projects for himself, his friends and for a growing list of clients worldwide. (Courtesy of Jealous Gallery) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254204101-FNOVX7J8U4AV0GOKWQIO/I%25C5%259F%25C4%25B1l%2BE%25C4%259Frikavuk%252C%2Bbut%2Byou%2Bdon_t%2Blook%2Bturkish%252C%2Bfoto%25C4%259Fraf%252C%2Bar%25C5%259Fivsel%2Bpigment%2Bbask%25C4%25B1%2Bphotography%252C%2Barchival%2Bpigment%2Bprint%252C%2Bed.3%252B1AP.%252C%2B2018.jpg Printed Re-visited Işıl Eğrikavuk In Işıl’s works the body is in the foreground. From time to time, although her focus is on the female body, this is an atmosphere that reminiscent of the depiction of a nightmare rather than a fascination object. When she uses the body she sometimes glorify it and sometimes exhibits as a part of grotesque fiction. In fact, when we question the concept of the body, we also question all the other concepts, such as curiosity, psychological and physical identity and a sense of unease. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588251976496-L9LYPBRMTCV8QMTE5VS9/Emin%2BMete%2BErdo%25C4%259Fan%252C%2Bg%25C3%25BCne%25C5%259F%2Bana%252C%2Bah%25C5%259Fap%2Bve%2BPNA%2B%25C3%25BCzeri%2Bakrilik%252C%2Bwood%2Band%2Bacrylic%2Bon%2BPNA%252C%2B51x45x35%2Bcm%252C%2Bed.4%252B1%2BAP.%252C%2B2019%2528lowres%2529.jpg Printed Re-visited Emin Mete Erdoğan In his work, Emin Mete focuses on changes and transformations of what is sacred through time. In mythology, it is common to see that the goddess figure transforming into masculine forms through time, or mother goddess figure converting into an angel, losing her sacredness. In this work, an harpy that is converted from a goddess is holding a sunflower, which is symbolizing the ‘sun’. The sun symbol has a significant importance in mythology almost in every belief. It represents ‘power’. The one who holds the sun, owns the sovereignty. To conclude, the artist merges these two figures in order to give back her status to the goddess (Courtesy of Gallery x-ist) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588169682977-WQ4GSM4R9MYLFJPCN0L2/Adam_Bridgland_and_Bench_Challen_And_Then_Summer_Comes_470x.jpg Printed Re-visited - Adam Bridgland Adam Bridgland Mixer is working in collaboration with Jealous Print Studio in London since 2017. Jealous was founded in Crouch End, London in 2008 by Dario Illari and Jacquie Ryle, who enlisted the help of screenprinter Matthew Rich and Adam Bridgland. This print co-produced by Adam Bridgland and Bench Allen heralds the arrival of summer soon. (Courtesy of Jealous Gallery) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254320561-EIM11QSWZJOC2CUGJCIK/Joakim%2BAllgulander%252C%2Bsurveillance%2BII%252C%2B330%2Bgr%2Bsomerset%2Bsatin%2Bka%25C4%259F%25C4%25B1t%2B%25C3%25BCzerine%2Bar%25C5%259Fivsel%2Binkjet%2Barchival%2Binkjet%2Bon%2Bsomerset%2Bsatin%2Benchanced%2B330gsm%2Bpaper%252C%2B49x36%2Bcm%252C%2Bed.75%252C%2B2017.jpg Printed Re-visited Joakim Allgulander The work of Joakim Allgulander is characterized by a conceptual base, combined with the skill of craft and a love of the practical process. His work demonstrates a curiosity and desire to explore different media and techniques. There’s existential content and a dynamic play with contrasts throughout Allgulander’s work; everything from natural and artificial, new and old, to more archetypical opposites such as light and darkness, and life and death. (Courtesy of Jealous Gallery) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588838318889-FGXYNDQAAEFRBNJRXQ5I/CANAN%25252C%252B%2525C5%25259Feffaf%252Bkarakol%252B11%252Btransparent%252Bpolice%252Bstation%252B11%25252C%252Bgrav%2525C3%2525BCr%252Betching%25252C%252B23%25252C5x29%252Bcm%25252C%252Bed.2%25252B1AP.%25252C%252B1998.jpg Printed Re-visited CANAN In 1998, the president of Turkey proclaimed that all police stations would become transparent. The work Transparent Police Station, claims that the violence that the power designates is a well-known but an uncommon situation. This work is dedicated to the Students of Manisa, who were arrested because of the graffiti they painted, and who were put through a harsh sexual, physical, psychological torment. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588178276637-1LAU70DAGOHFUPZBJOV8/Deniz%2BK%25C3%25B6se%252C%2Bbaca%2Bchimney%252C%2Blinol%2Blinocut%252C%2B60x90%2Bcm%252C%2Bed.12%252B1AP.%252C%2B2014.jpg Printed Re-visited Deniz Köse Deniz Köze is an artist living in Eskişehir. Her earlier works were mostly linoleum prints focusing on industrial locations such as train lines, factories. Bringing the viewer together with tens of color variations, she aims to trigger their imaginary world. By that she intends to make the minds which remained sort of limited until now for some reasons reach beyond the boundaries and meet with what transmutated. The viewer loses the perception of space while looking at her works. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588253836207-QJO4ISGS24TD0S3F81OS/Ilg%25C4%25B1n%2BSeymen%252C%2Bdo%25C4%259Fadan%2Buzak%2Bfar%2Bfrom%2Bnature%252C%2Bdipleks%2Bbask%25C4%25B1%2Bcnc%2Bkesim%2Bdiplex%2Bprint%2Bcnc%2Bcut%252C%2B68%252C5x29%252C5%2Bcm%252C%2Bed.1%252B1AP.%252C%2B2016-detay2.jpg Printed Re-visited Ilgın Seymen ‘Objects and images I necessarily mingle with in everyday life, become the material of works on account of their meanings and positions in the common ground. Constructed on an analytical structure in close relation with the emotional/the sensorial, works transform into ironic and satirical statements. What lays behind this approach is the idea that while carrying the anxiety of the dark days ahead, staying critically responsive to the presence of the present in a joyful manner is a fairly good stand to take.’ https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588171877281-QG0O4T2JNMPWSU25I9IT/Beyza%2BBoynudelik%252C%2Bhava%2Bdurumu%2Bweather%252C%2Bmetal%2Bgrav%25C3%25BCr%2Bmetal%2Betching%252C%2B68x56%2Bcm%252C%2Bed.15%252B1AP.%252C%2B2019.jpg Printed Re-visited Beyza Boynudelik While looking into the “ideal metropolis subject” in rapidly changing agendas of city life, Boynudelik visualizes the signs of becoming unresponsive, senseless and loneliness with her paintings at the same time. Especially in Covid-19 times, the city-people who had time to reconnect with the very nature of themselves realized the necessity to bond with nature again. https://www.mixerarts.com/bask-teknikleri daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588775838578-UG1VGR07I6AK7AT2RTM6/gRAV%C3%9CR.jpg Baskı Teknikleri Gravür sözcüğü, Yunanca’da “grafikes/grafein” (yazmak/çizmek) sözcüğünden türemiştir. Tahta, linolyum, bakır, çinko, plastik vb. gibi oyulabilen ya da üzerinde iz bırakılabilen kalıpların üzerine metal uçlu aletlerle bir desen çizilir. Daha sonra kalıbın çukurlarına ya da tümseklerine bazen de her ikisine boya sürüldükten sonra oluşturulan desenin, baskı yolu ile kağıt veya daha farklı bir nesne üzerine aktarılması ile elde edilen resim tekniğidir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588775889888-PMHIROXYK4X1PJY06Q9H/SER%25C4%25B0GRAF%25C4%25B0.jpg Baskı Teknikleri Serigrafi, latince “sēricum” (kumaş) ve antik yunanca “ γράφειν” Graphein (yazmak) kelimelerinden türemiş, bir mürekkebin kalıbın delik kısımlarından baskı altı malzemesi üzerine aktarıldığı bir baskı tekniğidir. Teknik ilk olarak Çin’de Song Hanedanlığı (960-1279) zamanında ortaya çıkmıştır. Daha sonra önce Japonya daha sonra diğer Asya ülkelerine yayılıp geliştirildi. Avrupa’ya ise 18. yüzyılın sonlarında ulaşmıştır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588873385837-XZNCLHRX9G9VN8L8SE13/Presentation1.jpg Baskı Teknikleri 3 boyutlu baskı teknolojisi, Sanayi Devrimi’nde başlayan teknoloji yolculuğunun şu an ulaştığı Endüstri 4.0’ın merkezinde yer almaktadır. Geçmişe dönüp baktığımızda ilk adımları 80’li yıllarda atılan bu teknoloji, günümüzde birçok önemli sektörde varlığını devam ettirmektedir. Süreç ve sonuç ilişkisi bakımından çağın hızını yakalayan ve gelişen bu teknoloji kendisine sanat alanında da yer bulmuştur. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588775866672-0XSU7G7Z9MRSFPFD4GIJ/l%C4%B0TOGRAF%C4%B0.jpg Baskı Teknikleri Antik Yunanca kökenli “λίθος” Lithos (taş) ve “γράφειν” Graphein (yazmak) kelimelerinden türemiş olan litografi, yağ ve suyun karışmamasına dayalı bir düz yüzey baskı türüdür. Kireç taşı üzerine yağlı mürekkeple çizilmiş şekil ve yazıların uygun kağıtlara basılması sonucunda oluşmaktadır. Taş baskı olarak da anılan bu teknik günümüzün ofset baskı tekniğinin de başlangıcı olarak kabul edilmektedir. Modern ofset litografi disiplini esaslarını taş baskı usulünden almaktadır. Kireç taşı yerini matris denilen fotokimyasal metotlarla hazırlanmış çinko ve alüminyum levhalara bırakmıştır. https://www.mixerarts.com/printin-techniques daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588873549400-3088PXY1S3ID2AMIQ54I/Presentation1.jpg Printing Techniques 3D printing technology is at the center of Industry 4.0, where the technology journey that started in the Industrial Revolution has now reached. Looking back in the past, this technology, the first steps of which were taken in the 80s, continues to exist in many important sectors to this day. This technology, which has caught the speed of this age in terms of process and result relationship, has found itself a place in the field of art as well. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588775649416-7RA1A4QQ5H9WQJZ4BLHV/Gravure.jpg Printing Techniques The term gravure originates from the Greek word “grafikes/grafein” which means to write or draw. It is the painting technique where a pattern is drawn upon a surface that can be carved (such as wood, linolium, copper, zinc, plastic, etc.) with metal tipped tools. Then, the ups and downs of the mold are painted and the design is pressed upon another object. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588775795384-SZIKBJO39LX87KCO0S9N/ASADA.jpg Printing Techniques The term serigraphy originated from the Latin word sēricum” (fabric) and the Antique Greek word “γράφειν” Graphein (to write). It is the printing technique in which ink is transferred onto a sub-printing material through the holes in the mold. It was first used in China during the rule of the Song Dynasty (960-1279). It later spread to and developed in Japan and other Asian countries and reached Europe only around the end of the 18th century. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588775628456-BZIL2KOVYGDIPNJPQVO0/litography.jpg Printing Techniques The term lithography originated from the Antique Greek words “λίθος” Lithos (stone) and “γράφειν” Graphein (to write). It is the printing technique that is based on the demulsibility of oil and water. The print is achieved through drawing on like stone with ink and pressing it onto the appropriate papers. This technique is also considered the starting point of the contemporary offset printing technique where instead of lime stone, matrises (aluminium and zinc plates made through photochemical methods) are used. https://www.mixerarts.com/abidin-dino daily 0.75 2020-04-29 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588071210464-S3FSTAMIE60PXTAKNE2G/Abidin+Dino.jpg Abidin Dino Ara Güler, Abidin Dino, Paris, Fransa. http://digital.sabanciuniv.edu/abidindino/fotograf/3040200003393.jpgFotoğraf Sabancı Üniversitesi Sakıp Sabancı Müzesi izni ile https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588072224568-BL9YUHHK7S6RXZDW5YCI/Abidin+Dino%2C+esrarke%C5%9Fler%2C+renkli+ka%C4%9F%C4%B1t+%C3%BCzerine+tek+renk+ipek+bask%C4%B1%2C+50x35+cm%2C+ed.100%2C+1998-3.jpg Abidin Dino esrarkeşler, 1998 monochrome silkscreen numbered and stamped 50x35 cm, ed.100 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588072540792-FSRRH62L6CY09ERUXRU0/Abidin+Dino%2C+son+izler+the+last+traces%2C+tek+renkli+ipek+bask%C4%B1+numaral%C4%B1+ve+m%C3%BCh%C3%BCrl%C3%BC%2C+monochrome+silkscreen+numbered+and+stamped%2C+82x55+cm%2C+ed.100%2C+2012.jpg Abidin Dino the last traces, 2012 monochrome silkscreen numbered and stamped 82x55 cm, ed.100 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588072729544-4E8KMFYJROKWBUJ9U4YI/Abidin+Dino-Ersarke%C5%9Fler-116.jpg Abidin Dino esrarkeşler, 1998 monochrome silkscreen numbered and stamped 50x35 cm, ed.100 https://www.mixerarts.com/ar-saray daily 0.75 2020-04-29 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588162314812-IVQL410UWAV46559FGQS/C%CC%A7ag%CC%86r%C4%B1+Saray%2C+k%C4%B1rm%C4%B1z%C4%B1+oda+sekans+30-31-32+red+room+sequences+30-31-32%2C+serigrafi+silkscreen+%2C+70x100+cm%2C+ed.30%2B3AP.%2C+2008.jpg Çağrı Saray red room sequences 30-31-32, 2008 serigrafi silkscreen 70x100 cm, ed.30+3AP. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588161555485-A9NPSMJC4PRUZS1A4BD6/c%25CC%25A7ag%25CC%2586r%25C4%25B1-saray.jpg Çağrı Saray https://www.mixerarts.com/canan daily 0.75 2020-04-29 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588165859068-BV4T4MOZP22D3ZPJWGJE/20151225_eee79ac4-cb86-494f-a500-96fd5f4a48ab.jpg CANAN https://www.mixerarts.com/interviews daily 0.75 2020-05-19 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431570967-NOCRGXUJE408J4NJHRG3/Adam%2BBridgland%2Bempire%2B500-lowres.jpg Interviews Interview with Adam Bridgland https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446032415-2EJI28QBS1JBU7NQG3NV/G%25C3%25BCl-Kozac%25C4%25B1o%25C4%259Flu-Myndos%2526MnemonicsIII_80.5x120_lowres.jpg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446057319-V7JHV0KSO9UB0NUBKUVY/Printed%252716-Enstalasyon-05-lowres.jpg Interviews Interview with Işıl Eğrikavuk https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431524202-TFLZEB90B8VL66ZMYTG1/image-asset.jpeg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431546568-0XD0610RB64PKGV4BE1A/Hiding%2Bin%2Bthe%2BCity%2B-%2B18%2B-%2B2006.jpg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588432112423-LT5YYCB1CJN5MXTJV2QF/Printed%252716-Enstalasyon-19-lowres.jpg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588432180108-D6FE41UMXY8X4SUJET4C/%25C3%2596zlem%2BDemirel%2BLadder-lowres.jpg Interviews Interview with Özlem Demirel https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589862189355-0DJXLLO8317EO5E1HARR/13.jpg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446204767-1LRG3WKNW6G718FBIA18/Printed%252716-Enstalasyon-12-lowres.jpg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589861929953-QI8H5L9QT8G2ETJKBK17/12.jpg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588447098951-IFRRXX7N5V6NJ3VWZM7X/Leyla+Hanci.png Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588448863399-TG8MODEKT9MWRJ4FMNXB/juliana%2Bmanara%2B2.jpg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431594389-1S1O6LJY9QVTICXBPGKZ/Bur%25C3%25A7ak-Bing%25C3%25B6l-%25C5%259Eehir-k%25C4%25B1r%25C4%25B1%25C4%259F%25C4%25B1-Broken-city-2006-lowres-lowres.jpg Interviews Interview with Burçak Bingöl https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589861988433-AJ7675URJ0KQNXFDB2XC/11.jpg Interviews https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446106175-F6D69OFTOYDHS5VADMYL/Printed%252716-Enstalasyon-09-lowres.jpg Interviews Interview with Merve Kılıçer https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431166380-7XITDO5F3YQPJZH58UOJ/22.jpg Interviews https://www.mixerarts.com/forever-youngen daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588435030880-WT6YNIO373J5CSOMW1GE/marc-quinn-exhibit_at-arter-istanbul_photo-credit_murat-germen_2014_13+copy.jpg Forever Young - Interview: Marc Quinn photo by Murat Germen with permission of ARTER https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588435454295-VHVYCHJ91OPU9VD6CSB5/image-asset.jpeg Forever Young - Interview: Marc Quinn https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588434846079-OOSOD5V759HQH0407KH4/Marc+Quinn+Portrait+by+Mary+McCartney.jpg Forever Young - Interview: Marc Quinn photo by Mary McCartney https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588435585827-1473ZZTVWAIJ5RO8PK0P/Marc+Quinn%2C+Internal+Labyrinth+%282014%29.jpg Forever Young - Interview: Marc Quinn Marc Quinn, internal labyrinth (2014) https://www.mixerarts.com/seeing-is-not-believing daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588436199266-33HNIOLGRR7RDBM0XJ9P/Liu+2.jpg Seeing is not Believing - Interview: Liu Bolin https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588436002396-KWW38F5RBGYDTSEGDC2T/LiuBolin01.jpg Seeing is not Believing - Interview: Liu Bolin https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588436114615-5JVQHOB5KZ8O69IUH42R/Hiding+in+the+City+-+18+-+2006.jpg Seeing is not Believing - Interview: Liu Bolin https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588436261469-QQVDLXFC6OGS989XLYF8/Liu+1.jpg Seeing is not Believing - Interview: Liu Bolin https://www.mixerarts.com/interviewwithadambridgland daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444496278-2AE8YVR8P76K1HGEPBSR/Adam-Bridgland-Empire-40x52-2011-thumb.jpg Interview: Adam Brigdland Adam Bridgland, empire, 3 colour silkscreen on somerset satin 300gsm paper, 4ox52 cm, ed.16, 2011 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444443979-RVWMLADPANS54RH5TEFF/Adam-Bridgland-Profil-Foto1.jpg Interview: Adam Brigdland https://www.mixerarts.com/interview-burcak-bingol daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444595044-QOY7LT2ZHI16UE3HQ5MW/Bur%C3%A7ak-Bing%C3%B6l-%C5%9Eehir-k%C4%B1r%C4%B1%C4%9F%C4%B1-Broken-city-2006-lowres.jpg Interview: Burçak Bingöl Burçak Bingöl, Broken-city (2006) archival pigment print on hahnemühle paper, 60x90 cm, ed. 5+2 AP. https://www.mixerarts.com/interview-seza-bali daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444843785-8JW1DFE33VG75OZAMYW7/Printed%2716-Enstalasyon-19-lowres.jpg Interview: Seza Bali Seza Bali, Untitled (2016) from the series ‘patterns’, wallpaper, variable dimensions https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444771677-WU3T9V2BRL55SL3OR3DZ/7010_tile_2__patterns_10587_360x.jpg Interview: Seza Bali Seza Bali, Tile 2, patterns https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444783752-IFLOY8AA8U78T73YFBM8/7012_tile_4__patterns_10589_360x.jpg Interview: Seza Bali Seza Bali, Tile 4, patterns https://www.mixerarts.com/interview-beyza-ucak daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445060310-Z0CT84JMUJF82C9CNUG0/Beyza-U%C3%A7ak-01-lowres.jpg Interview: Beyza Uçak https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445106827-LAQ13P2TGCC12XKBKY33/Beyza-U%C3%A7ak-04-lowres.jpg Interview: Beyza Uçak https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445030208-7NW6ODIN4BSWINL0V2C1/Printed%2716-Enstalasyon-02-lowres.jpg Interview: Beyza Uçak Installation shot from Printed’16 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445077756-OGUZFL6KA6YL7L2JLI4S/Beyza-U%C3%A7ak-02-lowres.jpg Interview: Beyza Uçak https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445092356-DFM9FS1K1N5D1LI6GNL9/Beyza-U%C3%A7ak-03-lowres.jpg Interview: Beyza Uçak https://www.mixerarts.com/intisil-egrikavuk daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445340630-7IYDI7INSGHHJGAEEXRE/Printed%252716-Enstalasyon-05-lowres.jpg Interview: Işıl Eğrikavuk Işıl Eğrikavuk, 06.03.2016 (2016) archival pigment print, 75x110 cm, ed. 5+2 AP. https://www.mixerarts.com/interview-merve-kilicer daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445460249-32TTH0FSPR3JNILP1FVX/Printed%2716-Enstalasyon-09-lowres.jpg Interview: Merve Kılıçer left - woman /leaf (2013), etching on zinc centre - contra stampa - la verza (2013), etching on copper right - triple (2010), etching on three zinc plates https://www.mixerarts.com/interview-ozlem-demirel daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445637839-5HVQI8SYMG761TU3FSBY/Printed%2716-Enstalasyon-03-lowres.jpg Interview: Özlem Demirel Özlem Demirel, laser drawn perspex with screenprint overlays in bamboo supports, 2015 (installation view) https://www.mixerarts.com/interview-deniz-kose daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446540084-DY43IMGJCY54EXWKWHF7/deniz+kose.jpg Interview: Deniz Köse Deniz Köse, chimney (2014), linocut, 60x90 cm, ed. 12 https://www.mixerarts.com/interview-leyla-hanci daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446877769-4NRIFCAUFAVBATTKEELC/Leyla+Hanci.png Interview: Leyla Hancı Leyla Hancı, the story of evolution (2019), engraving, 50x 70 cm, ed.20 https://www.mixerarts.com/interview-gul-kozacoglu daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588447501708-2L2JXCNX209HKNDT4K15/Printed%2716-Enstalasyon-06-lowres.jpg Interview: Gül Kozacıoğlu left - Gül Kozacıoğlu, myndos & mnemonics III, diasec print, 60x90 cm, ed.. 5 right - Gül Kozacıoğlu, risen, diasec print, 60x40 cm, ed. 50 Printed’16 installation view https://www.mixerarts.com/interview-juliana-manara daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588448016941-GSUY21AU6D1APTZ13OUP/juliana+manara.jpg Interview: Juliana Manara Flying Petals 2 (2015), archival pigment print, 60 cm x 53,34 cm ed. 10+1AP https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588448134833-6PYGJ8N8E9C5C26F5HXC/juliana+manara+2.jpg Interview: Juliana Manara The Circus, (2015), archival pigment print, 60 cm x 54 cm ed. 10+1AP https://www.mixerarts.com/printed-archive-1 daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588453593542-TLAAR91GLVMKZPWXZO72/printed+dijital+kit3.jpg PRINTED ARCHIVE https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588515538332-U9FT8RJO9U8COC66A3D8/mixer_instagram_post.jpg PRINTED ARCHIVE https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588694747948-U3ZIKK24RSELLFL7BNW9/Screen+Shot+2020-05-05+at+19.05.09.png PRINTED ARCHIVE https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588453578395-QGYJGWDQ4F1TT9MI3OAU/Printed17-dijital.jpg PRINTED ARCHIVE https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588516808068-QCYNFNXYYVRQS2JU2IT2/printed19_ins.gif PRINTED ARCHIVE https://www.mixerarts.com/printed-ariv daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588453593542-TLAAR91GLVMKZPWXZO72/printed+dijital+kit3.jpg PRINTED ARŞİV https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588516808068-QCYNFNXYYVRQS2JU2IT2/printed19_ins.gif PRINTED ARŞİV https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588515538332-U9FT8RJO9U8COC66A3D8/mixer_instagram_post.jpg PRINTED ARŞİV https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588453578395-QGYJGWDQ4F1TT9MI3OAU/Printed17-dijital.jpg PRINTED ARŞİV https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588694782360-M0ICLKMX4ATX11ZH3Y2S/Screen+Shot+2020-05-05+at+19.05.09.png PRINTED ARŞİV https://www.mixerarts.com/gravure daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588759776487-KC3C1JBT6DQ861MQ429Z/murathan+reanimation-3.jpg Gravure Murathan Er, reanimation, cyanotype https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588759771496-3RJTBHGBFOP3CQNZVRNL/R%C3%BCdiger+Beckmann%2C+Leaning+Portrait.jpg Gravure Rüdiger Beckmann, leaning portrait, cyanotype https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588759651515-ELGVMERDBHED3UTYTFJY/The+Great+Wave+off+Kanagawa%2C+Hokusai.jpg Gravure Katsushika Hokusai, under the great wave kanagawa, woodcut, 25x37 cm, 1830-2 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588759511597-ISDZCYTXBX9X5E4K9XJ1/_Chicago+Snowstorm_+by+Charles+Turzak+%28woodcut%2C+1934%29+.jpg Gravure Charles Turzak, chicago snow storm, woodcut, 1934 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588760513589-F3T6XFC88FSIY9WVO362/2019_OlasiYer_plakaboyutu12_5x23_4cm_kagitboyutu25x32cm_metalgravur_15arti1edisyon_470x.jpg Gravure Beyza Boynudelik, probable habitat, metal ethcing, 25x32 cm, ed.15+1AP., 2019 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588760514243-0XH1XVPXA1GPTB2JSJEY/6493_meleagrosa_saygi_8993_470x.jpg Gravure Mediha Didem Türemen, homage to meleagros, etching, 35x50 cm, ed.9 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588760878156-364KCAI9S7R3PXKZGQ42/7467765634_a6c079c6aa_b.jpg Gravure Albercht Dürer, the fall of man, etching, detail, 1504 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588760515583-706XHWESMWTAQWKJLP24/H5649-L182526997.jpg Gravure Leopold Levy, passed, etching, 38x56 cm, ed.200, https://www.mixerarts.com/gravr daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588761618686-O2ITQLCWFWSTHRTGSMGC/2019_OlasiYer_plakaboyutu12_5x23_4cm_kagitboyutu25x32cm_metalgravur_15arti1edisyon_470x.jpg Gravür Beyza Boynudelik, olası yer, metal gravür, 25x32 cm, ed.15+1AP., 2019 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588761619992-F42AI6V9QU0XAHXY9B3V/6493_meleagrosa_saygi_8993_470x.jpg Gravür Mediha Didem Türeme, meleagors’a saygı, gravür, 35x50 cm, ed.9+1AP. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588761632920-HMDJAKSP0P1T56DSPEYY/7467765634_a6c079c6aa_b.jpg Gravür Albercht Dürer, insanın düşüşü, gravür, detay, 1504 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588761625011-O2OGZYWIF56MYSLJCG5F/H5649-L182526997.jpg Gravür Leopold Levy, passed, gravür, 38x56 cm, ed.200, https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588761769951-3JOC6ISKK63A2P6NKHC7/The+Great+Wave+off+Kanagawa%2C+Hokusai.jpg Gravür Katsushika Hokusai, kanagawa dalgasının altında, ahşap baskı, 25x39 cm, 1830-2 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588761801230-BPSOE1PVZEQIIR4TNING/_Chicago+Snowstorm_+by+Charles+Turzak+%28woodcut%2C+1934%29+.jpg Gravür Charles Turzak, chicago snow storm, ahşap baskı, 1934 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588761860192-KJVG21ETV6QYAUYLTXVA/murathan+reanimation-3..jpg Gravür Murathan Er, reanimation, mavi baskı https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588761855853-CS4SJ3SNW6MID1NNHJG6/R%C3%BCdiger+Beckmann%2C+Leaning+Portrait.jpg Gravür Rüdiger Beckmann, leaning portrait, mavi baskı https://www.mixerarts.com/lithography daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588783381084-O9Q9P4BDK0S3T6WMHILH/Sinan+Demirta%C5%9F%2C+ayaklar+feet%2C+litografi+lithography%2C+39x85+cm%2C+ed.10%2B1AP.%2C+2006.jpg Lithography Sinan Demirtaş, feet, lithography, 39x85 cm, ed.10+1AP., 2006 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588762630914-P0UESLDF5EO3WZQHEZKI/unnamed.jpg Lithography preparation phase https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588762606772-KJMDIQN0R32UKJHDXLRJ/CRW_0382.jpg Lithography preparation phase https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588762640634-LEHCVHFM66BU0BVZ53R1/Chiho+Aoshima%2C+japanese+apricot+3%2C+ofset+litografi+offset+lithography%2C++68x81+cm%2C+ed.300.jpg Lithography Chiho Aoshima, japanese apricot 3, offset lithography, 68x81 cm, ed.300 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588783142555-5FI7THF1031ZJC86PLAF/Takashi-Murakami-Takashi-Murakami-KAIKAI-KIKI-ME-Lithograph-194891-347432.jpg Lithography Takashi Murakami, kaikai, kiki and me, lithography, 50x50 cm, ed.300, 2013 https://www.mixerarts.com/litografi daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588763633053-RSW752ITENV7HLWTMR85/unnamed.jpg Litografi Litografi Hazırlık Aşaması https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588763611491-CIWEBFQ0ZD5GGKW8FDTE/CRW_0382.jpg Litografi Litografi Hazırlık Aşaması https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588763640565-7Q3GO1ZCXPL84FNI3WST/Chiho+Aoshima%2C+japanese+apricot+3%2C+ofset+litografi+offset+lithography%2C++68x81+cm%2C+ed.300.jpg Litografi https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588781260506-BBEE97OW1X48YK6QNF6C/Takashi-Murakami-Takashi-Murakami-KAIKAI-KIKI-ME-Lithograph-194891-347432.jpg Litografi Takashi Murakami, kaikai, kiki ve ben, litografi, 50x50 cm, ed.300, 2013 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588780806229-IIXR9AZZ5DH8E12QXRV9/Sinan+Demirta%C5%9F%2C+ayaklar+feet%2C+litografi+lithography%2C+39x85+cm%2C+ed.10%2B1AP.%2C+2006.jpg Litografi Sinan Demirtaş, ayaklar, litografi, 39x85 cm, ed.10+1AP., 2006 https://www.mixerarts.com/serigraphy daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588764897381-VTWPIQ9PV7ZKDRPAL7QU/ec7bde7b49be4243204bec7f0ef307d1.jpg Silkscreen Preparation Phase https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588764907300-KOJHZEG19M9Z5ALLSH62/m36_vinylsilkscreen.jpg Silkscreen Preparation Phase https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588764811128-UME5IYLL8D7F5CINHMXO/Adam+Bridgland%2C+empire%2C+300+gr+somerset+satin+ka%C4%9F%C4%B1t+%C3%BCzerine+3+renk+serigrafi+3+colour+screenprint+on+somerset+satin+300gsm+paper%2C+40x52+cm%2C+ed.45%2B1AP.%2C+2011.jpg Silkscreen Adam Bridgland, empire, 3 colour screenprint on somerset satin 300gsm paper, 40x52 cm, ed.45+1AP., 2011 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588764894518-5P1QMY28FW88HRW6U6QS/Olivia+Kemp%2C+that+which+flourishes+remains%2C+400+gr+velin+arches+blanc+ka%C4%9F%C4%B1t+%C3%BCzerine+2+renk+serigrafi+2+colour+screenprint+on+velin+arches+blanc+400gsm+paper%2C+50x59+cm%2C+ed.25%2C+2014.jpg Silkscreen Olivia Kemp, that which flourishes remains, 2 colour screenprint on velin arches blanc 400gsm paper, 50x59 cm, ed.25, 2014 https://www.mixerarts.com/serigrafi daily 0.75 2020-05-07 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588765772818-KZTG178M7XR67CMVKVKT/ec7bde7b49be4243204bec7f0ef307d1.jpg Serigrafi Serigrafi Yapım Aşaması https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588765788002-3C6QV5HPIE8BQZEJQVFW/m36_vinylsilkscreen.jpg Serigrafi Serigrafi Yapım Aşaması https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588765775180-LJ2F9CNGYG162BXQFXR7/Adam+Bridgland%2C+empire%2C+300+gr+somerset+satin+ka%C4%9F%C4%B1t+%C3%BCzerine+3+renk+serigrafi+3+colour+screenprint+on+somerset+satin+300gsm+paper%2C+40x52+cm%2C+ed.45%2B1AP.%2C+2011.jpg Serigrafi Adam Bridgland, empire, 300 gr somerset satin kağıt üzerine 3 renk serigrafi, 40x52 cm, ed.45+1AP., 2011 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588765855982-SRJLV3K668RI0J8D8Q5H/Olivia+Kemp%2C+that+which+flourishes+remains%2C+400+gr+velin+arches+blanc+ka%C4%9F%C4%B1t+%C3%BCzerine+2+renk+serigrafi+2+colour+screenprint+on+velin+arches+blanc+400gsm+paper%2C+50x59+cm%2C+ed.25%2C+2014.jpg Serigrafi Olivia Kemp, that which flourishes remains, 400 gr velin arches blanc kağıt üzerine 2 renk serigrafi, 50x59 cm, ed.25, 2014 https://www.mixerarts.com/rop-seeing-is-not-believing-1 daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588436114615-5JVQHOB5KZ8O69IUH42R/Hiding+in+the+City+-+18+-+2006.jpg Röportaj: Lui Bolin, Görmek İnanmak Değildir https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588436199266-33HNIOLGRR7RDBM0XJ9P/Liu+2.jpg Röportaj: Lui Bolin, Görmek İnanmak Değildir https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588436002396-KWW38F5RBGYDTSEGDC2T/LiuBolin01.jpg Röportaj: Lui Bolin, Görmek İnanmak Değildir https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588436261469-QQVDLXFC6OGS989XLYF8/Liu+1.jpg Röportaj: Lui Bolin, Görmek İnanmak Değildir https://www.mixerarts.com/printed-revisited-tr daily 0.75 2022-08-21 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588252317475-Q32NJE8OZURDQ5V9G3YM/Erin%2525C3%2525A7%252BSeymen%25252C%252Bhomo%252Bfragilis%25252C%252Blitografi%252Blitography%25252C%252B75x55%252Bcm%25252C%252Bed.23%25252B2AP.%25252C%252B2016.jpg Printed Re-visited Erinç Seymen Seymen’in Homo Fragilis’inde, bir kadın figürü tanımlanamaz soyut bir uzamda süzülürken bir erkek figürü oturmakta ve onun sigarasını yakmaktadır. Kadın mantık dışıdır, erkek sabit ve sağduyuludur. Onları bir araya getiren şeyler birbirlerini onayladıklarını belli eden nesnelerdir; sigara ve çakmak. Bunlar iki ayrı beden değildir, etkileşim halindedirler. Tepe taklak olmuş bir kadın, sabit ve kendinden emin takım elbiseli bir centilmenin yardımını alıyor, ata erkin fabllarını görselleştirmek için bundan daha iyi bir yol ne olabilir ki? Ve bunun için sigaradan daha kullanışlı bir nesne olabilir mi? Yıkıcı kapitalizmin ve sömürgeciliğin en yüksek seviyesindeki endüstriden ve bu sebeple de beyaz üst orta sınıfın sembolü bir nesne. (Nicole O’Rourke'un metninden alınmıştır / Galeri Zilberman'ın izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588252725434-1KGLPBUC4PEO586N7UTD/Ferhat%2B%25C3%2596zg%25C3%25BCr%252C%2Bmarble%2Bdance%252C%2Bvideo%2Bg%25C3%25B6r%25C3%25BCnt%25C3%25BCs%25C3%25BC%252C%2Bfine%2Bart%2Bbask%25C4%25B1%2Bvideo%2Bstill%252C%2Bfine%2Bart%2Bprint%252C%2B50x60%2Bcm%252C%2Bed.12%252B1AP.%252C%2B2015.jpg Printed Re-visited Ferhat Özgür ‘Ardahan'dan İstanbul'a göç eden iki simit satıcısından tüm ‘simitleri’ satın aldım. Hesaplamalarına göre günde maksimum 170 simit satabiliyorlardı. Tahmini olarak günlük gelirlerini karşılayacak bir ödeme yaptım. Tek bir şey yapmalarını istedim: 'Bir Günlüğüne Tembellik Hakkı'na sahip olmak. Onlar, zemini 'kaygan' olan bir şehirde hayata tutunmaya çalışan Kürt göçmenlerden sadece ikisiydi. Yeterince iyi bilmedikleri bir şehirde ve aşina olmadıkları halk müziği ile dans etmeleri ve eğlenmeleri gerekiyordu.’ Videoyu bu linkten izleyebilirsiniz. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588257294093-YPZN3974VPZTHSFOSRQ5/Takashi%2BMurakami%252C%2Band%2Bthen%2Bx6%2Bblue%252C%2Bofset%2Blitografi%252C%2Boffset%2Blithography%252C%2B50x50%2Bcm%252C%2Bed.300%252C%2B2013.jpg Printed Re-visited Takashi Murakami Takashi Murakami’nin resimleri, heykelleri ve balonları sevimli çizgi karakterlere referans verdiği için renkli, etkileyici ve erişilebilir bir çizgideler. Japonluk portresini içten dışa inceleyerek ve Batı sanatının derin anlamlarını entegre ederek oluşturduğu yapıyla sanat dünyasında bir devrim yaratıyor. Genel görüntü Mickey Mouse'u anımsatsa da, Murakami'nin bu serisinde geleneksel olarak Doraemon ve Sonic the Hedgehog gibi Japon anime karakterlerinin etkisi görülür. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254449612-UTW83P0YGCR27FCYEXZB/Kemal%2BY%25C4%25B1ld%25C4%25B1z%252C%2Bhayat%25C4%25B1n%25C4%25B1%2Bya%25C5%259Famak%252C%2Bjean-luc%2Bgodard%2Bi%25C3%25A7in%252C%2Brives%2Bka%25C4%259F%25C4%25B1d%25C4%25B1%2B%25C3%25BCzerine%2Bya%25C4%259F%2Bbazl%25C4%25B1%2Bboya%2Bile%2Ba%25C4%259Fa%25C3%25A7%2Bbask%25C4%25B1%252C%2B60x80%2Bcm%252C%2B2018.jpg Printed Re-visited Kemal Yıldız Sanatçının altı renkli ağaç baskısı, Godard’ın 1962 tarihli “Vivre sa vie” filmine ait ekran görüntüsüne dayanmaktadır. Geçtiğimiz günlerde kaybettiğimiz Anna Karina’nın canlandırdığı karakter Nana, hayata tutunmak için direnen bir kadındır. Ele alınan sinematik plan, icra edilen yeraltı mesleğine ait bir vesikadır. Ancak resimsel anlamdaki çaba, Nana’nın içsel gerçeklik deneyimine odaklanmıştır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588852268421-0XG3FEFSVUQQSY3FL1P4/Bask%25C4%25B1%2BTeknikleri Printed Re-visited https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588177571348-2B0C0A3YIGQ34B2CUDRM/Chiho%2BAoshima%252C%2Bjapanese%2Bapricot%2B3%252C%2Bofset%2Blitografi%2Boffset%2Blithography%252C%2B%2B68x81%2Bcm%252C%2Bed.300.jpg Printed Re-visited Chiho Aoshima Aoshima işlerinde sık sık hayaletleri, canavarları, doğayı ve shojoları konu alarak gerçeküstü sahneler yaratır. Aoshima, çoğunlukla büyük yazıcılar kullanarak kağıt üzerine büyük ölçekli baskılar üretse de zaman zaman deri ve plastik gibi farklı dokular sağlayan malzemeler de kullanıyor. New York Union Square metro istasyonunda bir dizi duvar resmi ve Londra Gloucester Road metro istasyonu boyunca uzanan fantazi şehir manzaraları da dahil olmak üzere pek çok kamusal sanat projelerinde yer almıştır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254204101-FNOVX7J8U4AV0GOKWQIO/I%25C5%259F%25C4%25B1l%2BE%25C4%259Frikavuk%252C%2Bbut%2Byou%2Bdon_t%2Blook%2Bturkish%252C%2Bfoto%25C4%259Fraf%252C%2Bar%25C5%259Fivsel%2Bpigment%2Bbask%25C4%25B1%2Bphotography%252C%2Barchival%2Bpigment%2Bprint%252C%2Bed.3%252B1AP.%252C%2B2018.jpg Printed Re-visited Işıl Eğrikavuk Işıl’ın eserlerinde beden ön plandadır. Zaman zaman, odağı kadın bedeni üzerinde olmasına rağmen, bu büyüleyici bir nesne yerine bir kabus tasvirini anımsatan bir atmosferdir. Vücudu kullandığında bazen yüceltir ve bazen grotesk kurgunun bir parçası olarak sergiler. Aslında, beden kavramını sorguladığımızda, merak, psikolojik ve fiziksel kimlik ve bir huzursuzluk hissi gibi diğer tüm kavramları da sorgularız. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588171707674-TCAY0YJMNWG1VDWQG6H6/Arif%2BDino%252C%2By%25C3%25BCzler%2Bserisi%2Bfaces%2Bseries%252C%2Btek%2Brenkli%2Bipek%2Bbask%25C4%25B1%2Bnumaral%25C4%25B1%2Bve%2Bm%25C3%25BCh%25C3%25BCrl%25C3%25BC%252C%2Bmonochrome%2Bsilkscreen%2Bnumbered%2Band%2Bstamped%252C%2B32%252C5x24%2Bcm%252C%2Bed.100%2B1985.jpg Printed Re-visited Arif Dino Arif Dino, sanatçı bir ailenin fertlerinden biridir. Abidin Dino’nun ağabeyidir. Ailesinde çok sayıda yazar, ressam, karikatürist ve gazeteci vardır. Öğrenimini yurtdışında yaptı. Boksör, aşçı, sinema oyuncusu, portre ressamı, grafiker, heykeltraş, sanat eleştirmeni gibi geniş bir yelpazede çalıştı. Tüm şiirleri, desenleri ve ardından yazılanlar Adam Yayınları tarafından bir kitapta toplandı. (Galeri Nev Ankara’nın izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588255093841-81BZGXDR00N0JJLVNF6T/Orhan%2BCem%2B%25C3%2587etin%252C%2Bu%25C3%25A7u%25C5%259F%2Bkorkusu%252C%2Bherkes%2Bi%25C3%25A7in%2Bduvar%2Bka%25C4%259F%25C4%25B1tlar%25C4%25B1%2Bserisinden%252C%2Bar%25C5%259Fivsel%2Bpigment%2Bbask%25C4%25B1%2Barchival%2Bpigment%2Bprint%252C%2B38%252C5x58%2Bcm%252C%2Bed.10%252B1AP.%252C%2B2015.jpg.jpg Printed Re-visited Orhan Cem Çetin Bu serinin esin kaynağı, gözlerimizi ayırmadığımız ekranlı cihazlardır. Ekranı, kullanıcının seçtiği bir görüntü kaplıyor. “Duvar kâğıdı” diye anılan bu görüntü sadece bir süs değil. Ara sıra, bir uygulamadan diğerine geçerken, cihazı açarken ya da kapatırken bize yaşamın ve varoluşun kullandığımız cihazın taşıyamayacağı derinlikte olduğunu hatırlatıyor. Sorumluluklarımızı, hesaplaşmalarımızı, tutkularımızı, gelecek kurgumuzu bize hatırlatıyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1590174480135-QLNEGA15RJAIFHG8RCJB/Dog%25CC%2586u%2BO%25CC%2588zgu%25CC%2588n%252C%2Bpazarl%25C4%25B1k%2Bbargain%252C%2Bgravu%25CC%2588r%252C%2Bakuatint%2Betching%252C%2Baquatint%252C%2B47x50%2Bcm%252C%2Bed.4%252B1AP.%252C%2B2018.jpg Printed Re-visited Doğu Özgün “Pazarlık” isimli eser, kendini gerçekleştirme hikayesi olarak tasarlanmıştır. Toplumu baskı altında tutmak için kullanılan ahlaki öğretiler, çekingen kadın figürüyle, fetiş nesne olarak sunulurken, artık toplumsal öğretilerin hitap ettiği kitleye ait olmayan balık figürü kadına karşı meydan okumaktadır. Çalışmada, tıpkı İkarus’un hikayesinde olduğu gibi potansiyel bir enerji zuhur eder. Bu bağlamda Dedalus’un rasyonel aklı ile İkarus’un romantik, gözü kara tavrı pazarlığa girişir. Çalışmadaki çocuk tüm olan bitene tanıklık etmektedir. Çocuğun saksafon çalması, kendini gerçekleştirme halinin çok gürültü olduğuna vurgu yapar. Bu kendini gerçekleştirme hikayesi, tek tip bireylerden oluşan bir topluluk tarafından gözetlenir https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588924502372-1OAAQPXS2RQQAX8Q0WF9/%2525C4%2525B0lkhan.jpg Printed Re-visited İlkhan Selçuk Erdoğan Eserlerinde “Mekansal Farklılaşma” ve “Equilibrium” gibi çağdaş sanatlarda derinlemesine irdelenen konuları odağına koyan İlkhan Selçuk Erdoğan “soyut” ve “düşünsel ”kavramların görsel formlara ve ifade tekniklerine alışılmadık bir boyutta aktarılmasını sağlıyor. Viyana Uygulamalı Sanatlar Üniversitesi’nde yüksek lisans programına devam eden sanatçı Avusturya’nın önde gelen sanat akademisyenleri ile iş birliği içinde projeler üretmektedir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588169732016-YRZOOPN7D3EKUZW2JBQJ/Adam-Hayes-London-After-Max-Gill-50x50-2015-highres.jpg Printed Re-visited - Adam Hayes Adam Hayes Adam Hayes, İngiltere'de Peak District'teki stüdyosunda çalışmalarını sürdüren sanatçı, aynı zamanda çizer ve tasarımcı. 2006 yılında Royal Art College’tan mezun oldu ve o zamandan beri kendisi, arkadaşları ve dünya çapında büyüyen bir müşteri grubu için çeşitli sanatsal projeler üzerinde çalıştı. (Jealous Gallery izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588169682977-WQ4GSM4R9MYLFJPCN0L2/Adam_Bridgland_and_Bench_Challen_And_Then_Summer_Comes_470x.jpg Printed Re-visited - Adam Bridgland Adam Bridgland Mixer, 2017'den beri Londra'daki Jealous Print Studio ile işbirliği içinde çalışıyor. Jealous, 2008 yılında Crouch End, Londra'da, serigrafi sanatçısı Matthew Rich ve Adam Bridgland'ın yardımını isteyen Dario Illari ve Jacquie Ryle tarafından kuruldu. Adam Bridgland ve Bench Allen'ın ortak yapımı olan bu baskı yakında gelecek yaz mevsiminin müjdecisi. (Jealous Gallery izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588932567663-UUUM24TRZQZWRGD6BL5P/cagr%C4%B1.jpg Printed Re-visited Çağrı Saray Kırmızı Oda: Sekanslar adlı yapıt, günümüz sanatının disiplinlerarası yapısı bağlamında sinematografik yapıya işaret eden bir enstalasyon olarak tanımlanabilir. Yapıtın hareketli görüntü (sinema) ve durağan görüntü (fotoğraf, resim) arasındaki ilişki üzerinden anlatısal/kurgusal olana dair taşıdığı referanslar, sinemayı hem bağımsız bir sanat disiplini olarak hem de günümüz sanatının medyumlarından biri olarak incelememiz gerekliliğini ortaya koymaktadır. Kırmızı Oda: Sekans 30,31,32, Kırmızı Oda / Sekanslar isimli işten yola çıkılarak üretilmiştir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588777872524-7NW7QSO8G1OOL9FLYRS2/Selma%2BG%25C3%25BCrb%25C3%25BCz%252C%2Bisimsiz%2Buntitled%252C%2Blitografi%2Blithography%2B65x48%2Bcm%252C%2Bed.35%252B1AP.-3.jpg Printed Re-visited Selma Gürbüz Masallar, büyücüler, cinler ve periler, şaman ayinleri gibi öğelerden oluşan kendine has bir dünya yaratmış olan Selma Gürbüz, Ferit Edgü tarafından “hem geçmişin hem geleceğin çağdaşı” olarak tanımlanıyor. Üretiminde nerelerden ilham aldığını 2017 yılında Kaan Kemerli ile Timeout İstanbul için yaptığı röportajda, Selma Gürbüz şu şekilde anlatıyor: “Doğu ve Batı sanatını iyi biliyor ama kendimi onlara ait hissetmiyorum, aralarındaki mesafeyi ya da yakınlığı kurgulamıyorum, modernist bir alt yapım var çünkü sanat eğitimimi ilk o şekilde aldım..” (Galeri Nev Ankara'nın izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588178276637-1LAU70DAGOHFUPZBJOV8/Deniz%2BK%25C3%25B6se%252C%2Bbaca%2Bchimney%252C%2Blinol%2Blinocut%252C%2B60x90%2Bcm%252C%2Bed.12%252B1AP.%252C%2B2014.jpg Printed Re-visited Deniz Köse Sanatçı, izleyicileri bir biçimin onlarca renk varyasyonları ile buluşturup hayal dünyalarını tetikleyerek onları başkalaşmış olanla tanıştırmayı amaçlıyor. Sanatçının erken dönem linolyum baskıları, çoğunlukla tren hatları, fabrikalar vb. endüstriyel mekanlara odaklanıyor. Eskişehir’de yaşıyor ve çalışmalarını sürdürüyor. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588179081587-CRR556423HNE5LHS0DBQ/Eda%2BSoylu%252C%2Bduvar%2Bka%25C4%259F%25C4%25B1d%25C4%25B1%2Bwallpaper%252C%2Bhahnem%25C3%25BChle%2Brag%2Bfoto%25C4%259Fraf%2Bka%25C4%259F%25C4%25B1d%25C4%25B1%2B%25C3%25BCzerine%2Binkjet%2Bbask%25C4%25B1%252C%2B70x100%2Bcm%252C%2Bed.5%252B2AP.%252C%2B2015.jpg Printed Re-visited Eda Soylu “Ve Evin Yüzü Burkuldu” adlı seriye ait duvar kağıdı, kabalık ve kırılganlık ilişkisini, ezilmek ve bastırılmak kavramları çerçevesinde ele alır. Çiçek betona gömüldüğü an üç farklı tepki açığa çıkar: öldürmek, barınmak, korumak. Betona gömülen çiçekler öyle hemen ölmezler, gözlemlenilebilir bir ölümleri vardır. Zamanla güçsüzleşirler, ancak bu ölüm şekli renklerini korumalarını sağlar. Bir yandan hayatları alınırken, diğer yandan ölümsüzleştirilirler. Gitmek ve kalmak eylemleri arasındaki ikilem bu noktada ortaya çıkar. Gerçek manasıyla bastırılmış bir şekilde, sessizce kendi içlerinde bir süreçten geçerler. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588932881129-L3UEXVYKP8D0MPXZJ09A/Ekran+Resmi+2020-05-08+13.14.01.png Printed Re-visited CANAN 1998 yılında o dönemki Cumhurbaşkanı tüm polis karakollarının şeffaf olacağını ilan etti. Şeffaf Polis Karakolu, gücün belirlediği şiddetin iyi bilinen ancak çoğunlukla görülmeyen bir durum olduğunu iddia ediyor. İstasyonların şeffaf olmasa bile her şey çok açık. Bu çalışma, çizdikleri grafiti nedeniyle tutuklanan ve sert bir cinsel, fiziksel, psikolojik işkence gören Manisa Öğrencilerine adanmıştır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588852327129-TM1RVR4768TQUXBVB9FD/Printed+Ar%C5%9Fivleri.png Printed Re-visited https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254795815-IATT7MP67X28F367JV7C/Mediha%2BDidem%2BT%25C3%25BCremen%252C%2Balbrecht%2Bd%25C3%25BCrer_e%2Bsayg%25C4%25B1%2Bhomage%2Bto%2Balbrecht%2Bd%25C3%25BCrer%252C%2Ba%25C4%259Fa%25C3%25A7%2Bbask%25C4%25B1%2Bwoodcut%252C%2B21x30%2Bcm%252C%2Bed.5%252B1AP.%252C%2B2016.jpg Printed Re-visited Mediha Didem Türemen Mediha Didem Türemen fotoğraf ve gravürü kullanarak iki farklı türde eserler üretir. Fotoğrafın tanıklık ettiği anın dışında kurduğu düşsel zamanı senaryolaştırmaya odaklanır. Albrecht Dürer’e Saygı isimli eserinde ilk dönem çalışmalarında izini sürdüğü kurgusal ve mitolojik roller üstlenen kanat figürünü ele alan sanatçı, bu çalışmayı Albrecht Dürer'in Mavi Kuzgunun Kanadı (1512) eserinden esinlenerek yorumlamıştır. Ağaç baskı olarak çalıştığı ve ilk edisyonu Albertina Müzesi'nin daimi koleksiyonuna giren Albrecht Dürer'e Saygı adlı eseri, gravürün çoğaltılabilirliğini kullanarak zamanlar arası bir bağ kurmayı hedefler. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588255378772-G6MN2BNPRWKL9QUBSIRM/Se%25C3%25A7kin%2BPirim%252C%2Brhino%252C%2By.h.%2B500%2Bpar%25C3%25A7a%2Bka%25C4%259F%25C4%25B1t%2Bkesim%2B500%2Bpieces%2Bof%2Bcutout%2Bpaper%252C%2B42x42x18%2Bcm%252C%2Bed.20%252B1AP.%252C%2B2017-detay.jpg Printed Re-visited Seçkin Pirim Seçkin Pirim’in eserleri sayısız katmanlardan oluşur, minimal dili takip eder ve geometrik formların çeşitlemelerini gösterirler. Sanatçının, heykellerinin niteliğini kâğıt ortamına aktarış biçimi etkileyicidir. Kâğıt üzerine olan eserler genellikle iki boyutludur. Pirim ise onu üç boyutlu bir bloka oturtarak belirmesini istediği formları keserek çıkartır. Sonrasında izleyici kesilip çıkartılmış olanı görür, ki bu da sanatçının düşüncesinin bir negatif formunu temsil etmektedir. (C24 Gallery izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588255275683-IPS56RIM4YWNNJAOA7KX/Ozan%2BBilginer%252C%2Bmasa%2Btable%252C%2Bserigrafi%2Bsilkscreen%252C%2B98x91%2Bcm%252C%2Bed.3%252B1AP.%252C%2B2017.jpg Printed Re-visited Ozan Bilginer "The Table/left" serigrafi yöntemi kullanılarak el ile basılmış fotografik görsel üzerine özel polimer boyaların aktarılması ile gerçekleştirilmiş etkileşimli bir eserdir. Bu eserin ortaya çıkarılması sanat-mühendislik ortak çalışması sayesinde gerçekleşmiştir. Eser, karşısında ona bakan bir izleyici olmadığında siyah bir boya alanı olarak görünmektedir. Ancak karşısına bir izleyici geçtiğinde görünür olmaktadır. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588852381343-SWGYF9S2QXHDKURGF4FO/R%C3%B6portajlar Printed Re-visited https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588178666416-77CDQGU1U64QE1L5EMN0/Desen%2BHal%25C4%25B1%25C3%25A7%25C4%25B1narl%25C4%25B1%252C%2Btaksim%2Bmeydan%25C4%25B1nda%2Bgezi%2Bwalking%2Bat%2Btaxim%2Bsquare%252C%2Blinol%2Blinocut%252C%2B85x60%2Bcm%252C%2Bed.10%252B1AP.%252C%2B2017%2Bcopy.jpg Printed Re-visited Desen Halıçınarlı Kent, sayılarla tasvir edilecek bir fiziksel birim olduğu kadar, kendi içerisinde sınırların çizilerek bölündüğü, gündelik tekrarlarda bu sınırların yeniden çizildiği bir resim sunuyor. Damar yollarının yüreğe bağlanırcasına Taksim’e bağlandığı noktanın kendi kendine kavga eden bir arenaya dönüştürülüyor olması ve uzaktan izlemeye mahrum kalmanın yansıması aslında yok olmanın diğer önermesi. Yeşile hasret sıfırdan başlama arzusunun topoğrafik görüntüsünün farklı bir belgeleme biçimi. Haritalara telefonlarımızdan ulaştığımız biçimde de Taksim Meydanı’nın “yıldızlı” görüntüsü son güncellemeye kadar dijital bir anı olarak hafızamızda. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588256488652-D07J3OC61O7LPCT4T9SI/Sinan%2BDemirta%25C5%259F%252C%2Bayaklar%2Bfeet%252C%2Blitografi%2Blithography%252C%2B39x85%2Bcm%252C%2Bed.10%252B1AP.%252C%2B2006.jpg Printed Re-visited Sinan Demirtaş Sinan Demirtaş, tek bir açıdan görülmeyen bedeni betimler. İki boyutlu yüzeyde, figür yatay ve dikey pek çok plandan (açıdan) görünür. Öyle ki figürü gözümüzle yatay ve dikey izler, mekan içindeki varlığını sorgularcasına o anını belgeleriz. Bu bir fotoğraf karesinin yapabileceği bir şey değildir. Bunun için yatayda ve dikeyde pek çok karelenmiş fotoğrafa ihtiyaç vardır. Figürün o anki durumunu detaylarla belgelemek gibidir. İzleyen göz onu her detayda belgeler ve bir araya getirir (oluşturur). Detaylar arasındaki ilişkiyi kurarken yanılsamaları ortadan kaldırır. Figür kendi iç dünyasındayken, bedeni dışarıya çıkma eylemi (yanılsaması) içindedir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588933148021-IUC82BYR7WMXIV7XBK15/Ekran+Resmi+2020-05-07+11.44.02.png Printed Re-visited - Abidin Dino Abidin Dino Abidin Dino, genellikle resimlerinde rengi ikinci plana alarak duyguları daha dolaysız bir biçimde anlatabilen çizginin gücünü ustalıkla kullanmıştır. Resimlerinde gerçek ile düş, gerçek ile gerçeküstü öğelerin iç içe geçerek birbirine karıştığı görülmektedir. (Galeri Nev Ankara'nın izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254131769-NDIGWL39DCF8DF26X4IJ/%25C4%25B0nci%2BEviner%252C%2Byeni%2Bvatanda%25C5%259F%2Bnew%2Bcitizen%252C%2Bserigrafi%2Bsilkscreen%252C%2B70x50%2Bcm%252C%2Bed.35%252B1AP.%252C%2B2009.jpg Printed Re-visited İnci Eviner Yeni Vatandaş serisi, İnci Eviner’in 2009 yılında misafir sanatçı olarak davet edildiği ve 3 ay süreyle kaldığı Musée MAC/VAL, Vitry-sur-Seine sanatçı programı kapsamında ürettiği serigrafi baskılardır. Yeni Vatandaş adlı video enstalasyonun devamı olarak üretilen bu baskılar sanatçının vatandaşlık ve kimlik politikaları kavramı üzerine sorgulamalarını ortaya koyar. (Galeri Nev İstanbul’un izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254880435-X668MYY6PW0V2M5TW1SV/Olivia%2BKemp%252C%2Bthat%2Bwhich%2Bflourishes%2Bremains%252C%2B400%2Bgr%2Bvelin%2Barches%2Bblanc%2Bka%25C4%259F%25C4%25B1t%2B%25C3%25BCzerine%2B2%2Brenk%2Bserigrafi%2B2%2Bcolour%2Bscreenprint%2Bon%2Bvelin%2Barches%2Bblanc%2B400gsm%2Bpaper%252C%2B50x59%2Bcm%252C%2Bed.25%252C%2B2014.jpg Printed Re-visited Olivia Kemp Doğanın kendi kendini yeniden bulması, Olivia Kemp’in odaklandığı ana konulardan biridir. Doğanın ele geçirdiği şehirler ve vahşi doğanın bilinçli bir şekilde insan yaratımının üzerine geçmesini resmeder. Bu dönüşümü gözlemlerken genelde geri dönüşü olmayan bir oluşu resmedecek şekilde zamanı dondurur. Olivia’nın Jealous’tan ödül aldığı eserleri Victoria & Albert Müzesinin kalıcı koleksiyonunda yer almaktadır. (Jealous Gallery izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588178075744-QU9ZUUUAYAG0E82GL9AN/Cins%252C%2Bbir%2B%25C3%25A7e%25C5%259Fit%2Bmeyve%2Bkind%2Bof%2Ba%2Bfruit%252C%2Bseramik%2Bceramic%252C%2By.h.24x31x20%2Bcm%252C%2Bed.5%252B1AP.%252C%2B2019.jpg Printed Re-visited CINS ‘’Bir çeşit meyve’’, isimli çalışma CİNS’in Printed’19 sergisine özel olarak ürettiği ve çoğunlukla çoğaltılabilir nesnelere ve sanatçıların üretimlerinde konsept olarak ‘’çoğaltma’’ kavramını nasıl ele aldığına odaklanan bir heykelin ilk denemesidir. Et, kemik çağrışımlı bu formları ile aslında bizlere ait olmayan ama çok da yabancı olmadığımız hissiyatı sağlamak ve bu altyapı üzerine kurulu, kimi zaman soyut, kimi zaman sürreal hikayeler, hisler sunmayı hedeflemektedir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588777816205-RKB4L4P8L13SQ4F7ZTGI/Omer_Uluc_isimsiz_untitled_serigrafi_uzerine_akrilik_acrylic_on_serigraphy_63x48_cm_360x.jpg Printed Re-visited Ömer Uluç Uluç, geleneksel Türk hat sanatından esinlenilerek, figür ve formları soyutlama yoluna giderek benzersiz bir çağdaş stil yakalamıştır. İşleri, soyutlama ve temsil arasındaki boşlukta gidip gelirken aynı zamanda meydan okuyucu bir fantezi duygusu sunuyor. Çoğunlukla halat resimlerine dayanan işleri kavramsal ilişkilerin zenginliğini düşünmeye çağırıyor. Tuval resmi kendisini sınırlandırmayan çeşitli materyaller kullandı. (Galeri Nev Ankara izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588258147895-FI42B7TBF5TSLPS9NHFP/Tracey%252BEmin%25252C%252Bclosed%25252C%252Bgrav%2525C3%2525BCr%252Betching%25252C%252B36%25252C5x38%252Bcm%25252C%252Bed.200%25252C%252B2013.jpg Printed Re-visited Tracey Emin Tracey Emin, yağlı boya, çizim, video ve enstalasyondan fotoğrafa, dikişten heykele birçok alandaki sanatsal üretimlerinde, hayatını ilham kaynağı olarak kullanır. Emin, ümitlerini, aşağılanmalarını, başarısızlıklarını ve başarılarını samimi ve bazen de hem trajik hem de esprili olan işlere ulaştırır. Emin’in çalışması, feminist söylem geleneğindeki yerini sağlam bir şekilde yerleştiren dolaysız ve sıklıkla cinsel açıdan kışkırtıcı bir tavır sergiler. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588258271074-TPIX2TP662XV20ZMQZR8/Funda%25252B%252525C3%25252596zg%252525C3%252525BCnayd%252525C4%252525B1n%2525252C%25252Bleo%25252Bhuman%25252BII%2525252C%25252Bpamuklu%25252Bka%252525C4%2525259F%252525C4%252525B1t%25252B%252525C3%252525BCzerine%25252Bkolaj%25252Bve%25252Bserigrafi%25252Bbask%252525C4%252525B1%25252Bsilkscreen%25252Bprint%25252Bfrom%25252Bcollage%25252Bon%25252Bcotton%25252Bpaper%2525252C%25252B48x69%25252Bcm%2525252C%25252Bed.10%2525252B1AP.%2525252C%25252B2017.jpg Printed Re-visited Funda Özgünaydın Funda Özgünaydın’ın çalışmaları, mevcut toplumsal yapılar ve yaşamın alışıldık gidişatıyla eleştirel bir hesaplaşma olarak nitelenebilir. Modern toplum ve doğa bağlamında insanın durumuna dair sosyo politik ve ontolojik ve varoluşsal meseleleri ele almasının en önemli nedenidir bu. Bu bağlamda, öncelikle verili toplumsal katmanlar dahilindeki hiyerarşik ilişkilere ve tutumlara yöneltir ilgisini. Bir yandan da, toplumsal gelişmelere dair yeni bir algının görsel olarak nasıl sunulabileceğine -bu dönüşümün tablosunun nasıl çizilebileceğine- yanıt arar. Karşıtlıklar ve tezatlardan oluşan kompozisyonlarında, sanatın yaşamla derin bir ilişki içinde olduğuna dair inancını gözler önüne serer. (Marcus Graf, Gerçek olamayacak kadar güzel bir rüya, Tarabya Kültür Akademisi, 2017-18) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588253093563-RTUBDG8LLVR7KQHR4QWF/G%25C3%25BCls%25C3%25BCn%2BKaramustafa-alameti%2Bfarika-2.jpg Printed Re-visited Gülsün Karamustafa Resim, enstalasyon, performans ve video gibi çeşitli medyumlarda çalışmalar üreten Gülsün Karamustafa'nın 'Alamet-i Farika' isimli serigrafi baskıları, 1981 senesinde gözlemlediği kitch olgusunu temeline alır. Pastel tonlardaki renk kullanımı ve döneminde sık sık tartışma konusu olan arabesk teması etrafında şekillenir. (BüroSarıgedik’in izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254692424-WKCGAUZP1UEYM3CJK4IG/Larissa%2BAraz%252C%2Baidiyet%2Bserisi%2Bbelongings%2Bseries%252C%2Bfoto%25C4%259Fraf%252C%2Bar%25C5%259Fivsel%2Bpigment%2Bbas%25C4%25B1%2Bphotography%252C%2Barchival%2Bpigment%2Bprint%252C%2B40x60%2Bcm%252C%2Bed.5%252B1AP.%252C%2B2017.jpg Printed Re-visited Larissa Araz Aidiyetlik rızamızla değil sadece bizimle hareket ederler. Bizim bir parçamız olurlar. Bazen bizi aşağı çekseler de onları daima taşımamız sanki olması gerekendir. Babam Seyfo’yu yaşamış Mardinli bir Süryani, annem İstanbul’da yetişmiş bir Yunan Ortodoks ve anneannem ise ailesi 1915’teki soykırımda katledilmiş bir Ermeni. Topraklarımda, azınlık olmayı insanların hayatları boyunca taşımak zorunda oldukları en büyük sahiplik olarak algılıyorum. Bu seride, kendi halkımın bir “yabancı” olarak ait olmanın verdiği hissin yanı sıra halkımın kendi ülkesinde yabancı olarak algılanmasını belgelemeye çalıştım. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254320561-EIM11QSWZJOC2CUGJCIK/Joakim%2BAllgulander%252C%2Bsurveillance%2BII%252C%2B330%2Bgr%2Bsomerset%2Bsatin%2Bka%25C4%259F%25C4%25B1t%2B%25C3%25BCzerine%2Bar%25C5%259Fivsel%2Binkjet%2Barchival%2Binkjet%2Bon%2Bsomerset%2Bsatin%2Benchanced%2B330gsm%2Bpaper%252C%2B49x36%2Bcm%252C%2Bed.75%252C%2B2017.jpg Printed Re-visited Joakim Allgulander Joakim Allgulander'ın işi, zanaat yeteneği ve pratik süreci birleştirilen kavramsal bir temel ile tanımlanabilir. Çalışmaları farklı medya ve teknikleri keşfetme arzusunu içeren bir merak barındırır. Allgulander’ın çalışmalarında doğal ve yapay, yeni ve eski, ışık ve karanlık, yaşam ve ölüm gibi arketipik karşıtlıkları içeren varoluşsal bir dinamik oyun vardır. (Jealous Gallery izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588252852797-F2ELHRNKUDCM5LU6SCQI/Fevzi%2BT%25C3%25BCfek%25C3%25A7i%252C%2B%25C3%25A7ad%25C4%25B1r%2Bve%2Bku%25C5%259Flar%2Btent%2Band%2Bbirds%252C%2Bah%25C5%259Fap%2Bbask%25C4%25B1%2Bwoodcut%252C%2B67x50%2Bcm%252C%2Bed.5%252B1AP.%252C%2B2017.jpg Printed Re-visited Fevzi Tüfekçi Sanatçı, gravürün çoğaltılabilmesi özelliğinin yanı sıra zengin ifade olanakları sunabilmesini eserlerinde renk ve malzeme kullanımı bakımından bir avantaja dönüştürmektedir. Çadır ve Kuşlar isimli eserinde kullandığı boş ve dolu yüzeylerde uyum ve denge ilkesini göz önünde bulundurur. Sanatçının, figürleri soyut bir kompozisyon içinde ele aldığı çalışmasında, kaligrafik ögelerin görsel elemanlara dönüştürülmüş biçim anlayışının egemen olduğu gözlemlenir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588251976496-L9LYPBRMTCV8QMTE5VS9/Emin%2BMete%2BErdo%25C4%259Fan%252C%2Bg%25C3%25BCne%25C5%259F%2Bana%252C%2Bah%25C5%259Fap%2Bve%2BPNA%2B%25C3%25BCzeri%2Bakrilik%252C%2Bwood%2Band%2Bacrylic%2Bon%2BPNA%252C%2B51x45x35%2Bcm%252C%2Bed.4%252B1%2BAP.%252C%2B2019%2528lowres%2529.jpg Printed Re-visited Emin Mete Erdoğan Emin Mete Erdoğan bu çalışmasında kutsal olanın zaman içindeki değişim ve dönüşümler üzerine odaklanıyor. Mitoloji tarihinde eskinin dişil tanrılarının zamanla eril bir forma dönüştüğü gibi ana tanrıça figürünün kutsallığı değiştirilerek melek formuna dönüşmesi de sıklıkla karşılaşılan bir durum. Bu eserde tanrıça konumu meleğe çevrilmiş bir harpi elinde “güneş”i temsil eden bir ayçiçeği tutmaktadır. Güneş imgesi tarih boyunca neredeyse tüm inanışlarda çok önemli bir yere sahiptir. Güneşi elinde tutan hakimiyetin de sahibi gibidir. Bundan dolayıdır ki sanatçı bu iki figürü birleştirerek, tanrıçanın zamanla kaybettiği statüsünü iade ediyor. (Galeri x-ist izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588254591913-A2S70QSD3Y3GV8QXREUF/Kerem%2BOzan%2BBayraktar%252C%2Bpatlam%25C4%25B1%25C5%259F%2Bm%25C4%25B1s%25C4%25B1r%2Bpatlam%25C4%25B1%25C5%259F%2Bm%25C4%25B1s%25C4%25B1r%252C%2Bah%25C5%259Fap%252C%2Bepoksi%2Bve%2Bboya%2Bpopcorn%252C%2Bwood%252C%2Bepoxy%2Band%2Bpaint%252C%2Byh.8x5x3%2Bcm%252C%2Bed.100x10AP.%252C%2B2019.jpg Printed Re-visited Kerem Ozan Bayraktar Kerem Ozan Bayraktar’ın çalışmaları bilgisayar grafikleri, videolar, metinler ve nesnelerden oluşur. Bayraktar, genel olarak şeylerin birbirleriyle nasıl etkileşime girdikleri, birbirlerini nasıl dönüştürdükleri ve hangi şekilde davrandıkları ile ilgilenir. Sanatçı spesifik olarak ekoloji, astronomi ya da ekonomi gibi zamanla değişen sistemlerle ilgilendiği gibi kültürdeki kurgusal yapılara da ilgi duyar. “Patlamış Mısır”, gündelik geçici bir nesneyi farklı katmanlarda ele alır. Minyatür kaideler üzerindeki mısırlar, bir taraftan kaideyi küçülten diğer taraftan mısırları ve onların gündelik sıradanlıklarını yücelten bir etki yaratır. (Sanatorium'un izniyle) https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588171877281-QG0O4T2JNMPWSU25I9IT/Beyza%2BBoynudelik%252C%2Bhava%2Bdurumu%2Bweather%252C%2Bmetal%2Bgrav%25C3%25BCr%2Bmetal%2Betching%252C%2B68x56%2Bcm%252C%2Bed.15%252B1AP.%252C%2B2019.jpg Printed Re-visited Beyza Boynudelik Sanatçı, bugünün bireyinin; gündemi inanılmaz bir hızla değişen kent yaşamında, bir yandan çizilen “ideal metropol insanı” şablonunun içini doldurmaya çalışırken; diğer yandan tepkisiz, duygusuz ve yalnız hale gelişinin izlerini, resimleri aracılığıyla görselleştiriyor. Özellikle şu an içine geçtiğimiz karantina zamanlarında, insanın doğa ile çekişmeli ilişkisini sanatçın bakışından gözlemliyoruz. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588253836207-QJO4ISGS24TD0S3F81OS/Ilg%25C4%25B1n%2BSeymen%252C%2Bdo%25C4%259Fadan%2Buzak%2Bfar%2Bfrom%2Bnature%252C%2Bdipleks%2Bbask%25C4%25B1%2Bcnc%2Bkesim%2Bdiplex%2Bprint%2Bcnc%2Bcut%252C%2B68%252C5x29%252C5%2Bcm%252C%2Bed.1%252B1AP.%252C%2B2016-detay2.jpg Printed Re-visited Ilgın Seymen Günlük hayat içinde ister istemez haşır neşir olduğum nesneler ve imgeler, ortak alanda taşıdıkları anlamlardan ve pozisyonlardan ötürü işlerimin malzemesi olurlar. Analitik bir yapı üzerinde duyusal/ duygusal olanla ilişki içinde kurgulanan işler, ironik ve satirik beyanlara dönüşürler. Bu yaklaşımın arkasında yatan, karanlık sona doğru koştuğumuzu kabul etmekle beraber, yaşanan zamana karşı eleştirel duyarlılığı neşeli bir tavırla sürdürebilmenin en makul tavır olduğu düşüncesidir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588253243056-V0SNIRVXB4IS5D1B3CED/Huo%252BRf%25252C%252B19.blok%25252C%252Blinol%252Blinocut%25252C%252B38x29%252Bcm%25252C%252Bed.29%25252B1AP.%25252C%252B2020.jpg Printed Re-visited Huo Rf 19. Blok (Yeni Bir Apartman), sanatçının 2017 yılından beri üzerinde çalıştığı Güven Sitesi serisinin ikinci işidir. Seride yer alan her bir apartman, sanatçının çocukluğundan bugüne kadar pratiğini etkilemiş kadınları komşuluk ilişkisi üzerinden bir araya getirir. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588413466151-UVS5BH9Z4ERD97LTG25Y/Ali%2BS%25CC%25A7entu%25CC%2588rk%252C%2Bbiz%2Bbu%2Bdeg%25CC%2586iliz%252C%2Bbu%2Bbizden%2Bgeriye%2Bkalan%2Bserisi%252C%2Bserigrafi%2Bsilkscreen%252C%2B40x40%2Bcm%252C%2Bed.32%252B1AP.%252C%2B2020-1.jpg Printed Re-visited Ali Şentürk Ali Şentürk üretimlerini kendi deneyimlerinden, günlük hayatında yolunun kesiştiği hikayelerden ve gerçek yaşanmış olaylardan yola çıkarak oluşturduğu yeni anlatılar etrafında kurgular. Bir yandan haberci gibi hikayelerin izini sürerken diğer taraftan bu öyküleri dokümante ederek izleyiciye hikayenin olağan akışını gözlemleme imkanı sunar. Bir ritüele dönüşen birim tekrarları bazen yoğun çizgiler arasında ayrıntının yok olduğu, bazen de çizgilerin yok olacak kadar azaldığı üretimlere dönüşürler. https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588257435480-4IOMFLMQIBLAXPVJTWG0/Vahap%2BAv%25C5%259Far%252C%2B%25C3%25A7ifte%252C%2BAND%2Bm%25C3%25BCzesi%252C%2B2010%25E2%2580%2599den%2Bberi%252C%2Bshotgun%252C%2BAND%2BMuseum%252C%2Bsince%2B2010%252C%2B50x70cm%252C%2Ba%25C3%25A7%25C4%25B1k%2Bedisyon%2Bopen%2Bedition.jpg Printed Re-visited Vahap Avşar 1990’ların başlarından itibaren AND yayınevinin afişlerini farklı işlerinde kullanan Avşar, kapsamlı bir kartpostal envanterine sahip olan koleksiyonunu 2010’da satın almıştı. AND koleksiyonu, 1970’lerin sonlarında, Anadolu’nun dört bir yanında yapılan çekimlerle Türkiye’nin o dönemin kültürel, siyasal ve ekonomik konumunu kayda almıştır. Kimisi basılarak kartpostala dönüştürülmüş bu fotoğraf arşivi ve sıradışı hikayeleri, buluntu imgeler ve temsiliyet üzerine çalışan Vahap Avşar’ın işlerinin esin kaynağı olmuştur. Sanatçı, Printed Re-visited sergisine bu kapsamlı arşivden bir eser ile katılıyor. https://www.mixerarts.com/rop-adam-brigdland daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444443979-RVWMLADPANS54RH5TEFF/Adam-Bridgland-Profil-Foto1.jpg Röportaj: Adam Brigdland https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444496278-2AE8YVR8P76K1HGEPBSR/Adam-Bridgland-Empire-40x52-2011-thumb.jpg Röportaj: Adam Brigdland Adam Bridgland, empire, somerset satin 300gsm kağıt üzerine 3 renk serigrafi, 40x52 cm, ed.16, 2011 https://www.mixerarts.com/rop-burcak-bingol daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444595044-QOY7LT2ZHI16UE3HQ5MW/Bur%C3%A7ak-Bing%C3%B6l-%C5%9Eehir-k%C4%B1r%C4%B1%C4%9F%C4%B1-Broken-city-2006-lowres.jpg Röportaj: Burçak Bingöl Burçak Bingöl, Şehirkırığı (2006) hahnemühle kağıdına arşivsel pigment baskı 60x90 cm, ed. 5+2 AP. https://www.mixerarts.com/rop-seza-bali daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444843785-8JW1DFE33VG75OZAMYW7/Printed%2716-Enstalasyon-19-lowres.jpg Röportaj: Seza Bali Seza Bali, isimsiz (2016) ‘patterns’ serisinden, duvar kağıdı, değişken ölçüler https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444783752-IFLOY8AA8U78T73YFBM8/7012_tile_4__patterns_10589_360x.jpg Röportaj: Seza Bali Seza Bali, Tile 4, patterns https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588444771677-WU3T9V2BRL55SL3OR3DZ/7010_tile_2__patterns_10587_360x.jpg Röportaj: Seza Bali Seza Bali, Tile 2, patterns https://www.mixerarts.com/rop-beyza-ucak daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445092356-DFM9FS1K1N5D1LI6GNL9/Beyza-U%C3%A7ak-03-lowres.jpg Röportaj: Beyza Uçak https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445106827-LAQ13P2TGCC12XKBKY33/Beyza-U%C3%A7ak-04-lowres.jpg Röportaj: Beyza Uçak https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445030208-7NW6ODIN4BSWINL0V2C1/Printed%2716-Enstalasyon-02-lowres.jpg Röportaj: Beyza Uçak Printed’16 yerleştirme fotoğrafı https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445060310-Z0CT84JMUJF82C9CNUG0/Beyza-U%C3%A7ak-01-lowres.jpg Röportaj: Beyza Uçak https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445077756-OGUZFL6KA6YL7L2JLI4S/Beyza-U%C3%A7ak-02-lowres.jpg Röportaj: Beyza Uçak https://www.mixerarts.com/rop-isil-egrikavuk daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445340630-7IYDI7INSGHHJGAEEXRE/Printed%252716-Enstalasyon-05-lowres.jpg Röportaj: Işıl Eğrikavuk Işıl Eğrikavuk, 06.03.2016 (2016) arşivsel pigment baskı, 75x110 cm, ed. 5+2 AP https://www.mixerarts.com/rop-merve-kilicer daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445460249-32TTH0FSPR3JNILP1FVX/Printed%2716-Enstalasyon-09-lowres.jpg Röportaj: Merve Kılıçer sol - woman /leaf (2013), gravür (çinko plaka) orta - contra stampa - la verza (2013), gravür sağ - triple (2010), gravür (çinko plaka) https://www.mixerarts.com/rop-ozlem-demirel daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588445637839-5HVQI8SYMG761TU3FSBY/Printed%2716-Enstalasyon-03-lowres.jpg Röportaj: Özlem Demirel Özlem Demirel, lazerle çizilmiş perspex, serigraf ve bambu çubuklar, 2015 (enstalasyon görünümü) https://www.mixerarts.com/rop-deniz-kose daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446540084-DY43IMGJCY54EXWKWHF7/deniz+kose.jpg Röportaj: Deniz Köse Deniz Köse, baca (2014), linol baskı, 60x90 cm ed. 12 https://www.mixerarts.com/rop-leyla-hanc daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446877769-4NRIFCAUFAVBATTKEELC/Leyla+Hanci.png Röportaj: Leyla Hancı Leyla Hancı, the story of evolution (2019), metal gravür, asit oyma, 50x70 cm, ed.20 https://www.mixerarts.com/rop-gul-kozacolu daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588447501708-2L2JXCNX209HKNDT4K15/Printed%2716-Enstalasyon-06-lowres.jpg Röportaj: Gül Kozacıoğlu sol - Gül Kozacıoğlu, myndos & mnemonics III, diasec print, 60x90 cm, ed. 5 sağ - Gül Kozacıoğlu, risen, diasec baskı, 60x40 cm, ed. 50 Printed’16 sergisinden enstalasyon görünümü https://www.mixerarts.com/rop-juliana-manara-lf4z2 daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588448134833-6PYGJ8N8E9C5C26F5HXC/juliana+manara+2.jpg Röportaj: Juliana Manara The Circus, (2015), arşivsel pigment baskı 60x54 cm ed. 10+1 AP https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588448016941-GSUY21AU6D1APTZ13OUP/juliana+manara.jpg Röportaj: Juliana Manara Flying Petals 2 (2015), arşivsel pigment baskı, 60x53,34 cm ed. 10+1 AP https://www.mixerarts.com/rportajlar daily 0.75 2020-05-19 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431570967-NOCRGXUJE408J4NJHRG3/Adam%2BBridgland%2Bempire%2B500-lowres.jpg Röportajlar Interview with Adam Bridgland https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588448863399-TG8MODEKT9MWRJ4FMNXB/juliana%2Bmanara%2B2.jpg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431524202-TFLZEB90B8VL66ZMYTG1/image-asset.jpeg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588432180108-D6FE41UMXY8X4SUJET4C/%25C3%2596zlem%2BDemirel%2BLadder-lowres.jpg Röportajlar Interview with Özlem Demirel https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446032415-2EJI28QBS1JBU7NQG3NV/G%25C3%25BCl-Kozac%25C4%25B1o%25C4%259Flu-Myndos%2526MnemonicsIII_80.5x120_lowres.jpg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446204767-1LRG3WKNW6G718FBIA18/Printed%252716-Enstalasyon-12-lowres.jpg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589861332059-04LQBQDWRQGFEP7K9P4J/MIXER%252BAYLIK%252BDERGI%252B05_web.jpg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446106175-F6D69OFTOYDHS5VADMYL/Printed%252716-Enstalasyon-09-lowres.jpg Röportajlar Interview with Merve Kılıçer https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588446057319-V7JHV0KSO9UB0NUBKUVY/Printed%252716-Enstalasyon-05-lowres.jpg Röportajlar Interview with Işıl Eğrikavuk https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431166380-7XITDO5F3YQPJZH58UOJ/22.jpg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588432112423-LT5YYCB1CJN5MXTJV2QF/Printed%252716-Enstalasyon-19-lowres.jpg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588447098951-IFRRXX7N5V6NJ3VWZM7X/Leyla+Hanci.png Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589860886977-XF7Q7LTR8V09TWIHDONC/Asander.jpg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431594389-1S1O6LJY9QVTICXBPGKZ/Bur%25C3%25A7ak-Bing%25C3%25B6l-%25C5%259Eehir-k%25C4%25B1r%25C4%25B1%25C4%259F%25C4%25B1-Broken-city-2006-lowres-lowres.jpg Röportajlar Interview with Burçak Bingöl https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589860808033-27CZI125J0EPAF0O6EHG/B5OQ-4GCcAEOv2j.jpg Röportajlar https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588431546568-0XD0610RB64PKGV4BE1A/Hiding%2Bin%2Bthe%2BCity%2B-%2B18%2B-%2B2006.jpg Röportajlar https://www.mixerarts.com/rop-forever-young daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588435454295-VHVYCHJ91OPU9VD6CSB5/image-asset.jpeg Röportaj: Marc Quinn, Daima Genç https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588435030880-WT6YNIO373J5CSOMW1GE/marc-quinn-exhibit_at-arter-istanbul_photo-credit_murat-germen_2014_13+copy.jpg Röportaj: Marc Quinn, Daima Genç Marc Quinn, “Aklın Uykusu”, Küratör: Selen Ansen, Sergiden yerleştirme görüntüsü, ARTER, 2014, Fotoğraf: Murat Germen Sanatçının ve ARTER’in izniyle https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588434846079-OOSOD5V759HQH0407KH4/Marc+Quinn+Portrait+by+Mary+McCartney.jpg Röportaj: Marc Quinn, Daima Genç Fotoğraf: Mary McCartney https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588435585827-1473ZZTVWAIJ5RO8PK0P/Marc+Quinn%2C+Internal+Labyrinth+%282014%29.jpg Röportaj: Marc Quinn, Daima Genç Marc Quinn, internal labyrinth (2014) https://www.mixerarts.com/3d-print daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588927959567-74KWHZPK1R4HR5KNOQTK/Erdil%252BYa%2525C5%25259Faro%2525C4%25259Flu%25252C%252B8%252Bimam%25252C%252B3D%252Bbask%2525C4%2525B1%25252C%252B2012.jpg 3D Print Erdil Yaşaroğlu, 8 imam, 3d print, 2012 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588927442697-A0K9JPY5KUOT4SAGIFDB/Emin+Mete+Erdo%C4%9Fan%2C+g%C3%BCne%C5%9F+ana%2C+ah%C5%9Fap+ve+PNA+%C3%BCzeri+akrilik%2C+wood+and+acrylic+on+PNA%2C+51x45x35+cm%2C+ed.4%2B1+AP.%2C+2019%28lowres%29.jpg 3D Print Emin Mete Erdoğan, mothersun, wood and acrylic on PNA, ed.4+1 AP., 2019 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588927429017-UAX1MIOMTELZ3E1HIB1E/Karin+Sander%27s+Sculpture%2C1999.jpg 3D Print Karin Sander, 1:10, 3d print, 1999 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588927323779-NWC0ZQTIPI3QFUWQTTL7/Dr.+Kodoma%27s+draw.jpg 3D Print Dr. Kodoma’s draw https://www.mixerarts.com/3d-bask daily 0.75 2020-05-08 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588928762803-GMZH3MMLJE9B0XZE6VXV/Dr.+Kodoma%27s+draw.jpg 3D Baskı Dr. Kodoma’nın çizimi https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588928882532-TKLMAXKP2SHKBZWWA3WC/Emin+Mete+Erdo%C4%9Fan%2C+g%C3%BCne%C5%9F+ana%2C+ah%C5%9Fap+ve+PNA+%C3%BCzeri+akrilik%2C+wood+and+acrylic+on+PNA%2C+51x45x35+cm%2C+ed.4%2B1+AP.%2C+2019%28lowres%29.jpg 3D Baskı Emin Mete Erdoğan, güneş ana, ahşap ve PNA üzeri akrilik, ed.4+1 AP., 2019 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588928865433-RW1CMP32D8VH9SPTZ0IN/Erdil%2BYa%25C5%259Faro%25C4%259Flu%252C%2B8%2Bimam%252C%2B3D%2Bbask%25C4%25B1%252C%2B2012.jpg 3D Baskı https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588928917310-3RLXWVN9AZORNYCEHATH/Karin+Sander%27s+Sculpture%2C1999.jpg 3D Baskı Karin Sander, 1:10, 3d baskı, 1999 https://www.mixerarts.com/intcem-erciyes daily 0.75 2020-05-15 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588926097572-A8AA4NFX1MLT1Q7CIERY/image-asset.png Interview: Cem Erciyes Photo credits :Muhsin Akgün https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588926958302-SC4S7AA8SK3YGMKHK5MJ/Asander.png Interview: Cem Erciyes Asander, lonely skater, fine art print, 2014 https://www.mixerarts.com/rop-erciyes daily 0.75 2020-05-19 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588926958302-SC4S7AA8SK3YGMKHK5MJ/Asander.png Röportaj: Cem Erciyes Asander, yalnız buz patenci, fine art baskı, 2014 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1588926097572-A8AA4NFX1MLT1Q7CIERY/image-asset.png Röportaj: Cem Erciyes Foroğraf :Muhsin Akgün https://www.mixerarts.com/rportaj-stphane-suisse daily 0.75 2020-05-19 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589508589424-ILQ064PAGSR2GJEY8PP2/fv.jpg Röportaj: Stéphane Suisse Stéphane Suisse, fort mahon plajı , fine art baskı https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589508369514-72F11QYMV7ZP94ABRYFH/MIXER+AYLIK+DERGI+05_web.jpg Röportaj: Stéphane Suisse Stéphane Suisse, katalonya çizimleri V, fine art baskı https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589508653659-HDRR2E0WJ64V5UBQAYTX/fdvcv.jpg Röportaj: Stéphane Suisse Stéphane Suisse, kesişmeler, fine art baskı https://www.mixerarts.com/int-stephane-suisse-en daily 0.75 2020-05-19 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589508653659-HDRR2E0WJ64V5UBQAYTX/fdvcv.jpg Interview: Stéphane Suisse Stéphane Suisse, crossroads, fine art print https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589508369514-72F11QYMV7ZP94ABRYFH/MIXER+AYLIK+DERGI+05_web.jpg Interview: Stéphane Suisse Stéphane Suisse, sketches of catalonia, study V, fine art print https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589508589424-ILQ064PAGSR2GJEY8PP2/fv.jpg Interview: Stéphane Suisse Stéphane Suisse, fort mahon beach, fine art print https://www.mixerarts.com/interview-mixer-editions daily 0.75 2020-05-19 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589588818210-PGQZ7LYJSFTGIN9OZ26V/1600_sessiz_ve_konuskan_4783_470x.jpg Interviw: Mixer Editions Art lionse, the silent and the talkative, fine art print, 2010 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589722314707-5ZOQ6DYEECMBQYP7U1O9/Ekran+Resmi+2020-05-17+15.47.14.png Interviw: Mixer Editions Certifica of Authenticity https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589588606534-H6U759VVX5JT1JF2CN4Y/MIXER+AYLIK+DERGI+03_web3.jpg Interviw: Mixer Editions https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589588904577-M1UQIGKVQ0AOJE6HWQ67/MIXER+AYLIK+DERGI+03_web.jpg Interviw: Mixer Editions Layers of diasec https://www.mixerarts.com/rop-mixer-editions daily 0.75 2020-05-17 https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589588606534-H6U759VVX5JT1JF2CN4Y/MIXER+AYLIK+DERGI+03_web3.jpg Röportaj: Mixer Editions https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1589719908242-BBD9HA2S2VIYR9RPTEOA/Ekran+Resmi+2020-05-17+15.47.14.png Röportaj: Mixer Editions Orijinallik sertifiası 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https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1678792401205-3S5B70BOQ59M68PKWV4Q/Reyyan+K%C4%B1z%C4%B1lkaya+0C4A6973.jpg The Lesser Evil https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1678792433209-CLUW2XJLBOI1BP5PYB7I/Reyyan+K%C4%B1z%C4%B1lkaya+0C4A6976+copy.jpg The Lesser Evil https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1678792427146-NEADZUIV7LSV6C2H4LJ3/Reyyan+K%C4%B1z%C4%B1lkaya+0C4A6978.jpg The Lesser Evil https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1678792441083-W3ZL9NAYWD5JW7B4STDM/Reyyan+K%C4%B1z%C4%B1lkaya+0C4A6990.jpg The Lesser Evil https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1678792463026-RALK84CO1R3ODPQ20868/Reyyan+K%C4%B1z%C4%B1lkaya+0C4A6991.jpg The Lesser Evil https://images.squarespace-cdn.com/content/v1/5b1652ccaf209664a48f1a3f/1678792478482-JZK9FWKUVH4QRCPGMVE4/Reyyan+K%C4%B1z%C4%B1lkaya+0C4A6992.jpg The Lesser Evil 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